具體描述
"My way of making cinema owes a lot to photography. Stealing images forced me as a boy to observe people at length, to study the movements of the persons, understand their gestures, almost anticipating them, to capture them in the magic instant of the click. It was a decisive training ground for my future professional life. For years, after all, I haven't done anything but obsessively study the movement of the human figure. And in what else does the work of the cinema director consist if not giving back on the screen the dynamics of real life? When one of my actors moves in the area limited by the framing, I know exactly if his way of acting is coherent with the essence of the drama. My mania for the composition of the framing is all derived from my experience as a photographer. As a boy I took dozens of pictures of the same subject because I dreamed of capturing the "cinematographic movement," unawares of the "progressive motion shots" Eadweard Muybridge had experimented with almost a hundred years earlier, but when I finally succeeded in making movies all i did was take with me everything photography had taught me, and it was not only technique.
著者簡介
圖書目錄
讀後感
評分
評分
評分
評分
用戶評價
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2026 book.quotespace.org All Rights Reserved. 小美書屋 版权所有