When Reverend Josiah Crawley, the impoverished curate of Hogglestock, is accused of theft it causes a public scandal, sending shockwaves through the world of Barsetshire. The Crawleys desperately try to remain dignified while they are shunned by society, but the scandal threatens to tear them, and the community, apart.
Drawing on his own childhood experience of genteel poverty, Trollope gives a painfully realistic depiction of the trials of a family striving to maintain its standards at all costs. With its sensitive portrayal of the proud and self-destructive figure of Crawley, this final volume is the darkest and most complex of all the Barsetshire novels.
Trollope calls back some of his best-loved Barsetshire characters; and Mrs Proudie, the virago wife of the Bishop of Barchester, locks horns with Mr Crawley and Dr Tempest, finally meeting her match.
Reader review:
“The Rev. Josiah Crawley, curate of Hogglestock, has been accused of stealing a cheque for 20 pounds. Confused about how the cheque came into his possession, he has no defence to offer. Mrs. Proudie, shrewish tyrant over her husband, the Bishop, is determined to hound Crawley out of his meagre position. Also caught up in the problem is young Henry Grantly, son of the aristocratic Archdeacon, who is in love with the beautiful and intelligent daughter of the accused man--a match that his father bitterly opposes.
This is the main plot, but there is a wealth of subplots, each worthy of its own novel. Among these is a continuation of John Eames' wooing of Lily Dale, carried over from The Small House at Allington.
The Last Chronicle is the longest of the Barsetshire novels--and the best, considerably better in style than the more popular Barchester Towers. Trollope's characterisations are, as usual, superb, among the very best in all literature. He skilfully interweaves all the various strands of the novel into a very satisfying whole. And he has largely freed himself from the sometimes annoying philosophical asides to the reader that detracted from some of his earlier novels. This book merits consideration as a true masterwork.”
Listener review:
“Timothy West and Trollope simply work. This series of the Barsetshire novels could compete for the title of Best Ever Audiobooks. The Last Chronicle is the darkest of the series, but Timothy West again brings a warm humanity to the voice of the author and a penetrating individuality to each of the characters without ever falling into exaggeration or caricature.”
