BACKJUMPS - The Live Issue #3: Since 2003, the nationally acclaimed and unique exhibition series BackJumps - The Live Issue has had sensational impact and successes in Berlin. The Backjumps team, built around curator Adrian Nabi, successfully wrapped their third major Live event, in late 2007. While gallery owners and professionals of the culture sector were left rubbing their eyes and the conservative tabloid newspapers elevated the project s profile with cries of scandal, approximately 50,000 enthusiastic art lovers made a pilgrimage to the exhibitions and numerous Backjumps-related side events in Kreuzberg. BackJumps - Live Issue # 3 , the three-dimensional Live edition of the legendary Backjumps magazine, once again brought the street art scene together to view works of numerous international artists under one roof. In addition to the actual exhibition, several workshops, panel discussions, lectures, urban walks and partner exhibitions took place. Several large scale murals were painted throughout the city under the Backjumps banner and of course, throughout the course of the events, the streets of Berlin were as alive and visual as ever. All this and much more can be found in the From Here To Fame s newly published 320-page (catalogue-)book, BackJumps - Live Issue # 3 , which, in keeping with former editions, strikes a bold note with its revolutionary design. The book gives the reader an allinclusive tour of the exhibition rooms, describing with brilliant images and thoughtful texts, the work of the 24 artists and projects. Additional information and numerous other works of each individual artist are also found in the extensive artist chapter of the catalogue. With the book s retrospect of Live Issues # 1 and # 2, light is shed on the Backjumps scandal , and the impact that the expositions have had on the Berlin art scene. POET 1 examines the story of the Backjumps magazine, from its humble beginnings to its present day success, while CEMNOZ, CHEECH and DON M. ZAZA elucidate the depths of their style philosophy. Select photographs of the side events, careful documentation of the painted murals and a large chapter on street art that includes more pictures, essays and academic treatises make this volume a must-have for more than just avid lovers of writing and street art.
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我必须承认,这本书的“分量”感给我留下了深刻印象。它不是那种薄薄的、轻易翻完就能束之高阁的书籍。它的页数看上去相当可观,这让我预感到其中蕴含的内容会非常丰富和深刻。这种厚重感,让我觉得这是一场需要投入时间和精力的“深度旅行”,而不是一次短暂的“观光”。我喜欢这种挑战,喜欢那种能够在一个故事或一个思想体系中沉浸数日甚至数周的体验。这让我觉得,我不仅仅是在“读”一本书,更像是在“生活”在书中所构建的世界里。这种沉浸式的阅读体验,是许多现代书籍难以给予的。我期待着“Backjumps”能够带给我这样的感受,让我能够暂时忘却外界的喧嚣,全身心地投入到它的世界中,去感受那些文字所带来的冲击和启迪。
评分我不得不说,这本书的书脊设计也很有意思。虽然看起来不像那种一眼就能吸引所有人的那种华丽风格,但它有一种内敛而沉静的力量。那个“Backjumps”的字体,在书脊上显得格外醒目,仿佛在无声地诉说着它的独特身份。我把它放在书架上,它和其他的书并列,却又有一种微妙的脱颖而出的气质。我常常会在书架前驻足,看着它的书脊,想象着里面会是什么样的世界。我喜欢这种不张扬的风格,它让我觉得这本书不只是为了迎合大众口味而存在,而是有自己坚定的立场和想要表达的内容。这种感觉就像遇到一位性格内敛但内心世界极其丰富的朋友,需要你花一些时间去了解,但一旦深入,就会发现其无穷的魅力。书脊的材质也很有质感,不是那种容易留下指纹的亮面,而是哑光处理,触感温润。这让我更加确信,这是一本值得细细品味的书,不是那种快餐式的阅读,而是需要慢慢咀嚼,才能体会其中深意。
评分打开这本书,首先映入眼帘的是一个非常简洁的扉页,上面只有书名和作者的名字,没有任何多余的装饰。这种极简主义的设计风格,让我立刻感受到一种回归本质的纯粹感。在信息爆炸的时代,这种返璞归真的态度显得尤为珍贵。我喜欢这样的开篇,它没有试图用华丽的序言来“引诱”读者,而是直接将核心内容摆在眼前,让读者自己去发掘其中的价值。这让我联想到一些经典的艺术作品,它们往往不需要过多的解释,其本身就具有强大的生命力。书的整体尺寸也非常合适,拿在手里不会感到沉重,也不会过于轻飘,是那种可以随时随地打开阅读的理想大小。我通常会把书放在床头柜或者随身的包里,而“Backjumps”这本书,似乎就是为这样的生活方式而生的。它的存在,本身就为我的阅读生活增添了一份安宁和仪式感。
评分这本书的封面设计真是太吸引人了!那种深邃的蓝色背景,搭配着若隐若现的几何图形,还有中央那个独特的、仿佛带有生命力的标题“Backjumps”,一股神秘感和力量感扑面而来。拿到手里,纸张的触感也很棒,不是那种光滑得发亮的,而是略带磨砂质感,感觉很厚重,有一种“内容扎实”的预感。我迫不及待地翻开第一页,就被它的排版惊艳到了。字体的选择、行距的设置、段落之间的留白,都恰到好处,让阅读体验变得无比流畅和舒适。我通常对需要长时间阅读的书籍有些畏难情绪,但这本书从一开始就营造出一种让人愿意沉浸其中的氛围。我猜想,这一定是作者和编辑在每一个细节上都倾注了心血的结果。这种对细节的极致追求,往往预示着内容本身也同样值得期待。我非常好奇,在这样精心打磨的包装下,究竟隐藏着怎样引人入胜的故事或思想?它让我联想到那些真正用心的艺术品,不仅仅是内容的呈现,连形式本身也充满着艺术感。
评分这本书的章节标题让我产生了一种强烈的好奇心。我还没有深入阅读内容,但仅仅是看那些标题,就足以引发我无穷的想象。它们有的显得深邃莫测,有的则充满动态感,仿佛在预示着故事的跌宕起伏,或是思想的深刻探讨。我甚至可以根据这些标题,在脑海中构建出一些初步的画面和情节。我猜想,作者在选择这些标题时,一定花费了不少心思,力求用最精炼的语言概括出章节的核心要义,同时又能激发读者的探索欲。这种“引子”的设计,让我对接下来的阅读充满了期待。我喜欢那种能够主动引导读者思考的书籍,而不是一味地灌输信息。“Backjumps”似乎就具备了这样的特质,它像一个沉默的向导,在我未知的阅读旅途中,留下了一个个充满魅力的指示牌,让我迫不及待地想要跟随它们去探寻。
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