具體描述
In Hindu India both orality and sonality have enjoyed great cultural significance since earliest times. They have a distinct influence on how people approach texts. The importance of sound and its perception has led to rites, models of cosmic order, and abstract formulas. Sound serves both to stimulate religious feelings and to give them a sensory form. Starting from the perception and interpretation of sound, the authors chart an unorthodox cultural history of India, turning their attention to an important, but often neglected aspect of daily religious life. They provide a stimulating contribution to the study of cultural systems of perception that also adds new aspects to the debate on orality and literality.
Sound examples download:
https://www.degruyter.com/publication/isbn/978-3-11-024003-0/downloadAsset/9783110240030_Audio_Samples.zip
著者簡介
Annette Wilke and Oliver Moebus, Westfälische Wilhelms-Universität Münster, Germany.
圖書目錄
Foreword
Table of Contents
I. METHODOLOGY
1 Hinduism as a Culture of Sound
II. HISTORY
2 The Veda as a Basic Paradigm for Sacred Language and Sacred Sound
3 Composition and Decomposition: Analytical Studies and Popularizations of the Veda - Rationality and Aesthetics of Post-Vedic Literatures and Performing Arts
4 Pluralism and the Search for Orientation: De-Sacralization and Re-Sacralization of Language in Poetics, Linguistics, and Metaphysics
5 Performance and Sensuality: The Sound Universes of Tantra and Devotionalism
6 Sensory Substance: Nada-Brahman in East and West
7 Appendix: Music CD - Accompanying Text
Primary Sources
Secondary Sources
Index
· · · · · · (收起)
讀後感
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