Light: The Shape of Space Designing with Space and Light Lou Michel Every design professional who touches a space shapes the light and the feeling of that space. Architect, lighting engineer, interior designer, lighting or home furnishing manufacturer: each contributes an aesthetic layer, sometimes yielding unexpected results. All too often the best laid plans of one professional are unintentionally subverted by another. Removing surprises and guess work from design, Lou Michel, honored architectural lighting educator, has created Light: The Shape of Space, showing how to design with the effects of light rather than light itself. The book is a revolutionary resource for all design professionals and manufacturers of surfacing materials. Drawing on over fifteen years' experience of research and teaching in the architectural Space and Light Laboratory at The University of Kansas, Michel masterfully examines the interrelationship of lighting and the design of architectural space as perceived not in architectural photos or paint chips and fabric swatches, but by human vision -- the gateway to emotional response. The book was written for professionals who care about how people feel in the spaces they design, and focuses on the humanization of architecture. Taking a non-stylistic approach to design, Michel analyzes architecture from the perspective of how the users see their surroundings as they move through space. The reader will learn what pleases and what disturbs people based on how the human visual system responds to color, texture, pattern, and brightness. The book features principles of design for the student and professional, and is generously supported by illustrations and research. Michel also provides a method for evaluating the visual effectiveness of building materials and lighting systems, including those that will appear on the market long after this book is dog-eared. Michel unveils a groundbreaking luminance brightness rating system (LBR) and a nine-zone brightness scale to aid designers in previsualizing the appearance of surfacing materials at every stage of the design process, from schematics to development to refinement. Among the topics treated are:
* the interaction of lighting and spatial design
* color theory for space and light
* the luminance relationships between free-standing objects and the surrounding spatial boundaries against which they are seen
* the appearance of building materials in color and brightness when modified by light and spatial location
* lighting spatial connections, including the perception of rooms adjacent to the observer
* lighting and perception of spaces screened by architectural grilles
* creating lighted space
Designing with the effects of light is both an art and a science. No other book on the market bridges that gap as successfully as Light: The Shape of Space.
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我通常对那种动辄上千页的宏大叙事有些敬而远之,总担心后继乏力或虎头蛇尾。然而,这本讲述一位边缘音乐家在极北之地追寻一种失传的极光旋律的小说,却以其精巧的结构和细腻的情感描摹,彻底征服了我。叙事视角在现实的清苦与幻想中的瑰丽之间频繁切换,这种跳跃感并非令人困惑,反而像是作曲家在演奏复杂的复调音乐,不同的声部交织出和谐的美感。书中对于“等待”这一主题的探讨极其深刻——等待灵感的降临,等待冰雪消融,等待一个遥远的回音。作者的语言风格是那种带着冷冽感的诗意,每一个比喻都精准到位,不溢美,不矫饰,却能直击人心的柔软之处。特别是关于主角如何用自制的乐器捕捉风声的段落,那种执拗和近乎偏执的创造力,让人对艺术的本质有了全新的理解。这不只是一部关于音乐的小说,更是一曲献给所有在孤独中坚持梦想者的赞歌,读罢,心中涌动着一种既悲凉又充满希望的复杂情绪。
评分坦白说,我带着一种审视的眼光开始阅读这本关于高精度机械义体与人类情感内核的科幻小说,因为近年来同类型作品大多流于表面的炫技。然而,这本书的优秀之处在于,它将冰冷的逻辑与炙热的人类困境完美地融合在一起。情节设置围绕着一个关于“记忆移植”的伦理困境展开:当一个人可以将全部的痛苦和快乐都精确地数字化并转移给一个完美的仿制品时,那个“原版”的自我还剩下什么价值?作者的文本处理极其干净利落,没有冗余的科学术语解释,而是通过主角在一次次人格备份与恢复中产生的微小偏差,悄无声息地渗透出哲学层面的拷问。我尤其欣赏它在描绘未来社会阶层固化时的那种不动声色的冷酷——那些拥有完美义体的人与那些依靠“有机体”苟延残喘的人之间的无声对峙,其紧张感远胜过任何爆炸场面。读完后,你会不由自主地开始审视自己手机里的照片和社交媒体记录,思考着,到底哪些才是构成“我”的核心数据?
评分这本书的文字有一种泥土的芳香和旧日炉火的暖意,它讲述了一个发生在上世纪初欧洲某个偏远村落的家族秘史,核心围绕着一种代代相传的酿酒秘方,以及一个关于背叛与救赎的循环故事。它不像某些历史小说那样试图涵盖宏大的历史背景,而是将镜头聚焦在那些微小的、日常的仪式感上:清晨雾气中采摘的特定草药、酿酒缸旁低语的祷文、每年秋季庆祝丰收时那些约定俗成的舞蹈动作。作者的叙事就像一位技艺精湛的织工,将人物的命运与土地的季节变化紧密地编织在一起,让人感到既踏实又略带宿命的忧伤。我特别喜欢其中关于“味道的记忆”的描绘,那种苦涩中回甘的复杂层次,不仅体现在酒中,更体现在角色们经历的爱与失去上。这是一部需要慢慢品味的“佳酿”之作,它不急于让你知道结果,而是让你沉醉于过程中的每一种味道、每一种气息。读完后,我甚至渴望能找到一瓶那样古老的酒,来验证书中描绘的那种近乎神圣的体验。
评分我很少读到如此结构松散却又极富内在张力的作品。这本书更像是一系列破碎的日记片段、被截断的采访录音和一些晦涩的诗歌残篇的集合体,主题是关于一个现代都市中“被遗忘的公共空间”的考察。作者没有试图构建一个传统意义上的“故事”,而是构建了一种情绪场。每一页都像是在探索城市肌理深处的一个伤口——那些被拆迁的广场、被遮蔽的河流、那些只在凌晨三点才有人使用的地下通道。文字风格极其克制,使用大量短句和留白,迫使读者必须自己去填补那些缺席的叙事空白。正是这种刻意的“缺失”,让读者感到一种强烈的参与感和责任感,仿佛我们自己就是那个在深夜里,试图用手机微光记录下这些正在消失的角落的人。这本书的厉害之处在于,它让你开始重新审视你每天路过的那些“无聊”的角落,让你意识到,在你匆忙的生活中,有多少重要的、有历史重量的瞬间正悄无声息地滑入虚无。它是一次对现代人麻木感的温柔而坚决的提醒。
评分这本关于城市探险和失落文明的史诗巨著,带给我的震撼是无以复加的。作者对细节的打磨达到了令人发指的程度,每一个街角的描绘,每一块斑驳的砖墙,都仿佛能触碰到历史的尘埃。故事的主角,一个对旧日辉煌心怀敬畏的年轻考古学家,他的探索之旅并非一帆风顺,而是充满了与时间、与人性、与那些沉睡的秘密的搏斗。我尤其喜欢书中关于“声音景观”的刻画,那种在寂静的地下遗迹中,只能听到自己心跳和风穿过空洞的回响,配合着那些古老符文的诡异光芒,让人脊背发凉,却又忍不住想深究下去。整本书的节奏控制得极佳,时而如同急促的鼓点,将你卷入一场生死时速的追逐;时而又如同缓慢流淌的地下河,让你沉浸在对人类文明兴衰的哲学思考之中。读完之后,我合上书页,仿佛能闻到空气中弥漫着的古老香料和潮湿泥土的气息,那种强烈的沉浸感,让现实世界都显得有些黯淡失色。这是一部需要用心去“听”和去“感受”的作品,而非仅仅用眼睛去“阅读”。
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