Anthony Trollope (1815-1882) was born in London to a bankrupt barrister father and a mother who, as a well-known writer, supported the family. Trollope enjoyed considerable acclaim both as a novelist and as a senior civil servant in the Post Office. He published more than forty novels and many short stories that are regarded by some as among the greatest of nineteenth-century fiction.
He said of The Last Chronicle of Barset “I regard this as the best novel I have written ... there is a true savour of English life all through the book”.
评分
评分
评分
评分
这本书的叙事节奏简直让人欲罢不能,那种老式英式小说的沉稳和细腻被作者拿捏得恰到好处。我得说,开篇的几章,那种缓慢渗透进来的生活气息,初看可能会让人觉得有点拖沓,但一旦你沉浸进去,就会发现每一个细微的场景描写,每一次人物间的眼神交汇,都像精心打磨的宝石,折射出那个特定时代特有的那种保守、讲究体面却又暗流涌动的社会图景。尤其是对乡绅阶层那种微妙的心理刻画,那种对地位的看重、对流言的恐惧,写得入木三分。我特别欣赏作者如何通过日常的茶会、教会的聚会这些看似平淡的场景,不动声色地揭示出人物的真实面目和他们之间错综复杂的关系网。读起来,就好像自己真的搬进了那个充满橡木家具和厚重窗帘的庄园里,能闻到壁炉里木柴燃烧的烟味和清晨露水打湿草地的味道。这种沉浸感,在当今快节奏的文学作品中,已经越来越难觅了,它要求读者付出耐心,但回报是无比丰厚的——一个可以让你暂时逃离现实,细细品味人性的复杂与时代的局限的精致世界。
评分这本书最让我惊艳的,是它对“地方感”的营造达到了出神入化的地步。它描绘的那个地方,那个虚构的巴塞特郡(暂且这么称呼它),简直拥有了自己的呼吸和脉搏。你不仅能清晰地“看到”那些错落有致的乡村宅邸和弥漫着湿气的教堂墓园,更能切实体会到那种根植于土地的、代代相传的社会规范和人际默契。这种地方感,不仅仅是地理上的描摹,更是一种文化和精神上的锁定。作者似乎对那个时代的乡村习俗、礼仪规范有着百科全书式的了解,这些细节被巧妙地融入到对话和行动中,而非生硬地罗列解释。这种深厚的文化底蕴,使得故事的真实感获得了极大的提升。阅读过程中,我常常会联想到一些古典油画,那些宁静的田园风光下,隐藏着难以言说的阶级固化和命运的无常,它提供了一种既安抚人心又引人深思的复杂体验。
评分我简直要为作者对人性的洞察力鼓掌!这部作品里的人物群像,没有一个是扁平化的符号,他们都活生生地站在你面前,带着各自的优点和致命的缺陷。主角的挣扎,那种源自内心深处的道德困境和现实利益之间的撕扯,让人感同身受,读到他做出某些“不光彩”的决定时,我甚至会忍不住替他捏一把汗,同时又理解他身不由己的处境。更妙的是那些配角,哪怕只是一个出场不多的律师或者一位刻薄的太太,作者也赋予了他们丰满的背景和动机。这种群像的描绘,让整个故事不仅仅是一个简单的情节推进,而更像是一幅展现社会生态的宏大画卷。我尤其喜欢那些关于“正义”和“妥协”的探讨,作者没有给出简单的答案,而是把选择权抛给了读者,让你在合上书本之后,还会反复咀嚼那些情节,思考自己在那样的情境下会作何抉择。这种回味无穷的文学力量,才是真正伟大的作品所具备的特质。
评分从文学技法的角度来看,这本书的结构简直像一座用精湛的工艺建造起来的钟楼。它的多线索叙事处理得极其高明,不同的故事线索如同几股细流,在各自的轨道上发展,看似独立,却在关键时刻汇集成一股强大的洪流,互相映照,互相加强了彼此的主题。比如,关于财产继承的那条线索的紧张感,完美地烘托了家庭内部情感的疏离;而关于教会内部权力斗争的描绘,则为整个故事增添了一种宏大的历史宿命感。作者的语言风格变化多端,时而严谨如法庭辩论,时而又变得充满了讥讽和辛辣的幽默,尤其是对某些伪善角色的讽刺,简直是妙语连珠,让人忍不住要停下来,细细琢磨那背后的深意。这种语言上的丰富性和弹性,让长篇阅读变成了一种享受而非负担,它巧妙地在保持故事深度的同时,提供了足够的阅读乐趣,绝非那种一味追求情节刺激的通俗小说可比拟。
评分如果说有什么能让这部作品超越时间的限制,那一定是对“时间流逝”和“变化”这一宏大主题的细腻捕捉。故事的跨度似乎很长,角色们从意气风发走向暮气沉沉,他们的抱负、爱情、甚至是他们的偏见,都随着岁月的冲刷而发生了微妙的改变。我特别喜欢作者处理时间的方式——它不是线性的、平铺直叙的,而是通过角色的回忆、代际之间的传承与冲突来展现的。你会看到父辈的错误如何无声无息地影响到下一代的决策,那种历史的重量感,压得人喘不过气来。这种对时间哲学的探索,让这部作品的格局瞬间被拉高,它不再仅仅是某个特定年份的社会速写,而成为了关于人类生存状态的永恒寓言。读完之后,心中留下的不是情节的悬念,而是一种对生命本质的淡淡的忧伤和对历史洪流的敬畏。这是一部需要静下心来,慢慢咀嚼才能体会其精髓的伟大作品。
评分 评分 评分 评分 评分本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 book.quotespace.org All Rights Reserved. 小美书屋 版权所有