Widely regarded as one of the greatest draughtsmen of all time, Annibale Carracci (1560-1609) is celebrated for his naturalism. Born in a time when the elegant deformations and exaggerations of Italian mannerism were still in vogue, Carracci turned instead to nature and reality as his principal inspirations. Much attuned to the everyday world around him, he took as much interest in studying a man bowling, a butcher weighing a piece of meat, or a street entertainer with his monkey as he did in the preparatory studies for his grand mythological and religious paintings. This stunning publication brings together a plethora of Carracci's masterful drawings to provide a unique insight into the technique and skill of one of the premier artists of his time.
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看的是Daniele Benati齣的另外一本。其實看瞭那麼多文藝復興的畫，我有兩個ideas，一個是用東方麵孔重塑西方神話畫作，另一個是將東方神話用油畫和fresco的形式方法錶現齣來。希望以後有人能做吧。
评分看的是Daniele Benati齣的另外一本。其實看瞭那麼多文藝復興的畫，我有兩個ideas，一個是用東方麵孔重塑西方神話畫作，另一個是將東方神話用油畫和fresco的形式方法錶現齣來。希望以後有人能做吧。
评分看的是Daniele Benati齣的另外一本。其實看瞭那麼多文藝復興的畫，我有兩個ideas，一個是用東方麵孔重塑西方神話畫作，另一個是將東方神話用油畫和fresco的形式方法錶現齣來。希望以後有人能做吧。
评分看的是Daniele Benati齣的另外一本。其實看瞭那麼多文藝復興的畫，我有兩個ideas，一個是用東方麵孔重塑西方神話畫作，另一個是將東方神話用油畫和fresco的形式方法錶現齣來。希望以後有人能做吧。
评分看的是Daniele Benati齣的另外一本。其實看瞭那麼多文藝復興的畫，我有兩個ideas，一個是用東方麵孔重塑西方神話畫作，另一個是將東方神話用油畫和fresco的形式方法錶現齣來。希望以後有人能做吧。
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