A Conversation with Kathy Griffin:
Q: State your name and profession.
KG: My name is Kathy Griffin, and I am a teller of d**k jokes. And a plumber.
Q: This is your first book. Had you ever considered writing anything before? A novel? Or a work of historical scholarship? Or a children's story?
KG: I had not considered it, because I'd always been told by the nuns at St. Bernadine's that my cursive was poor. A children' s story is an interesting idea. How's this for a title: "Waterboarding Pre-Teens: The Debate is Back On." I have a political side as well.
Q: You seem fairly obsessed with Oprah. Is this something you'll ever outgrow?
KG: I will never outgrow my obsession with Oprah. Just as she will never outgrow her cardigan sweaters. Oops, she already has. Now look, that sounds like a dig, but it's not. It's called a struggle, and I'm on it with her. I support her. (Not as much as she needs those underwire bras to support her, because she's got some serious ropes and pulleys going on there.) The point is, I worship her, and fear her at the same time. And believe me, that' s how she wants it. Don't be fooled.
Q: Did I miss something? Where's Celine Dion in this book?
KG: I didn't write about Celine Dion, only because of my fear of her husband Rene Angelil. I have an unfounded but constant fear that he could be in the French-Canadian mafia. Or have French-Canadian mafia ties, and by ties I don't mean les cravats. And I fear that I may be abducted, whisked away and held prisoner at a charming little brasserie in Montreal, forced to eat multiple Croque Monsieur sandwiches until I confess to knowing the lyrics to every single one of her songs.
Q: What do you think gays should take away from reading this book?
KG: I think the gays should be happy with this book. It talks a lot about being who you are, and I certainly mention a lot of gay people. I would say it definitely has strong gay themes, and the gay community should know that frankly it has been a moral struggle for me to even acknowledge the heterosexual community in this book at all. But I am slowly reaching out an olive branch to the heterosexual community, even though I believe everything they do goes against the teachings of Our Lord and Savior Jesus Christ. But I'm trying not to judge them.
Q: Describe your ideal, make-a-wish day of personal experiences with bats**t celebrities.
KG: Well, it would start with some sort of a fit in the hair-and-makeup trailer on a set. I heard a story that when Sharon Stone was working on "Casino," she got into such a fight with her hairdresser, that after he spent four hours doing this beautiful bouffant hairdo for her, she got up and walked in the sink and put her head underwater. I have no idea if that's true, but I hope it is, cause that's some awesome s**t I would love to see. Then it would go right to lunch, where I could witness an eating disorder. Maybe a Lohan is purging in a bush somewhere with her finger down her throat. Or perhaps there's an Olsen twin on a scale crying because she finally tipped 100. Any outburst over weight I would cherish. Also, it would be great to see an actress have a workload meltdown. So maybe at 2:00 some A-lister saying, "I can't handle this s**t anymore." Because I love when actors can't deal with a normal workday, and they think two in the afternoon is like midnight, so I would love to see somebody storming to their car, exhausted because they've put in a grueling four-hour workday of saying three lines and texting their nanny. Then it's maybe off to an illicit affair. At the top of my wish list would be following a rapper or a football player over to his baby mama's house where a screaming match ensues to the point where someone, maybe me, has to anonymously dial 911, and then I take a couple pictures, and I become an unannounced star witness later at the trial, entering Joan Collins-style in a smashing hat. And then at the end of the day it's a healthy round of clubbing with Janice Dickinson, and then on the way home we go to the Beverly Glen pharmacy and run into Paula Abdul. All three of us secretly take our small white-paper pharmacy bags and put them behind our backs and make uncomfortable small talk.
Official Book Club Selection is Kathy Griffin unplugged, uncensored, and unafraid to dish about what really happens on the road, away from the cameras, and at the star party after the show. (It's also her big chance to score that coveted book club endorsement she's always wanted. Are you there, Oprah? It's me, Kathy.)
Kathy Griffin has won Emmys for her reality show Kathy Griffin: My Life on the D-List, been nominated for a Grammy, worked and walked every red carpet known to man, and rung in the New Year with Anderson Cooper. But the legions of fans who pack Kathy's sold-out comedy shows have heard only part of her remarkable story. Writing with her trademark wit, the feisty comic settles a few old scores, celebrates the friends and mentors who helped her claw her way to the top, and shares insider gossip about celebrity behavior–the good, the bad, and the very ugly. She recounts the crazy ups and downs of her own career and introduces us to some of the supertalented people she encountered before they got famous (or, in some cases, after fame went to their heads). Word to the wise: If you've ever crossed Kathy Griffin at some point in your life, check the index for your name.
Along the way, Kathy reveals intimate details about her life before and after she made the big time. She opens up about everything from growing up with a dysfunctional family in suburban Illinois to bombing as a young comedian in L.A., from her well-publicized plastic surgery disasters to her highly publicized divorce, and more. Only in this book will you learn how the dinner table is the best training ground for a career in stand-up, how speaking your mind can bite you on the ass and buy you a house, and which people in Kathy's life have taught her the most valuable lessons–both inside and outside the entertainment industry. And as if all that wasn't enough, there are also dozens of exclusive and somewhat embarrassing photos from Kathy's own collection–featuring the diva of the D List herself, with her old nose as well as her new one, plus celebrity friends, foes, frenemies, and hangers-on for you to gawk at.
