Terror from the Air pdf epub mobi txt 电子书 下载 2024


Terror from the Air

简体网页||繁体网页
Peter Sloterdijk
Semiotext(e)
Amy Patton
2009-4
112
GBP 11.50
Paperback
9781584350729

图书标签: Sloterdijk  Media  媒体研究  历史  theory  Studies  PeterSloterdijk  科学史   


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发表于2024-12-25

Terror from the Air epub 下载 mobi 下载 pdf 下载 txt 电子书 下载 2024

Terror from the Air epub 下载 mobi 下载 pdf 下载 txt 电子书 下载 2024

Terror from the Air pdf epub mobi txt 电子书 下载 2024



图书描述

According to Peter Sloterdijk, the twentieth century started on a specific day and place: April 22, 1915, at Ypres in West Flanders. That day, the German army used a chlorine gas meant to exterminate indiscriminately. Until then, war, as described by Clausewitz and practiced by Napoleon, involved attacking the adversary’s vital function first. Using poison gas signaled the passage from classical war to terrorism. This terror from the air inaugurated an era in which the main idea was no longer to target the enemy’s body, but their environment. From then on, what would be attacked in wartime as well as in peacetime would be the very conditions necessary for life.

This kind of terrorism became the matrix of modern and postmodern war, from World War I’s toxic gas to the Nazi Zyklon B used in Auschwitz, from the bombing of Dresden to the attack on the World Trade Center. Sloterdijk goes on to describe the offensive of modern aesthetics, aesthetic terrorism from Surrealism to Malevich--an “atmo-terrorism” in the arts that parallels the assault on environment that had originated in warfare.

Terror from the Air 下载 mobi epub pdf txt 电子书

著者简介

Peter Sloterdijk (b. 1947) is one of the best known and widely read German intellectuals writing today. His 1983 publication of Critique of Cynical Reason (published in English in 1988) became the best-selling German book of philosophy since World War II. He became president of the State Academy of Design at the Center for Art and Media in Karlsruhe in 2001. He has been cohost of a discussion program, Das Philosophische Quartett (Philosophical Quartet) on German television since 2002.


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如何把不可见之物纳入到讨论范畴的一种尝试 空气的对象质地一直在变 而变化来自于其直观后果逼我们采取的间接判断 空气从一种不可见不被对象化的良性背景变成一种时刻潜在的存在危害 从毒气空袭到核辐射和天气武器甚至艺术革命都是大气恐怖主义; 整体成文结构上叙述多于论述像评论而不像哲学

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如何把不可见之物纳入到讨论范畴的一种尝试 空气的对象质地一直在变 而变化来自于其直观后果逼我们采取的间接判断 空气从一种不可见不被对象化的良性背景变成一种时刻潜在的存在危害 从毒气空袭到核辐射和天气武器甚至艺术革命都是大气恐怖主义; 整体成文结构上叙述多于论述像评论而不像哲学

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如何把不可见之物纳入到讨论范畴的一种尝试 空气的对象质地一直在变 而变化来自于其直观后果逼我们采取的间接判断 空气从一种不可见不被对象化的良性背景变成一种时刻潜在的存在危害 从毒气空袭到核辐射和天气武器甚至艺术革命都是大气恐怖主义; 整体成文结构上叙述多于论述像评论而不像哲学

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如何把不可见之物纳入到讨论范畴的一种尝试 空气的对象质地一直在变 而变化来自于其直观后果逼我们采取的间接判断 空气从一种不可见不被对象化的良性背景变成一种时刻潜在的存在危害 从毒气空袭到核辐射和天气武器甚至艺术革命都是大气恐怖主义; 整体成文结构上叙述多于论述像评论而不像哲学

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如何把不可见之物纳入到讨论范畴的一种尝试 空气的对象质地一直在变 而变化来自于其直观后果逼我们采取的间接判断 空气从一种不可见不被对象化的良性背景变成一种时刻潜在的存在危害 从毒气空袭到核辐射和天气武器甚至艺术革命都是大气恐怖主义; 整体成文结构上叙述多于论述像评论而不像哲学

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