Turchi posits the idea that maps help people understand where they are in the world in the same way that literature, whether realistic or experimental, attempts to explain human realities
Maps of the Imagination takes us on a magic carpet ride over terrain both familiar and exotic. Using the map as a metaphor, fiction writer Peter Turchi considers writing as a combination of exploration and presentation, all the while serving as an erudite and charming guide. He compares the way a writer leads a reader though the imaginary world of a story, novel, or poem to the way a mapmaker charts the physical world. “To ask for a map,” writes Turchi, “is to say, ‘Tell me a story.’ ”
With intelligence and wit, the author looks at how mapmakers and writers deal with blank space and the blank page; the conventions they use (both the ones readers recognize and those that often go unnoticed) or consciously disregard; the role of geometry in maps and the parallel role of form in writing; how maps and writing serve to re-create an individual’s view of the world; and the artist’s delicate balance of intuition with intention. The ancient Greeks, German globe makers, and British cartographers join forces with the Marx Brothers, NASA, and Roadrunner cartoons to shed light on the strategies of writers as diverse as Sappho, Ernest Hemingway, Virginia Woolf, Vladimir Nabokov, Italo Calvino, Don DeLillo, and Heather McHugh.
A unique combination of history, critical cartography, personal essay, and practical guide to writing, Maps of the Imagination is a book for writers, for readers, and for anyone interested in creativity. Colorful illustrations and Turchi’s insightful observations make his book both beautiful and a joy to read.
Peter Turchi
Called "one of the country's foremost thinkers on the art of writing" by the Houston Chronicle, Peter Turchi's books include A Muse and a Maze: Writing as Puzzle, Mystery, and Magic, Maps of the Imagination: The Writer as Cartographer; Suburban Journals: The Sketchbooks, Drawings, and Prints of Charles Ritchie, in collaboration with the artist; a novel, The Girls Next Door; and a collection of stories, Magician. Turchi's short story "Night, Truck, Two Lights Burning," listed as one of 100 Notable Stories of 2002 by the editors of Best American Short Stories and one of 15 Recommended Stories by the jury for the O. Henry Prize Stories, has been published in Arabic and, in English, combined with images by Charles Ritchie, in a limited edition artist's book. He has also coedited, with Andrea Barrett, A Kite in the Wind: Fiction Writers on Their Craft and The Story Behind the Story: 26 Stories by Contemporary Writers and How They Work; and, with Charles Baxter, Bringing the Devil to His Knees: The Craft of Fiction and the Writing Life. Turchi's stories have appeared in Ploughshares, Story, the Alaska Quarterly Review, Puerto del Sol, and