To Kill a Text analyzes the intertextual conflicts between four monuments of nineteenth-century fiction: Notre-Dame de Paris, Bleak House, Le Ventre de Paris and Germinal. The fundamental hypothesis of the book is that Dickens and Zola exemplify Hugo's conception of the novel as a "graft" of one work upon another, producing hybrid mixtures of genres and styles of representation.
评分
评分
评分
评分
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美书屋 版权所有