Tell It Slant

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出版者:William B Eerdmans Publishing Co
作者:Eugene H Peterson
出品人:
页数:287
译者:
出版时间:2008
价格:GBP 17.20
装帧:Hardcover
isbn号码:9780802829542
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  • 基督教:耶稣
  • 基督教:灵修神学
  • 诗歌
  • 美国文学
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  • 现代主义
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  • 诗歌评论
  • 文学批评
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具体描述

Just as God used words both to create the world and to give us commandments, we too use words for many different purposes. In fact, we use the same language to talk to each other and to talk to God. Can our everyday speech, then, be just as important as the words and prayers we hear from the pulpit? Eugene Peterson unequivocally says Yes! Tell It Slant explores how Jesus used language he was earthy, not abstract; metaphorical, not dogmatic. His was not a direct language of information or instruction but an indirect, oblique language requiring a participating imagination slant language. In order to witness and teach accurately in Jesus name, then, it is important for us to use language the way he did. Part 1 focuses on Jesus words in everyday contexts his teachings to the crowds, the stories he told, his conversations with his disciples. Part 2 shifts the focus to Jesus prayers the words he spoke to God the Father.

Petersons Tell It Slant promises to deepen our understanding of Jesus words, strengthen our awareness of language as a gift of God, and nurture our efforts to make all of our speech convey a blessing to others.

Summary: Read this book!

Rating: 5

What a great book! Eugene Peterson is full of so much insight and cultural background. This is not a book for just serious academics, just the opposite, it's for everyone. As someone who has been involved in Christian education and formation I'd recommend this book for everyone.

Summary: TELL IT SLANT is about more than Jesus' use of language

Rating: 5

TELL IT SLANT. Huh? The phrase is a not-quite-grammatical derivative of the clichéd "tell it straight." It isn't original to author Peterson; it's from a line of poetry by Emily Dickinson: "Tell all the Truth but tell it slant." Peterson sees the idiom as descriptive of Jesus' mode of communication, especially as portrayed in 10 parables that are unique to the Gospel of Luke --- found between Luke 9 and 19, sometimes known as Luke's "Travel Narrative."

Peterson notes that Luke doesn't emphasize Jesus the teacher or the preacher; rather, "Luke has a particular interest in immersing us in the conversational aspects of Jesus' language." He's engaging the imagination and telling stories. These parables are told when Jesus is "on the road"; he has left his home territory in Galilee and is traveling with disciples, through Samaria, toward Jerusalem and his final days. "A kind of intimacy develops naturally when men and women walk and talk together, with no immediate agenda or assigned task except eventually getting to their destination." Here's where Jesus tells the story called the "prodigal son" and a story about an unfruitful fig tree that is given fertilizer and another year to prove itself.

The second part of the book moves from Luke's parables to six prayers of Jesus, as recorded primarily in Matthew and John. We've seen how Jesus talks with his friends and followers. How does he talk with God, whom he calls Father?

Peterson's "language" schema is most evident in the book's opening and closing chapters. In the scriptural discussion, it's easy to get delightfully lost in the textual insights --- which must be chewed and savored. As he acknowledges up front, the content was developed in college "courses on language, Scripture, and prayer" at Regent College, in Vancouver. This shouldn't scare off armchair readers with a modest interest in Christian spirituality. At the beginning of most chapters he deftly summarizes content previously covered, hooking it to the passage at hand, providing clear guideposts for readers.

Ultimately Peterson challenges us to emulate Jesus in his use of language, engaging people where they are and talking with God personally, not in stuffily pious phrases.

I particularly liked Peterson's take on Jesus' "Seven Last Words," which he categorizes as one prayer. He discusses the phrases in the order they are presented in the Gospels, so "Father, into your hands I commend my spirit" is in the middle of the lineup. After three pages of reflection, Peterson draws a personal application: "This is not a prayer we hold in reserve for our deathbed... We pray it when we get out of bed each morning, alive yet another day, ready to go to work...: `Father, into your hands I commend my spirit.'"

