John Bates came onto the London Fashion scene like a bolt of blue light, trailing sparks of excitement, designing the shortest skirts, the swiftest shapes, the surest colours. He had an unswerving instinct for what was new, modern, cutting edge' - Marit Allen
Throughout the 1960s and 70s, John Bates dominated the British fashion scene with a unique brand of style and innovation. No other designer had such a comprehensive influence on what the UK wore. Diana Rigg wore his designs in "The Avengers", and the press went wild.Cilla Black and Dusty Springfield sang in them; Jean Shrimpton, Twiggy and Penelope Tree modelled; David Bailey, Terence Donovan and Helmut Newton photographed. At every level, from shop girl to pop star, debutante and banker's wife, his label Jean Varon offered a must-have dress for a party, short or long, empire line or mini. He gave fashion-conscious women the chance to wear dresses featured extensively in the pages of "Vogue", "Harpers Bazaar", and "Queen Magazine" and bridged the gap between High Street retailing and couture like no other.
Richard Lester's text is based on detailed interviews with John Bates, covering his entire career in fashion. In addition the book features contributions from Felicity Green, Deidre McSharry, Brigid Keenan, Barbara Griggs, Sian Phillips and other key figures from the fashion industry, cultural scene and media of the time.
Richard Lester trained with Sotheby's in the early 1990s, having worked for Osborne & Little and Liberty. He divides his time between fine art valuation in the City of London and his vintage clothing business based in Sussex. In 2004 he donated a large collection of John Bates designs to the Fashion Museum in Bath, and assisted in organising the designer's retrospective exhibition at the museum in 2006. The collection now exceeds 500 pieces, and is the largest single designer holding in any UK museum.
Marit Allen (1941-2007) was one of the most important names in fashion in the 1960s, working initially for Queen magazine and subsequently for Vogue as editor of 'Young Ideas'. There she played a vital role in promoting young British designers such as John Bates, who designed her spectacular silver wedding outfit in 1966. From the early 1970s she excelled in costume design for film, with credits including Don't Look Now (1973), Eyes Wide Shut (1999) and collaborations with director Ang Lee including Brokeback Mountain (2005).
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这本书的叙事节奏把握得极佳,从一开始就牢牢抓住了我的注意力,仿佛一个技艺高超的魔术师,一步步揭示着精心编排的谜团。作者对于细节的刻画入木三分,即便是最微不足道的场景,也充满了强烈的氛围感和暗示性。我尤其欣赏其中对人物内心世界的细腻描摹,那种挣扎、那种自我怀疑,都写得如此真实可感,让人忍不住代入其中,感同身受。故事的转折点设计得非常巧妙,它们并非突兀地出现,而是像河流汇入大海一样,在前期就已经埋下了无数的伏笔,等到真相大白时,那种豁然开朗的震撼感无与伦比。我读的时候常常会停下来,回味之前读到的只言片语,然后惊叹于作者布局之深远。那些看似无关紧要的对话,在后来的情节中竟然成为了至关重要的线索,这种精密的结构让人不得不佩服作者的功力。整本书读下来,如同经历了一场酣畅淋漓的智力角逐,每一次推理和猜测都被作者巧妙地引导和反转,最终的结局更是出人意料,却又在情理之中,让人掩卷长思,回味无穷。这是一部真正能够挑战读者思维,并带来极大阅读满足感的作品,绝非那种浅尝辄止的消遣之作。
评分我对这本书最大的感受是其强烈的代入感和沉浸式的体验。作者似乎有一种魔力,能将你瞬间拉入那个特定的时空背景之中。无论是对特定历史时期风貌的还原,还是对某种职业细节的专业描述,都显示出作者下了大量的案头功夫,这种严谨性极大地增强了故事的可信度。我感觉自己仿佛不是在“读”一个故事,而是在“经历”一段人生。尤其是其中对于环境声响和气味的描绘,非常立体,让人闭上眼睛就能感受到现场的氛围,比如远处的钟声,或是雨后泥土的味道,这些细节的堆叠,让整个世界鲜活了起来。书中角色的行为逻辑也经得起推敲,他们的每一次选择,无论多么出人意料,最终都能在他们的背景和性格设定中找到合理的解释,避免了人物“工具化”的弊病。这种全方位的沉浸感,使得阅读过程既紧张又充满探索的乐趣。这是一部需要静下心来,完全沉浸其中才能体会其精髓的作品,绝对值得花时间去细细品味。
评分这本书的文字风格简直是一股清流,它不追求华丽辞藻的堆砌,而是以一种近乎散文诗般的冷静和克制,构建出一个个充满张力的场景。作者的语言简洁有力,却又蕴含着深厚的哲思。我特别喜欢它对环境的描绘,那种冷峻的笔调,仿佛透过文字就能感受到空气中冰冷的湿度和光线的质感,有效地烘托了故事核心主题的沉重与复杂性。读到某些段落时,我甚至会想象出电影般的画面感,人物的动作、表情都清晰地浮现在脑海中,这说明作者在视觉化叙事上有着非凡的天赋。它不像某些作品那样急于将信息倾泻而出,而是耐心地引导读者去感受角色的困境和他们所处的那个世界的规则。这种“留白”的艺术处理,极大地激发了读者的主动性和想象力,每一次阅读都有新的发现。书中对某些特定主题的探讨,也显得尤为深刻和尖锐,它没有给出简单的答案,而是提出了一系列引人深思的问题,让人在合上书本之后,依然能够在脑海中与之进行深入的对话。
评分说实话,我通常对这类题材的书籍抱持着一种审慎的态度,但这本书完全超出了我的预期。它的核心魅力在于其对人性灰色地带的无情剖析。书中没有绝对的好人或坏人,每个人物都带着自身的阴影和动机的复杂性,这使得故事的张力十足。我欣赏作者敢于触碰那些社会禁忌和道德模糊的领域,并以一种极其坦诚的方式呈现出来。角色之间的互动充满了微妙的张力,那些未曾挑明的暗流涌动,比直接的冲突更令人窒息。读到一些关键冲突场景时,我甚至感到呼吸有些困难,作者将那种近乎真实的心理压力成功地传递给了屏幕外的我。更难得的是,尽管主题沉重,但作者的叙事基调却保持着一种超然的距离感,这使得我们既能深入角色的痛苦,又能保持清醒的批判性视角。这本书更像是一面镜子,映照出人性深处的幽微和矛盾,它不讨好读者,也不试图提供廉价的慰藉,正是这种真实和深刻,让它在众多作品中脱颖而出,成为我近期阅读清单上最值得推荐的一本。
评分这本书的结构设计,简直是一件精密的工艺品。它采用了多线叙事的手法,不同时间线和不同人物的视角交织在一起,起初感觉有些庞杂,但随着阅读的深入,你会发现每条线索都像一根细密的丝线,最终汇聚成一张宏大而完整的图案。作者对时间点的跳跃和切换处理得炉火纯青,既保证了叙事的流畅性,又巧妙地制造了悬念和信息差。特别是当两条看似毫无关联的支线最终以一种震撼人心的方式碰撞在一起时,那种阅读体验是无与伦比的——你会立刻回溯之前读到的所有内容,重新构建你对整个故事的理解。我特别赞赏作者在保持这种复杂结构的同时,依然能够让普通读者清晰地跟进故事的主线脉络,这需要极高的叙事控制力。它不像有些烧脑作品那样故弄玄虚,而是用精巧的结构来服务于故事本身的深度,而不是为了炫技。读完后,我甚至想重新从头开始阅读,以期捕捉那些第一次阅读时可能遗漏的、隐藏在时间错位中的微妙线索。
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