Peter Watson's virtuoso sweep through modern German thought and culture, from 1750 to the present day, will challenge and confound both the stereotypes the world has of Germany and those that Germany has of itself. From the end of the Baroque era and the death of Bach to the rise of Hitler in 1933, Germany was transformed from a poor relation among Western nations into a dominant intellectual and cultural force—more creative and influential than France, Britain, Italy, Holland, and the United States. In the early decades of the twentieth century, German artists, writers, scholars, philosophers, scientists, and engineers were leading their freshly unified country to new and unimagined heights. By 1933, Germans had won more Nobel Prizes than any other nationals, and more than the British and Americans combined. Yet this remarkable genius was cut down in its prime by Adolf Hitler and his disastrous Third Reich—a brutal legacy that has overshadowed the nation's achievements ever since. How did the Germans transform their country so as to achieve such pre-eminence? In this absorbing cultural and intellectual history, Peter Watson goes back through time to explore the origins of the German genius, and he explains how and why it flourished, how it shaped our lives, and, most important, how it continues to influence our world. As he convincingly demonstrates, it was German thinking—from Beethoven and Kant to Diesel and Nietzsche, from Goethe and Wagner to Mendel and Planck, from Hegel and Marx to Freud and Schoenberg—that was paramount in the creation of the modern West. Moreover, despite World War II, figures such as Joseph Beuys, JÜrgen Habermas, and Joseph Ratzinger ensure that the German genius still resonates intellectually today.

Peter Watson (born 1943) is an intellectual historian and former journalist, now perhaps best known for his work in the history of ideas.

He was educated at the universities of Durham, London, and Rome. Watson was deputy editor of New Society, and was for four years a member of the Insight team of The Sunday Times. He was New York correspondent of The Times and has written for The Observer, Punch, The Spectator and The New York Times. His journalistic work has included detailed investigation of auction houses and the international market in stolen antiquities, which has resulted in books and TV documentaries.