Carl Olson's Zen and the Art of Postmodern Philosophy compares two paths of liberation
from the representational mode of thinking, namely, Zen Buddhism and postmodern
philosophy. Olson is to be commended for encouraging this dialogue, especially
since professors of religious studies usually marginalize Gallic postmodern
thought. He is also to be appreciated for the enormous effort that must have been
required to describe so much material. Olson treats Bataille, Baudrillard, Deleuze,
Derrida, Guattari, Foucault, Kristeva, Lacan, Levinas, and Lyotard on the postmodern
side; and Dogen, Hakuin, Nishitani, many Chinese Ch'anists, and some Indian
Buddhists on the Buddhist side. His method is to arrange the chapters according to
topoi such as "Language, Disruption, and Play," "Ways of Thinking," "The Body,"
and so on, and to treat the pertaining ideas of the individual Buddhist and postmodern
authors insofar as applicable.
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