In the Edo period (1600-1868), status- and gender-based expectations largely defined a person's place and identity in society. The wayfarers of the time, however, discovered that travel provided the opportunity to escape from the confines of the everyday. Cultured travelers of the seventeenth and eighteenth centuries wrote travel memoirs to celebrate their profession as belle-lettrists. For women in particular the open road and the blank page of the diary offered a precious opportunity to create personal hierarchies defined less by gender and more by culture and refinement. After the mid-eighteenth century--which saw the popularization of culture and the rise of commercial printing--textbooks, guides, comical fiction, and woodblock prints allowed not a few commoners to acquaint themselves with the historical, lyrical, or artistic pedigree of Japan's famous sites. By identifying themselves with famous literary and historical icons of the past, some among these erudite commoners saw an opportunity to rewrite their lives and re-create their identities in the pages of their travel diaries. The chapters in Part One, "Re-creating Spaces," introduce the notion that the spaces of travel were malleable, accommodating reconceptualization across interpretive frames. Laura Nenzi shows that, far from being static backgrounds, these travelscapes proliferated in a myriad of loci where one person's center was another's periphery. In Part Two, "Re-creating Identities," we see how, in the course of the Edo period, educated persons used travel to, or through, revered lyrical sites to assert and enhance their roles and identities. Finally, in Part Three, "Purchasing Re-creation," Nenzi looks at theintersection between recreational travel and the rising commercial economy, which allowed visitors to appropriate landscapes through new means: monetary transactions, acquisition of tangible icons, or other forms of physical interaction.
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这本书的语言风格真是令人着迷,那种娓娓道来的叙述方式,仿佛一位老朋友在耳边低语,分享着那些关于“自我”的奇妙旅程。我尤其欣赏作者对于细节的捕捉能力,那些看似不经意的生活片段,在经过作者的笔触打磨后,都焕发出深刻的哲学意味。它不像某些理论著作那样高高在上,而是非常接地气,让你在阅读的过程中,会不自觉地停下来,思考自己过往的经历。这种沉浸式的体验,让我感觉自己也参与了这场身份的探索,时而感到豁然开朗,时而又陷入更深的迷思,这种张力恰到好处。读完之后,我总觉得世界观有了一些微妙的位移,不再那么绝对和僵化,对那些复杂的人性面向多了几分宽容和理解。这种潜移默化的影响,才是好书的价值所在,它不是给你一个答案,而是给你一套更精密的提问工具。
评分这本作品的文字之美,简直令人屏息。它不像是在“写”东西,更像是在雕刻,每一个词语的选择都精准到位,充满了张力和暗示。很多时候,作者用极其简洁的句子表达了极其复杂的概念,留白的处理非常高明,把诠释的空间大量地交还给了读者。我感觉自己像是走进了作者精心布置的一个艺术展览,每一篇章都是一个独立而又相互关联的展品,需要用自己的经验去完成最后的解读。这种开放性带来了极大的阅读乐趣,让人愿意一遍遍地回味那些句子,咀嚼其中的多重含义。它不仅仅是一本关于身份认同的书,它更像是一次关于语言潜能的精妙展示,让我重新审视了文字的力量本身。
评分这本书的结构设计实在是太巧妙了,它没有采用传统的线性叙事,而是像一张编织精密的挂毯,不同的线索和主题在不同的章节中交织、碰撞,然后又在更高远的视角下重新汇合。我特别喜欢作者在处理跨文化议题时的那种游刃有余,既尊重了文化间的差异性,又精准地指出了人类共同的情感内核。每一次翻页都像是在解开一个新的谜题,你以为你已经掌握了作者的意图,下一秒,他又会带你走向一个完全意想不到的角落。这种知识的密度和叙事的丰富性,要求读者必须保持高度的专注力,否则很容易在那些精妙的转折点上迷失方向。对我而言,这绝对是一本需要反复研读的书,每次重读,都会发现新的层次和更深远的联结,这远超出了我阅读普通非虚构作品的预期。
评分这本书的笔力雄健,带着一股古典主义的严谨和现代主义的锐气,二者结合得天衣无缝。作者在引用历史典故和哲学思辨时,显示出扎实的学术功底,但绝不是故作高深,所有的引证都服务于他想要探讨的核心命题——即身份的流动性和建构性。我特别欣赏那种冷静的批判精神,它既没有陷入无休止的愤世嫉俗,也没有走向盲目的乐观主义,而是保持了一种清醒的审视态度。这种平衡感,使得整本书读起来既有思想的重量,又充满了行动的可能。读完后,我对自己过去对“稳定”的执念产生了一种质疑,开始更积极地拥抱变化带来的不确定性,这对我生活态度的转变是具有决定性意义的。
评分坦率地说,这本书的节奏感有些挑衅,它不迎合现代人碎片化的阅读习惯,反而要求你慢下来,甚至可以说是强迫你进入一种近乎冥想的状态。初读时,我甚至有些不耐烦,觉得某些段落的铺陈过于冗长,但坚持读下去之后,我才明白,那种看似缓慢的推进,实则是在为最终的情感爆发积蓄能量。作者对“边缘性”的探讨尤其深刻,那些关于“局外人”身份的描述,那种既疏离又渴望融入的矛盾心态,被刻画得入木三分,让人感同身受,仿佛看到了自己人生中那些不被接纳的时刻。这本书的价值不在于它提供了多少现成的答案,而在于它为所有感到“不适宜”的人,提供了一个可以安放和正视自己复杂性的安全空间。
评分Recreating identities through the evolving travel industry. Contesting political and religious power by anthrocentric and hedonistic interpretation of landscape. A book about travel, gender and knowledge. But the focus is ultimately on the privileged... Any voice from the displayed courtesans?
评分Recreating identities through the evolving travel industry. Contesting political and religious power by anthrocentric and hedonistic interpretation of landscape. A book about travel, gender and knowledge. But the focus is ultimately on the privileged... Any voice from the displayed courtesans?
评分Recreating identities through the evolving travel industry. Contesting political and religious power by anthrocentric and hedonistic interpretation of landscape. A book about travel, gender and knowledge. But the focus is ultimately on the privileged... Any voice from the displayed courtesans?
评分Recreating identities through the evolving travel industry. Contesting political and religious power by anthrocentric and hedonistic interpretation of landscape. A book about travel, gender and knowledge. But the focus is ultimately on the privileged... Any voice from the displayed courtesans?
评分Recreating identities through the evolving travel industry. Contesting political and religious power by anthrocentric and hedonistic interpretation of landscape. A book about travel, gender and knowledge. But the focus is ultimately on the privileged... Any voice from the displayed courtesans?
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