The Virtual Window

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出版者:The MIT Press
作者:Anne Friedberg
出品人:
頁數:376
译者:
出版時間:2006-4-30
價格:USD 17.95
裝幀:Paperback
isbn號碼:9780262512503
叢書系列:
圖書標籤:
  • 視覺 
  • 藝術 
  • 電影 
  • 已購 
  • 屏幕 
  • 媒體藝術 
  • 媒介研究 
  • theory 
  •  
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As we spend more and more of our time staring at the screens of movies, televisions, computers, and handheld devices--"windows" full of moving images, texts, and icons--how the world is framed has become as important as what is in the frame. In The Virtual Window, Anne Friedberg examines the window as metaphor, as architectural component, and as an opening to the dematerialized reality we see on the screen.In De pictura (1435), Leon Battista Alberti famously instructed painters to consider the frame of the painting as an open window. Taking Alberti's metaphor as her starting point, Friedberg tracks shifts in the perspectival paradigm as she gives us histories of the architectural window, developments in glass and transparency, and the emerging apparatuses of photography, cinema, television, and digital imaging. Single-point perspective--Alberti's metaphorical window--has long been challenged by modern painting, modern architecture, and moving-image technologies. And yet, notes Friedberg, for most of the twentieth century the dominant form of the moving image was a single image in a single frame. The fractured modernism exemplified by cubist painting, for example, remained largely confined to experimental, avant-garde work. On the computer screen, however, where multiple "windows" coexist and overlap, perspective may have met its end.In this wide-ranging book, Friedberg considers such topics as the framed view of the camera obscura, Le Corbusier's mandates for the architectural window, Eisenstein's opinions on the shape of the movie screen, and the multiple images and nested windows commonly displayed on screens today. The Virtual Window proposes a new logic of visuality, framed and virtual: an architecture not only of space but of time.

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討論frame討論瞭30頁,我以為已經結束瞭沒有想到討論窗討論瞭一百頁

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討論frame討論瞭30頁,我以為已經結束瞭沒有想到討論窗討論瞭一百頁

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窗框隱喻很有趣 細讀瞭Alberti和Descartes部分 Martin Jay的“視界政體”觀點對論文很有幫助

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可以聯係桌麵電影。在“窗颱/銀幕/屏幕”的曆史演化背後揭示的是人類視覺機製的變遷。電腦技術終結瞭單一固定視點、前錶性、抑製深度以及多層重疊。影像的運動效應強化瞭人類主體與銀幕/屏幕之間的兩個悖論關係。影像的運動性與觀眾的非運動性/影院的物質性與影像的非物質性。對virtual語言學考究部分終於解瞭我這英語渣渣的惑。

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Film studies.

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