Refreshingly candid, unflinchingly honest, and full of hilarious "Did she really say that?" moments, Official Book Club Selection will make you laugh until you cry, or just puke up a little bit.
From the Hardcover edition.
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老实说,这本书的开篇并不算“抓人”,甚至带着一种刻意的疏离感,但我坚持读了下去,事实证明我的直觉是对的。作者仿佛故意将核心谜团包裹在层层叠叠的日常琐事之下,让你一开始感到困惑,甚至有点不耐烦。然而,一旦你跨越了最初的门槛,便会发现那些琐碎正是构建整个世界观的关键基石。我被其中对于“记忆的可塑性”这一概念的探讨深深吸引,它挑战了我们对于“真实”的传统认知。书中那些关于个体记忆如何被集体叙事所修正、扭曲甚至取代的描写,细致到让人脊背发凉。从文学技巧上讲,作者对视角转换的掌控堪称教科书级别,一会儿是局外人冷峻的旁观,一会儿又跳跃到当事人极度主观的感受中,这种游刃有余的切换,使得叙事充满了动态的张力,让读者永远无法站在一个绝对安全的位置去评判故事中的人物。
评分这部作品的叙事手法简直令人拍案叫绝,作者仿佛是一位技艺高超的魔术师,将错综复杂的人物关系编织得天衣无缝,每当我觉得自己已经洞悉了故事的走向时,一个意想不到的转折便会猝不及防地袭来,让人不得不重新审视之前所有的判断。我尤其欣赏它对环境细节的描摹,那些寥寥数语勾勒出的场景,却拥有着超越文字的力量,仿佛能让我闻到空气中弥漫的尘土气息,感受到微风拂过皮肤的触感。主角的内心挣扎,那种在道德困境中反复拉扯的真实感,刻画得入木三分,与其说是阅读,不如说是一种沉浸式的体验,我仿佛与他一同经历了那些艰难的抉择,体会着成功的喜悦与失败的苦涩。最令人难忘的是,它并没有给出简单粗暴的道德评判,而是将所有复杂性摊开在读者面前,让每个人都能从中找到属于自己的解读空间,这种开放式的处理方式,极大地提升了作品的深度和回味价值,合上书页后,那种久久不散的思考余韵,证明了它绝非一部可以轻易被遗忘的作品。
评分读完这本书,我立刻产生了一种想要冲出门外,找个地方大声讨论一番的冲动,但又深知这种宏大且细腻的主题,不是几句日常闲聊就能涵盖的。它的力量不在于情节的跌宕起伏,而在于它不动声色地解剖了人类社会运行的某种底层逻辑。那些看似不经意的对话片段,其实都蕴含着对权力结构、阶层固化或者某种集体无意识的深刻洞察。我特别留意了作者在处理历史背景和现代社会之间的张力时所采用的句式结构,那些长句的绵密和短句的犀利交替使用,构建了一种独特的节奏感,如同古典音乐的赋格,主题不断变奏,却始终保持着内在的和谐统一。对于那些习惯于快节奏、高刺激阅读的读者来说,这本书可能需要更多的耐心去适应,但请相信,一旦你沉入其中,你会发现它所提供的精神滋养,远比那些转瞬即逝的娱乐要持久得多,它像是陈年的佳酿,需要时间去品味其复杂醇厚的层次。
评分我很少读到一部作品能够如此巧妙地平衡诗意与残酷。一方面,作者的文字拥有令人屏息的美感,对于自然光影、光线的捕捉细腻入微,仿佛每一页都铺陈着一幅印象派的画作。但另一方面,故事的核心却直面了人性中最原始的那些黑暗面——嫉妒、背叛、以及对身份认同的焦虑。这种强烈的对比,反而产生了一种奇异的和谐,就像暴风雨前的宁静,美丽而又充满了不祥的预兆。它成功地构建了一个封闭的生态系统,在这个系统中,人物的命运似乎在某种宿命论的驱使下缓缓滑向终点,而读者,只能无助地见证这一切的发生。我认为,这本书的价值不仅在于其文学成就,更在于它提供了一个极佳的文本载体,让我们得以在安全的距离外,审视那些我们通常选择逃避的,关于存在本身的问题。
评分这本书给我最直接的感受,是它在处理“沉默的重量”方面的卓越表现。许多重要的信息和冲突,并非通过激烈的争吵或戏剧性的爆发来呈现,而是隐藏在人物的眼神交汇、未说出口的话语和冗长的停顿时。作者运用了大量的留白艺术,这些空白之处,恰恰是留给读者想象力和情感填补的空间,其产生的张力,比直接的陈述要强大百倍。我特别欣赏它对特定地域文化的融入,那种地域特有的气息、习俗和语言习惯,被自然地编织进故事脉络中,丝毫没有生硬的“文化植入”感,反而让整个故事的背景拥有了无比坚实的落地感。阅读过程中,我常常需要停下来,仅仅是盯着书页上的文字,细细揣摩一个形容词的深层含义,因为在这个文本世界里,每一个词汇的选择都显得如此审慎和必然,绝无冗余之笔。
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