""Monday burn Millay, Wednesday Whitman, Friday Faulkner, burn 'em to ashes, then burn the ashes."" For Guy Montag, a career fireman for whom kerosene is perfume, this is not just an official slogan. It is a mantra, a duty, a way of life in a tightly monitored world where thinking is dangerous and books are forbidden. In 1953, Ray Bradbury envisioned one of the world's most unforgettable dystopian futures, and in "Ray Bradbury's Fahrenheit 451," the artist Tim Hamilton translates this frightening modern masterpiece into a gorgeously imagined graphic novel. As could only occur with Bradbury's full cooperation in this authorized adaptation, Hamilton has created a striking work of art that uniquely captures Montag's awakening to the evil of government-controlled thought and the inestimable value of philosophy, theology, and literature. Including an original foreword by Ray Bradbury and fully depicting the brilliance and force of his canonic and beloved masterwork, "Ray Bradbury's Fahrenheit 451" is an exceptional, haunting work of graphic literature. Tim Hamilton has produced art for "The New York Times Book Review," "Cicada "magazine, King Features, BOOM Studios, "Mad Magazine," and ACT-I-VATE. He also adapted Robert Louis Stevenson's "Treasure Island "into a graphic novel. Ray Bradbury is a multiple-award-winning novelist, short-story writer, essayist, playwright, screenwriter, and poet. An American Library Association "Great Graphic Novel for Teens" Nominee"Monday burn Millay, Wednesday Whitman, Friday Faulkner . . . Burn'em to ashes, then burn the ashes."" "For Guy Montag, a career fireman for whom kerosene is perfume, this is not just an official slogan. It is a mantra, a duty, a way of life in a tightly monitored world where thinking is dangerous and books are forbidden. In 1953, Ray Bradbury envisioned one of the world's most unforgettable dystopian futures, and in "Ray Bradbury's Fahrenheit 451," the artist Tim Hamilton translates this frightening modern masterpiece into a gorgeously imagined graphic novel. As could only occur with Bradbury's full cooperation in this authorized adaptation, Hamilton has created a striking work of art that uniquely captures Montag's awakening to the evil of government-controlled thought and the inestimable value of philosophy, theology, and literature. Including an original foreword by Ray Bradbury and fully depicting the brilliance and force of his canonic masterwork, "Ray Bradbury's Fahrenheit 451" is a haunting work of graphic literature. "A new adaptation of Ray Bradbury's classic work "Fahrenheit 451," with a fascinating and challenging new introduction by the author, is a vivid reminder of the special power of a graphic novel, of the genre's ability to do things that words alone can't . . . If you know the novel, you'll still be thrilled by Tim Hamilton's artwork in this new version, which combines a comic-book clarity--the panels are simple and straightforward, without the distraction of a lot of visual razzmatazz--with a deep, humane rendering of the novel's theme."--Julia Keller, "Chicago"" Tribune" "As evidenced by Tim Hamilton's authorized graphic novel, time has not dulled its tart, terrifying resonance. Vibrant and vital, Hamilton's take on "Fahrenheit 451" is far more than an illustrated version of Bradbury's 1953 classic. While its text belongs to Bradbury, Hamilton, a founding member of the online comics collaborative www.activatecomix.com, saturates the story with his own evocative energy and vision. He doesn't use all of Bradbury's words, instead allowing the story's inherent visual propulsion to add even more depth and texture to an already-indelible tale. Given this novel's graphic heft, it's strange that there has been only one film production, a 1966 adaptation written and directed by Francois Truffaut. Then again, perhaps that's because this is a work that, despite its many images of immolation, is more about provocative ideas than things blowing up. And here, Hamilton never compromises the cerebral for the visceral as he lures readers into a world careening into madness . . . Hamilton's arousing adaptation doesn't just update Bradbury's novel. It primes "Fahrenheit 451," long a staple of high school and college reading lists, for rediscovery. Like the greatest works of art, its rugged heart and soul are evergreen; that it is, perhaps, even more relevant today, imbues the book with an unsettling prescience that even Bradbury may never have predicted."