On Representation pdf epub mobi txt 電子書 下載 2024


On Representation

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Louis Marin
Stanford University Press
Catherine Porter
2002-10-1
439
GBP 29.50
Paperback
9780804741514

圖書標籤: 藝術史  theory  哲學  semiotics  LouisMarin  藝術史書單  藝術  法國   


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发表于2024-12-24

On Representation epub 下載 mobi 下載 pdf 下載 txt 電子書 下載 2024

On Representation epub 下載 mobi 下載 pdf 下載 txt 電子書 下載 2024

On Representation pdf epub mobi txt 電子書 下載 2024



圖書描述

At his death in 1992, the eminent philosopher, critic, and theorist Louis Marin left, in addition to a dozen influential books (including "Sublime Poussin," Stanford, 1999), a corpus of some three hundred articles and essays published in journals and anthologies. A collection of twenty-two essays that appeared between 1971 and 1992, this book interrogates the theory and practice of representation as it is carried out by both linguistic and graphic signs, and thus the complex relation between language and image, between perception and conception. The essays are grouped in four parts that reflect the continuity and coherence of Marin's interests in semiology, narrative, visuality, and painting. The interdisciplinary horizon of the book draws on multiple scholarly resources--the cultural history of the seventeenth century, the philosophy of language, the tools of discourse analysis, the history of art and aesthetics, the analysis of reception--to address a stunning diversity of subjects ranging from historical painting through cartography to the processes of deciphering texts, interpreting stories, and "reading" images. Throughout the essays, Marin's reflection on representation is supported and deepened by his brilliant exegesis of graphic art. His analysis of works by Caravaggio, Philippe de Champaigne, Le Brun, and Poussin, among others, provides the armature that allows him to describe both the structural logic of representation and the intricate processes of production and reception that make it dynamic and unstable. Marin demonstrates with consummate rigor why the pursuit of a general theory of representation is experienced by artists and critics alike as an inevitable, yet unattainable objective.

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