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Shakespeare & Co.购，品特一贯的碎碎念，令人捧腹又惊惧的黑色喜剧。一仆二主。

Pinter's laconic, monosyllabic barbs derive their pressure, their paradoxical suggestion of ceremony, from riches discarded or spurned, but once felt. (Steiner, 1975)

Shakespeare & Co.购，品特一贯的碎碎念，令人捧腹又惊惧的黑色喜剧。一仆二主。

Pinter's laconic, monosyllabic barbs derive their pressure, their paradoxical suggestion of ceremony, from riches discarded or spurned, but once felt. (Steiner, 1975)

Pinter's laconic, monosyllabic barbs derive their pressure, their paradoxical suggestion of ceremony, from riches discarded or spurned, but once felt. (Steiner, 1975)

The entire play is on power, within this really small, strange house. Davies, are you here for the caretaking, or is someone taking care of your stumbling fear?

The entire play is on power, within this really small, strange house. Davies, are you here for the caretaking, or is someone taking care of your stumbling fear?

The entire play is on power, within this really small, strange house. Davies, are you here for the caretaking, or is someone taking care of your stumbling fear?

The entire play is on power, within this really small, strange house. Davies, are you here for the caretaking, or is someone taking care of your stumbling fear?

The entire play is on power, within this really small, strange house. Davies, are you here for the caretaking, or is someone taking care of your stumbling fear?