From the Introduction, Featuring an Interview with Judy Blume The book you're holding is part of a series which every year seeks to compile a varied and unexpected anthology of fiction, nonfiction, essays, journalism, comics, and humor. The books in the Nonrequired series are still assembled in much the same way they've always been--passionately and unscientifically. This anthology, part of the Best American juggernaut that includes everything from the original Best American Sheetrock Poetry to the newest addition, Best American Canadian Marsupial Short Fiction Featuring Lewd Woodworking, is considered the best of them all, chiefly because ours usually features the highest volume of cursing. In an effort to keep the collection moving in new ways and avoid litigation, we decided to ask questions of our guest introducer, the unimprovable Judy Blume. There's actually a piece in this collection called Are You There God? It's Me. Also, a Bunch of Zombies. Is this the first time someone has adapted one of your titles to apply to the undead?Judy Blume: As far as I know this is the first time my title has been adapted to apply to the undead. Let's hope it's the last? I've told my husband I think I should have a headstone someday that reads: ARE YOU THERE GOD? IT'S ME . . .JUDY BLUME Or would that be too weird? Was it important for you to put positive moral values in your young adult books?JB: I don't think the best stories come out of a place where the author is determined to put in positive moral values. I mean, whose values? I'm happy when my characters behave in an ethical way. But they're not always going to. An exception was Forever . . . I wanted to show two decent teens taking responsibility for their actions. But really, I'm just telling stories. I hope my readers will come away thinking. I hope they find something in my books they can relate to, something that illuminates life for them. Were you like any of the characters in your books?JB: I was like my character Sally Freedman. I had a lot of imagination. Often, what I imagined was worse than reality. Starring Sally J. Freedman as Herself is my most autobiographical book. My fourth-grade teacher, whom I fictionalized in Sally J., recently died. I met up with her when Double Fudge was published and she came to a talk/signing in the Miami area. It was a thrill to introduce her to the audience. My sixth-grade experience was like Margaret's in Are You There God? It's Me, Margaret. And yes, I did those breast-enhancement exercises. (And no, they didn't work for me.)
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说实话,这本书的阅读体验就像一场意料之外的冒险旅行,你永远不知道下一页会把你带到哪个光怪陆离的角落。它的叙事风格极其跳跃和多变,前一秒还在一个冰冷的实验室里听着科学家阐述一个荒谬的理论,后一秒就被拉进一个充满魔幻现实主义色彩的乡村集市,听着老人们讲述那些真假难辨的传说。这种强烈的反差感,非但没有造成阅读上的障碍,反而像被一股强大的电流击中,让人精神为之一振。我特别欣赏其中几篇评论文章,它们对当代文化现象的剖析尖锐而又不失幽默,用一种近乎戏谑的口吻,揭示了流行文化背后的空心和焦虑。这些文字的节奏感把握得极好,时而急促如鼓点,时而舒缓如慢板,让你完全沉浸其中,无法自拔。它挑战了传统意义上“好读”的标准,更像是一种智力上的攀登,虽然过程有点费力,但当你征服了一个复杂的段落,那种豁然开朗的成就感是无与伦比的。这本书的编辑无疑是位拥有极高品味的“策展人”,将这些风格迥异的碎片巧妙地串联起来,形成了一个既统一又充满张力的整体。
评分我必须承认,这本书的阅读门槛不算低,它要求读者具备一定的知识背景和开放的心态,但一旦你适应了它的语境,它所能给予的回报是巨大的。那些关于科学伦理、哲学思辨的文章,虽然初看起来像是冰冷的学术探讨,但作者总能巧妙地将其与最基本的人性困境联系起来,使得那些抽象的概念变得鲜活可感。我最喜欢那种叙事者带有强烈个人色彩的作品,他们讲述的故事虽然可能是虚构的,却比许多“真实”的报道更加能揭示生活的真相。比如那个关于一位孤独的宇航员在漫长旅途中进行的心理独白,那种对存在意义的追问,孤独得让人心碎,却又在极致的寂静中找到了某种超然的平静。这本书的排版和设计也极具匠心,字体选择和留白处理都显得非常典雅,这让原本可能略显沉重的文字有了一丝呼吸的空间,阅读过程变得更加赏心悦目,宛如在欣赏一件设计精良的艺术品。
评分这本书给我的感觉是,它更像是一本精心策展的当代文学“画廊”,每一篇作品都是一幅独立但又互相呼应的杰作。它没有一条清晰的主线或统一的风格,反而以其多样性和不可预测性取胜。我特别欣赏里面几篇关于城市变迁的观察报告,它们没有用宏大的叙事去概括,而是聚焦于街道转角处一个被遗弃的物件、一家即将倒闭的小店,通过这些微观的切片,折射出整个时代背景下的失落与新生。作者们仿佛是优秀的摄影师,深谙如何捕捉光影的微妙变化,如何通过景深来引导读者的注意力。这种叙事策略需要读者保持高度的专注力,去捕捉那些隐藏在表面之下的关联与意义。读完合上书本时,脑海中留下的是一片片闪烁的、具有强烈视觉冲击力的画面和一串串值得深思的疑问,而非某个单一的结论。这是一本为那些厌倦了平庸表达、渴望真正智力刺激的读者准备的盛宴。
评分这本书简直是心头好,拿到手就忍不住一口气读完了好几个故事。最让我印象深刻的是那个关于一个在城市里迷失方向的老太太,她的内心挣扎和对过去的追忆描绘得太细腻了,简直让人感同身受。作者的笔触如同油画颜料般厚重,色彩斑斓却又带着一种挥之不去的忧郁,每一个场景都仿佛能在我眼前活灵活现地展开。阅读过程中,我几次停下来,深吸一口气,品味着那些精妙的措辞和出人意料的转折。它不是那种读完就忘的快餐文学,而是像陈年的老酒,需要细细品咂,才能体会到其中蕴含的复杂滋味。里面的非虚构作品更是精彩纷呈,它们以一种近乎诗意的散文形式,探讨了那些我们日常生活中常常忽略的深刻议题,比如时间、记忆和人与人之间那种微妙的疏离感。我尤其喜欢其中一篇对某种罕见昆虫生态的观察报告,那描述细致入微,让人仿佛置身于幽暗潮湿的森林之中,感受到生命的微小却又无比坚韧的力量。这本书的选篇水准极高,每篇都能带来阅读上的惊喜和智力上的挑战,绝对是值得反复咀嚼的佳作。
评分这本书的文字功力简直可以用“炉火纯青”来形容,每一个句子都经过了千锤百炼,散发着一种冷峻而迷人的光泽。我发现自己不得不频繁地停下来,拿出笔在旁边做笔记,不是因为内容晦涩难懂,而是因为某些表达方式实在太精妙了,简直是教科书级别的示范。有一篇关于现代艺术品市场运作的文章,作者寥寥数语就勾勒出了财富、欲望和虚荣心交织的复杂图景,那种克制却又极富穿透力的笔力,让人不得不佩服。它的选材非常广博,从严肃的历史反思到那些边缘人物的日常琐事,都有涉猎,但无论主题如何,作者们都保持着一种近乎苛刻的客观性,即便是描写最激烈的情感冲突,也处理得如同冷静的显微镜观察。这种冷静的叙述反而带来了更大的情感冲击力,因为它强迫读者自己去填补那些被故意留白的间隙。我感觉自己像是被邀请参加了一场高智商的文学沙龙,周围坐着的都是言辞犀利、洞察力惊人的思想家,这场阅读体验极大地拓宽了我对“写作”这件事的理解边界。
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