具體描述
Opening with the revolution-era debates of the 1790s, "Borderlines" reads Romantic genders across a mobile syntax, tuned to such figures as the stylized "feminine" poetess, the aberrant "masculine" woman, male poets deemed "feminine" or "unmanly," the campy male "effeminate," and hapless or strategic cross-dressers of both sexes. With fresh readings of the works, careers, and volatile receptions of Mary Wollstonecraft, Felicia Hemans, M. J. Jewsbury, Lord Byron, and John Keats, Susan Wolfson shows how senses (and sensations) of gender shape and get shaped by sign systems that prove arbitrary, fluid, and susceptible of lively transformation.
著者簡介
Susan J. Wolfson is also the author of Formal Charges: The Shaping of Poetry in British Romanticism (Stanford, 1997; 1999), awarded Outstanding Book of the Year by the American Conference on Romanticism.
圖書目錄
1
TWO WOMEN
37
Felicia Hemans and the Stages of The Feminine
39
The Generations of Masculine Woman
78
Womans Life and Masculine Energy The History of Maria Jane Jewsbury
92
TWO MEN
133
Lord Byron Sardanapalus and Effeminate Character
135
Gender as CrossDressing in Don Juan Men Women Male Female Masculine Feminine
164
Gendering Keats The Character Undecided the Way of Life Uncertain
243
BODY AND SOUL
285
Sex in Souls?
287
Texts
317
Abbreviations
318
Notes
320
Works Cited
381
Index
419
Keats and Gender Acts Had I Mans Fair Form
205
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