You see, TELL IT SLANT is about more than Jesus' use of language. It's also about our relationships and how we communicate in them --- whether with neighbors, co-workers or God.

--- Reviewed by Evelyn Bence

Summary: Fantastic book!

Rating: 5

I thoroughly enjoyed reading this book! Eugene Peterson is one of my favorite writers and this book caused me to stop often and commune with the Holy Spirit over a point that I had just read. Thank you Eugene! You have once again added depth to my spiritual life.

Summary: Another Home Run!

Rating: 5

Eugene Peterson has hit a homerun again. I have read the 3 books preceding this one in the series and it seems they just get better and better. The author is showing us how Jesus leads our spiritual development as he ministered on the earth. New insights on the life and purpose of ministry of Christ are included in each volume as they are presented. A must read but recommend reading the first three to see the accumulating development.

Summary: Another "must read" for the aggressive God-seeker

Rating: 5

This is the 4th book in Peterson's conversation series. "Tell It Slant" is focused on the "conversational Jesus". The conversational Jesus is revealed in two parts ... along a long walk ... and through Jesus in prayers. Peterson tasks the reader to go beyond the words and engage the mind in the Jesus discussion.

Part one follows Christ through Luke's travel narrative of the final walk from Galilee, through troubled Samaria, to arrive in Jerusalem for His final days. Peterson reanimates and brings life to the words of the traveling Messiah as he teaches, considers, and observes along this final journey. The Jesus dialogue is intensely considered through 11 distinct, but interlaced conversations along the road. Part one alone is worth the price of the book. As I write 2 weeks after completing the book, I'm thinking that part one is a standalone masterpiece. Each conversation, as Peterson guides our minds, is a timeless, living metaphor that immerses the modern reader in the calm thoughts and considerations of the Master on the road to crucifixion. I found that I had to limit my reading to only one of 11 conversations per day ... so compelling is the Peterson contribution.

Part two shifts away from the "casual" travel narrative to the praying Jesus through 6 prayers ... 6 praying conversations, between Christ and God, about us, in increasing situational intensity. We have rote memory of these prayers. Therein lies a problem as Peterson considers them. Peterson does a superlative job in pointing the reader to the conclusion that there is much more to these well known prayers than our memories can evoke. The patterns of a life with Christ through, prayer dialogue, is compelling.

In Peterson's surely tireless career as translator, as an academic, and with long term roots as a pastor shepherding a real live congregation of sinners toward the Word, Peterson provides readers with his fascinating vantage and insight from his maturing walk in the Jesus way.

The 4 book series, and assuredly those to come, are a must read for the aggressive God seeker.

