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喜歡 Henderson the Rain King 的讀者還喜歡

看到抱著小獅子離開非洲和r告彆， 還有和馬戲團的退休熊一起趁沒人時乘過山車都被戳中淚點 而且這其實也是個紐約的故事

'Bravo' is the only word that I can possibly think of when referring to such a masterpiece. Saul Bellow in the middle stage of his writing career knows so well how to please the readers with serious matters that his works, mixed with mirth and dirge as well as insights and profound humanistic care, appeals just to the tender part of readers' heart.

看到抱著小獅子離開非洲和r告彆， 還有和馬戲團的退休熊一起趁沒人時乘過山車都被戳中淚點 而且這其實也是個紐約的故事

'Bravo' is the only word that I can possibly think of when referring to such a masterpiece. Saul Bellow in the middle stage of his writing career knows so well how to please the readers with serious matters that his works, mixed with mirth and dirge as well as insights and profound humanistic care, appeals just to the tender part of readers' heart.

'Bravo' is the only word that I can possibly think of when referring to such a masterpiece. Saul Bellow in the middle stage of his writing career knows so well how to please the readers with serious matters that his works, mixed with mirth and dirge as well as insights and profound humanistic care, appeals just to the tender part of readers' heart.

索尔·贝娄的作品有许多都类似于流浪体小说，至少其中期作品占主要内容，此书中的亨德森即是如此，他都流浪到非洲原始部队去了，但与传统的流浪体小说不同在于，贝娄笔下的流浪者不是用自己的眼睛去观察社会，揭露现实，思考问题。亨德森则是寻找自我，算是自我的心灵流浪之旅...  

他长着一双阴阳怪气的眼睛，偌大的头颅凹凸不平，头发像波斯羊身上的毛，还有一个大鼻子。这样类似于动物的外貌却是《雨王亨德森》书中的主人公，让人又失望又好笑同时又让人对他产生好奇，为什么作者索尔•贝娄给了他“兽”的形象。 索尔•贝娄是美国著名作家，诺贝尔获...  

当代的好作品只是矮子里拔将军。为了在文学上寻求突破，当代作家只能找各种标新立异的手段和角度去证明自己，到头来落得个没站在前人的肩膀上，只能看看能不能亲吻到前人的臀部。 以本作为例，作者以为自己抓住了美国当下的普遍的精神面貌和精神困局，想为世人谋求个圣经启示一...

难得这一本写得不晦涩，因为通俗而带来阅读的亲切感。 亨德森先生，强壮、粗鲁而又敏感的百万富翁， 那内心的喊叫，其实每个人都正经历吧。 原始的喊叫，原始的森林、沙漠和部落， 优雅的蛮夷国王，注定悲剧的狮语者， 无法理清头绪，可暴躁终将得到安抚。 我也应该晒晒赤道的...  

接触的第二本索尔贝娄的作品，相比于《洪堡的礼物》中对城市知识分子精神漩涡的剖析，《雨王亨德森》显然是向所有城市阶层或者说在现代文明下生活的人们提供了一次自我探寻的精神苦旅，也更加易懂。主人公亨德森的存在主义危机一方面是由于机械化复制时代给人们带来的虚幻景观...