Maurice

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E. M. Forster's reputation as one of the finest writers of the twentieth century is based on an output which is both modest in size and remote in time: his last novel, A Passage to India, was published in 1924. The appearance of a complete but hitherto unpublished novel is therefor a literary event of the greatest importance.

出版者:MacMillan Publishing
作者:E.M. Forster
出品人:
页数:241
译者:
出版时间:1971-01-01
价格:£2 net
装帧:Hardcover
isbn号码:9780713156003
丛书系列:
图书标签:
  • E.M.Forster 
  • 英国 
  • 英国文学 
  • LGBT 
  • 小说 
  • classics 
  • 同性文学 
  • 原版 
  •  
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Maurice describes the long and difficult process by a typical product of middle-class suburbia and education realizes that he is a homosexual. It culminates in an ecstatic love affair by which Maurice both fulfills his nature and, in the compelling series of episodes by which the book closes, rejects his entire inherited system of values and conduct. In this combination - of fulfillment and its inevitable concomitant, rejection - lie the author's reasons and inspiration for writing the novel. Forster wished at once to demonstrate the possibility of love outside normal experience and to expose the rigid structure and morality of a society that did not merely condemn such experience as immoral, but in a more insidious way, regarded it as unnatural.

Although its homosexual content was the reason why Forster decided that the novel, completed in 1914, should remain unpublished until his death, Maurice cannot be defined by its purpose nor by its theme. It was written by a great novelist at the height of his powers - as those who read it surely find evident.

The First Edition, published 1971 by Edward Arnold (Publishers) Ltd. 41 Maddox Street, London W1R OAN

© 1971 The Trustees of the late E. M. Forster

Printed in Great Britain by Richard Clay (The Chaucer Press), Ltd., Bungay, Suffolk

Begun 1913

Finished 1914

Dedicated to a Happier Year

Introduction by P. N. Furbank

具体描述

读后感

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当三十年后的E•M•福斯特在书中借作品人物莫瑞斯之口说出那句“我得了王尔德那种不可言说的病”时,这两位无论在思想倾向、美学追求和写作风格上都迥然相异的作家终于在一个层面上达到了共鸣,三十年前审判台上的王尔德那段缓慢而铿锵的辩驳也终于在多年以后有了这样一个...  

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这本书的英文版我很长时间以前就已经下载下来,一直在电脑里面放着。到了Harvard这边了以后,每天除了上课以外有很多时间空下来,可以自己安排任何想做的事情。恰好前几天电脑又坏掉无法立刻得到修理,所以就干脆借来了这本书,花了几个晚上读完了。 一、关于人物 废话不多说...  

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(究竟是多么精神分裂我才能撸出这么一篇东西。) A:福斯特文笔让我想到小时候过家家、 B:怎么说? A:萌点就藏在文字里。就像小时候拨开草丛找红色的果子,时不时就会觉得很惊喜,咦,这边有一丛,咦,这边有好几丛。 A:而且,草丛本身也是可爱的。 B:对,他的对话有时候...  

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先看的电影,后看的书。相比之下,书比电影好。 伊沃里的电影虽然拍得美,但节奏不对,该慢的地方没有慢下来,这也是他导演的通病。在电影中,莫瑞斯和克莱夫的性格多少都被弱化了。那时我光顾着花痴威尔比和格兰特这两个帅哥,看过书后,才感觉出电影表达的模糊和匆忙。 书中...  

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莱昂内尔•特里林,美国著名批评家,被称为20世界中期美国年青一代的思想导师。1970年特里林在担任哈佛大学诺顿诗歌教授时曾就西方文学中自我之真诚与真实问题做了一系列演讲,此即《诚与真》演讲集,面世后成为西方现代批评的经典文本。虽是文学批评经典,特里林的论...  

用户评价

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这几天在读第四遍。初版妙不可言啊。

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这几天在读第四遍。初版妙不可言啊。

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0919-0924 原著对clive的态度褒贬分明 电影版导演显然有死心 多编了一出risely自杀的戏让c的转性有借口

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Forster去世后才敢出版的gay novel。在图书馆里借到了初版,观感非常好。

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终有一死的凡人的爱

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