《曲径通幽》 在一座被遗忘的古老城镇,时间的脚步似乎凝固在了某个遥远的年代。镇子的中心,静静地坐落着一座被岁月侵蚀的宅邸,它的石墙上爬满了藤蔓,窗棂在风中发出低语,仿佛在诉说着一个不为人知的故事。这故事,就隐藏在这座宅邸最深处的书房里,等待着被有心人发掘。 宅邸的主人是一位早已故去的学者,他对世界充满了好奇,对知识有着近乎狂热的追求。他将自己毕生的心血倾注在了一个庞大的研究项目上,这个项目涉及古老文明的遗迹、失传的技艺、以及那些隐藏在历史长河中的秘密。然而,直到生命的最后一刻,他也未能完全揭开所有谜团,留下了一堆堆凌乱的手稿和未竟的探索。 故事的主人公,是一位年轻而充满激情的历史研究者。她偶然间得知了这座宅邸及其主人的传说,被那股神秘的气息所吸引。怀揣着对真相的渴望和对知识的敬畏,她毅然踏上了前往这座偏僻小镇的旅程。 随着她在宅邸中深入探索,她发现的远不止是尘封的书籍和泛黄的地图。每一个角落都似乎弥漫着过去的气息,每一个物件都可能承载着一段被遗忘的记忆。她开始梳理学者留下的研究笔记,试图理解他宏大的构思,追寻他遗失的线索。这些笔记内容极为晦涩,充满了各种古老的符号、未知的语言和复杂的理论。它们就像一张张拼图,碎片散落,等待着被巧妙地拼接。 她发现,这位学者并非仅仅满足于象牙塔中的研究,他的脚步曾踏遍了世界各地。他曾深入荒漠,寻找失落的文明遗址;他曾潜入幽深的古墓,解读石壁上的壁画;他曾拜访隐居的智者,学习古老的口传知识。他的研究,触及了天文学、地理学、考古学、语言学,甚至是一些被视为迷信的民间传说。 每一次的解读,都像是一次惊心动魄的冒险。她需要借助各种稀有的文献、古老的工具,甚至是依靠直觉和想象力,去理解那些被岁月和遗忘所模糊的痕迹。她常常会发现,表面上看似无关的事件,在学者的研究脉络中,却有着惊人的联系。一个被忽视的古代神话,可能蕴含着关于星象的精确记录;一段被认为是民间故事的传说,可能揭示了某个失落文明的生活方式。 随着研究的深入,她逐渐意识到,这位学者所追寻的,并非仅仅是某个孤立的知识点,而是一个更为宏大、更为深刻的体系。他试图通过拼凑这些零散的碎片,来理解宇宙运行的规律,生命的意义,以及人类文明发展的轨迹。他的研究,就像是在为我们揭示一张隐藏在时间帷幕后的巨大地图,上面标注着人类文明的过去、现在,以及那未知的未来。 然而,探索的道路并非一帆风顺。她会遇到前所未有的困难,无论是来自知识本身的挑战,还是来自外部环境的阻碍。她需要在有限的时间和资源下,与时间和遗忘赛跑。她会经历迷茫、挫败,甚至会怀疑自己能否坚持下去。但每当她即将放弃时,总会有一些意想不到的发现,一些微小的线索,重新点燃她内心的火焰,让她继续前行。 最终,当她将所有的线索串联起来,当那些晦涩的文字终于在她脑海中清晰起来时,她所获得的,将不仅仅是对一个学者研究成果的理解。她将窥见一个截然不同的世界,一个隐藏在我们日常认知之外的真相。这个真相,既令人震撼,又令人敬畏。它可能会颠覆她一直以来对历史、对世界的认知,让她以全新的视角去审视一切。 《曲径通幽》讲述的,就是这样一场关于探索、关于发现、关于揭示隐藏真相的旅程。它不是关于一个故事的简单复述,而是关于一个过程的细致描绘:一个个体如何穿越重重迷雾,在历史的残垣断壁中,寻觅那些被遗忘的智慧,最终抵达令人惊叹的彼岸。这是一个关于知识的力量,关于好奇心的驱动,以及关于人类永不停止的探索精神的故事。它邀请读者一同踏上这场智识的冒险,感受解开谜团时的欣喜,体会发现真相时的震撼,并在字里行间,品味那些穿越时空的智慧回响。

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我必须承认,这本书的语言风格极其考究,带着一种近乎古典的精确性,但同时又充满了现代主义的疏离感。句子结构复杂多变,常常使用一些不常见的词汇组合,初读时可能会感到些许晦涩,需要反复咀嚼才能体会其韵味。这种对语言形式的极致追求,使得阅读过程变成了一项需要全神贯注的智力活动。我尤其欣赏作者在描绘场景时所展现出的那种克制而有力的笔触,即便是在描述最激烈的情感冲突,也总能保持着一种令人敬畏的距离感,让读者自己去填补那些未言明的空白。它不是一本提供即时满足感的作品,更像是一块需要被精心雕琢的璞玉,需要读者投入时间与耐心去发掘其内在的光泽。对于那些偏爱直白叙事风格的读者来说,这本书或许会是一次不小的挑战,但对于我这样迷恋文字肌理和深层意蕴的“文字饕餮”而言,这无疑是一场盛宴。

