具體描述
"Dictee" is the best-known work of the versatile and important Korean American artist Theresa Hak Kyung Cha. A classic work of autobiography that transcends the self, "Dictee" is the story of several women: the Korean revolutionary Yu Guan Soon, Joan of Arc, Demeter and Persephone, Cha's mother Hyung Soon Huo (a Korean born in Manchuria to first-generation Korean exiles), and Cha herself. The elements that unite these women are suffering and the transcendence of suffering. The book is divided into nine parts structured around the Greek Muses. Cha deploys a variety of texts, documents, images, and forms of address and inquiry to explore issues of dislocation and the fragmentation of memory. The result is a work of power, complexity, and enduring beauty.
著者簡介
Theresa Hak Kyung Cha (1951-1982) was a poet, filmmaker, and artist. In 1982, Cha was murdered by a stranger in New York City, just a few days after the original publication of Dictee.
圖書目錄
讀後感
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用戶評價
May I write words more naked than flesh, stronger than bone, more resilient than sinew, sensitive than nerve.
评分Lisa Lowe關注小說中主體的形成，每章節都是一個阿爾都塞意義上的召詢發生的係統，各係統中，主體形成又都失敗、未完、破碎——無論是作為法語使用者、美國公民、韓國人，等等——失敗原因在於主體身份的雜交性，性彆、族裔、種族等特質無法為單一係統（帝國、國族、宗教）所包含。就此而言，一個係統的召詢，往往能被個體利用來反對另一個係統，意識形態力量最終相互抵消。Cha對主體形成的描述，擴展瞭阿爾杜塞的“召詢”：由於小主體內部無法化約的差異，大小主體之間便不存在鏡像的、二階的認同關係，召詢是個不均衡、非統一的矛盾過程，其內部固有矛盾更因外部係統交織所産生的矛盾而加劇；同時，“壞主體”也因多係統的共存而擁有抵抗係統的能動。Lowe提倡一種結閤身份政治與差異政治辯證關係的“新政治”，大概類似於交織政治吧。
评分May I write words more naked than flesh, stronger than bone, more resilient than sinew, sensitive than nerve.
评分"She says to herself if she were able to write she could continue to live. Says to herself if she would write without ceasing. To herself if by writing she could abolish real time. She would live. If she could display it before here and become its voyeur." 打開一本日記，聽到女性的聲音和女性的沉默，我好像看到兩片努力想要說話的嘴唇，在曆史與國族的夾縫裏磕磕絆絆、支支吾吾。
评分"She says to herself if she were able to write she could continue to live. Says to herself if she would write without ceasing. To herself if by writing she could abolish real time. She would live. If she could display it before here and become its voyeur." 打開一本日記，聽到女性的聲音和女性的沉默，我好像看到兩片努力想要說話的嘴唇，在曆史與國族的夾縫裏磕磕絆絆、支支吾吾。
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