--Renee Graham, "The Boston Globe " "A new adaptation of Ray Bradbury's classic work "Fahrenheit 451," with a fascinating and challenging new introduction by the author, is a vivid reminder of the special power of a graphic novel, of the genre's ability to do things that words alone can't. Believe me, I often question my affection for graphic novels. I loved Superman as a kid, but when it comes to comics, we're not in Kansas anymore. Graphic novels have become terrifically popular, thanks to fiercely imaginative practitioners like Neil Gaiman, as well as to a growing body of sophisticated theoretical work on the genre by astute writers such as Scott McCloud and Douglas Wolk . . . The new graphic version of "Fahrenheit 451" has helped sort out the contents of my soul. And I'm happy to report that I'm in the clear. I am quite certain that I'd be trumpeting the virtues of this work even if graphic novels weren't on everybody's hot list . . . If you know the novel, you'll still be thrilled by Tim Hamilton's artwork in this new version, which combines a comic-book clarity--the panels are simple and straightforward, without the distraction of a lot of visual razzmatazz--with a deep, humane rendering of the novel's theme . . . Some of my anti-comics correspondents claim that reading a graphic novel is not really 'reading' at all. They're right. It's something else again. In the case of "Fahrenheit 451," it's more like a life-changing immersion in ideas, words, echoes, symbols, char
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从文学性的角度来看,这本书的语言功力令人叹为观止。那些句子结构,充满了古典的韵律感,却又毫不费力地融入了未来世界的冰冷与疏离。我仿佛看到作者在斟酌每一个词语,力求用最凝练的文字表达最宏大的主题。阅读体验是多层次的,初读是情节的推进,再读则是对文字背后的哲学思辨的挖掘。它成功地构建了一个逻辑自洽却又荒谬至极的世界观,这种“合理化的不合理”恰恰是最具颠覆性的。我关注的焦点更多在于,当人们被鼓励“无知即是福”时,他们是如何自愿地放弃思考的?这种对“娱乐至死”现象的深刻洞察,在今天看来,更具有预言性质。整本书读下来,就像经历了一场精神上的洗礼,那些被忽略的、被遗忘的知识的价值,在作者的笔下重新焕发出耀眼的光芒。
评分这本书给我最深的触动,在于它对人性复杂面的刻画。没有绝对的好人或坏人,只有被环境塑造的个体。那些看似麻木的“大众”,他们的行为逻辑是可以被理解的,正是这种理解,才更令人心寒。我特别着迷于书中对于“记忆”和“传承”的探讨。当实体书籍消亡后,人类的精神财富将如何承载?那些选择抵抗的人,他们承担的不仅仅是肉体的风险,更是被整个社会孤立的巨大精神压力。每一次成功的“保存”行为,都显得异常艰难而神圣。作者没有提供廉价的希望,而是展示了漫长而曲折的抗争之路,这让整个故事的基调显得无比真实和厚重。我仿佛能感受到那种“以血肉之躯对抗钢铁洪流”的悲壮,这种深沉的悲剧美学,远比简单的正邪对抗更具震撼力。
评分翻开这本书,扑面而来的是一种令人窒息的压抑感,仿佛置身于一个被火焰吞噬的未来世界。作者的笔触细腻而精准,将那种无处不在的审查和知识被扼杀的恐惧描绘得淋漓尽致。我完全沉浸在那种对阅读的热爱与对禁令的恐惧交织的复杂情感中。那些关于“消防员”的设定,初看之下带着一丝黑色幽默,但深入其中,才体会到其背后隐藏的巨大悲哀——当一个社会连最基本的思考权利都剥夺殆尽时,文明的火种将如何延续?书中的角色们,他们的挣扎、他们的觉醒,都像一面镜子,映照着我们当下社会可能面临的隐忧。阅读的过程,更像是一场与自我内心的对话,不断拷问着“何为自由?”“知识的价值何在?”这种引人深思的力量,让我在合上书本之后,仍久久不能平静,脑海中回荡着那些被焚毁的书页气味,以及对真相的渴望与追寻。它不仅仅是一个故事,更像是一声警钟,响彻在每一个珍视思想自由的人的心头。
评分坦白说,这本书的阅读门槛并不低,它要求读者投入极大的专注力去解析那些象征和隐喻。它并非那种轻松愉快的消遣读物,更像是一次严肃的智力挑战。但正是这种挑战性,使得最终的收获愈发珍贵。它强迫你走出舒适区,去直面那些关于社会控制、个体异化等尖锐议题。我尤其欣赏它在细节处理上的克制,许多重大的转变都是在平静的对话中悄然发生的,这种张力处理得炉火纯青。合上书本,我没有感到被说教,反而有一种被唤醒的喜悦——那种重新发现“思考”乐趣的喜悦。它成功地在我的脑海中种下了一颗种子,让我开始以一种更审慎、更批判的眼光去审视我们习以为常的世界。这是一部值得反复品读的杰作,每次重温,都会有新的领悟。
评分这种叙事风格简直是神来之笔,它用一种近乎迷幻的方式,将反乌托邦的景象编织成一幅令人目眩神迷的画卷。节奏的把握极其老练,从一开始那种看似平稳却暗流涌动的日常,到情绪的爆发点,每一次转折都恰到好处,让人手心冒汗。我特别欣赏作者对于感官体验的捕捉,那种高速公路上的飞驰感,与静谧的阅读时刻形成强烈的对比,仿佛在提醒我们,物质的快速满足并不能填补精神的空虚。书中的意象运用极其丰富,火焰、灰烬、被遗忘的诗句,每一个细节都承载着厚重的象征意义。它不是那种直白地告诉你“这是错的”的作品,而是通过一种潜移默化的氛围感染你,让你自己去感受那种被驯化的群体的麻木与可悲。读到某些段落时,我甚至能感受到那种被压抑的情感喷薄而出的冲动,仿佛自己也成了那个在黑暗中摸索着寻找光明的人。
评分R.I.P, Ray Bradbury
评分画风老派,分镜糟糕,最讽刺的一点是这部小说里Bradbury明明批评了漫画这个形式是简化知识的没营养的快餐读物。
评分2017,确认不喜欢反乌托邦主题
评分2017,确认不喜欢反乌托邦主题
评分R.I.P, Ray Bradbury
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