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这本书的整体“质地”非常独特,如果非要用一种感官来描述,我会说它带着一种陈旧的皮革和湿润泥土混合的味道,既厚重又充满生命力。它探讨的议题非常宏大——记忆的不可靠性、艺术与日常生活的张力、以及人与土地之间那种宿命般的联系——但作者从不采取说教的姿态。相反,他将这些复杂的哲学命题内化到日常的琐碎之中,通过对一次烹饪过程的详尽描述,或者对一次日常散步的细腻捕捉,来间接地揭示宇宙的秩序与混乱。这种“寓宏大于微末”的叙事策略,使得这本书读起来非常踏实,尽管主题深刻,却不显得飘忽。它成功地将知识分子的思辨热情,与烟火气的生存细节完美地融合在一起,形成了一种既有泥土芬芳,又不失星辰光芒的阅读体验,令人心满意足。

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这本书给我最深刻的印象是它对“失落”主题的探讨达到了近乎形而上的高度。它不是那种直抒胸臆的悲伤,而是一种渗透在日常细节里的、弥漫性的、挥之不去的空虚感。角色们似乎都在努力地抓住一些东西——一段回忆、一种感觉、一个承诺——但每一次尝试都只会让他们离目标更远一步。作者巧妙地运用了大量关于“缺席”和“遗忘”的意象,比如空荡的房间、模糊不清的照片边缘、以及那些永远没有回复的信件。这些意象构建了一个关于失去的精致迷宫。读完之后,你不会觉得悲伤,而是被一种巨大的、难以名状的“不在场”感所笼罩。它迫使你去审视自己生命中那些被忽略的角落,那些我们选择性遗忘的真相,以及我们如何通过构建新的叙事来应对旧的缺失。这种处理方式极为高明,避免了落入俗套的感伤,提升到了哲学思辨的层面。

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这本小说的叙事节奏简直像是夏日午后的一场漫长而迷幻的梦境,让人沉浸其中,久久不能抽离。作者对人物内心世界的刻画细腻入微,每一个角色的挣扎、渴望与自我欺骗都像是活生生地展现在我们眼前。特别是主角在面对巨大的人生转折时,那种近乎神经质的敏感和对周遭环境的抽离感,营造出一种既熟悉又疏离的氛围。你仿佛能闻到空气中弥漫的尘土气息,感受到光线穿过百叶窗投下的斑驳阴影。情节的推进并不总是线性的,更多的是一种意识流的涌动,章节之间的跳跃常常出人意料,却又在回味时发现它们早已通过某种隐晦的情感线索紧密地联系在一起。我花了很长时间才适应这种叙事结构,它要求读者放弃传统的“因果报应”期待,转而拥抱一种更接近真实生活本身的、充满偶然与片段的体验。整本书读下来,与其说是在阅读一个故事,不如说是在经历一场深刻的自我对话,那些关于身份认同和时间流逝的探讨,如同低语般萦绕心头,经久不散。

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从结构上看,这本书的布局堪称精妙的建筑艺术。它不是平铺直叙,而是像一个多面体,你从不同的角度观察它,总能发现新的折射面。一些看似不相干的支线情节,在接近尾声时,如同精密钟表的齿轮般啮合,发出清脆的声响,揭示出隐藏在表象之下的宏大结构。这种“柳暗花明”的感觉,是构建一本真正优秀小说的关键。很多当代小说为了追求新奇而牺牲了结构完整性,但这本书却做到了形式与内容的完美统一。我尤其赞赏作者处理时间线的技巧,它时而快速闪回,时而又在某个瞬间无限拉长,这种对主观时间感(Chronos vs. Kairos)的精准捕捉,极大地增强了阅读的沉浸感和真实性。它要求读者必须保持高度的专注,一旦分神,就可能错过那些至关重要的、连接不同时间点的微小线索。

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