the Colorado Review. He has received Washington College's Sophie Kerr Prize, an Illinois Arts Council Literary Award, North Carolina's Sir Walter Raleigh Award, and fellowships from the National Endowment for the Arts and the John Simon Guggenheim Memorial Foundation. From 1993 to 2008 he directed the MFA Program for Writers at Warren Wilson College in Asheville, North Carolina. Turchi recently taught at Arizona State University, where he was director of the creative writing program, and he's currently a professor of creative writing at the University of Houston.
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拿到《Maps of the Imagination》的时候,我并没有立刻打开它,而是先将它放在床头柜上,每天睡前看着它,想象着里面的内容。这本书的名字本身就有一种奇妙的吸引力,它不是直接告诉你“是什么”,而是引导你去“想象”。我猜想,它可能并非传统意义上的那些提供具体信息或知识的书籍,而更像是一种邀请,邀请读者一同参与到一种创造性的思考过程中。我设想,它可能会用一些非常规的叙事方式,或者引入一些充满象征意义的元素,来引导我们构建自己的理解。我喜欢这种不确定性带来的期待感,它让我觉得,这本书就像一个等待被发掘的宝藏,而我是那个手持罗盘的探险家。我对于那些能够挑战我固有思维模式,或者提供全新视角的作品,总是充满了浓厚的兴趣。如果《Maps of the Imagination》能做到这一点,那它无疑将是我近期阅读中最具价值的收获之一。我渴望着它能带我进入一个全新的思想维度,让我用一种前所未有的方式去感受和理解这个世界。
评分老实说,我对《Maps of the Imagination》这个书名真是着迷透了。它不像很多书那样直白地告诉你它讲的是什么,而是留下了巨大的想象空间。我脑海里已经勾勒出了无数种可能性,也许它是在探索艺术史上的那些标志性图像是如何构建我们对某个时代的认知的?又或者,它是在解析文学作品中那些经典的“世界观”设定,是如何成为读者内心深处的“地图”的?更有甚者,它可能是在探讨人类如何通过集体想象力来构建社会、文化和历史的宏大叙事。我个人特别喜欢那些能够跨越学科界限,将看似不相关的领域巧妙联系起来的书籍。它们往往能带来最深刻的启发。我期待着《Maps of the Imagination》能够展现出一种独特的视角,一种能够带领我深入理解“想象”这一强大力量如何塑造我们所看到、所感受、所相信的世界。它在我手中,不仅仅是一本书,更像是一把钥匙,等待我去开启那扇通往无限可能的大门,去探索那无边无际的内心疆域。
评分天哪,我今天刚收到这本《Maps of the Imagination》,拆开包裹的那一刻,我就被它的设计深深吸引了。书的封面触感温润,带着一种古老的神秘感,上面的纹理仿佛诉说着无数未曾被讲述的故事。我迫不及待地翻开第一页,扑面而来的便是那种让人沉醉的阅读氛围。文字的编排、字体的选择,每一个细节都透着作者对书籍本身的尊重和热爱。我虽然还没来得及深入阅读,但仅仅是浏览目录和前言,就让我对这本书的主题充满了好奇。它好像是一扇通往未知世界的门,等待我去探索。我一直觉得,优秀的图书不仅仅是传递信息,更是一种情感的共鸣,一种思想的启迪。而这本《Maps of the Imagination》,仅仅凭借它的外观和初步的呈现,就已经让我感受到了这种强大的力量。我仿佛能闻到纸张淡淡的墨香,听到翻页时细微的沙沙声,想象着在某个安静的午后,捧着它,与作者一同遨游在文字构建的奇幻国度。这种期待感,比任何剧透都要来得激动人心。我能预见,这将是一次充满惊喜和感动的阅读旅程,它会像一位老朋友,在我需要的时候,给予我慰藉和力量。
评分这几天我一直在思考一个问题:我们是如何形成自己对世界的认知和理解的?而《Maps of the Imagination》这个名字,恰恰触碰到了我内心深处的这个疑问。我感觉,这本书可能不仅仅是一本关于地理或者历史的地图集,它更像是一次关于心智的探索,一次关于如何构建我们内心世界的旅程。我脑海中浮现出无数的可能性:也许它会讨论我们如何通过想象力来塑造现实,如何利用内在的“地图”来导航我们的人生;又或者,它会揭示那些潜藏在我们集体意识深处的原型和意象,这些共同的“地图”是如何影响我们的文化和行为的。我尤其对那些能够引发深度反思的书籍情有独钟,它们不仅仅提供答案,更重要的是提出问题,引发我们去思考,去审视自己固有的观念。从这个名字来看,《Maps of the Imagination》似乎承诺着一场智识的冒险,一次对人类思维边界的拓展。我希望它能给我带来耳目一新的视角,让我能够重新审视那些我习以为常的“地图”,并有可能绘制出属于我自己的、更加广阔的想象世界。
评分我必须说,这本《Maps of the Imagination》简直就是为我这种“视觉化思考者”量身定做的!我向来喜欢那些能够用图像、结构或者隐喻来解释复杂概念的书籍。虽然我还没有深入阅读,但仅仅是翻看封面和封底的介绍,以及书脊上那简洁而富有深意的标题,就足以勾起我无限的遐想。我猜想,这本书可能不仅仅是文字的堆砌,更像是一幅幅精巧的地图,指引着我们去理解那些抽象的概念,去探索那些隐藏在日常背后的逻辑。我喜欢这种“解谜”式的阅读体验,它让我感觉自己不仅仅是在被动接受信息,而是在主动地参与到知识的构建过程中。我个人特别偏爱那些能够将科学、哲学、艺术甚至历史融会而成的作品,它们总能带来意想不到的洞见。我期待着在《Maps of the Imagination》中,能够看到作者如何巧妙地运用各种“地图”和“指南”,带领我们穿梭于不同的思想领域,找到那些看似毫不相关却又紧密相连的线索。这本书在我手中,就好像一张藏宝图,我迫不及待地想知道,它到底藏着多少令人惊叹的宝藏。
评分把写作和地图搅在一起,头都大了。
评分把写作和地图搅在一起,头都大了。
评分把写作和地图搅在一起,头都大了。
评分非常好的一本书,无论对于研究,还是创意写作来说,都是有趣且有启发的作品,不知道哪家出版社能翻译就好了
评分把写作和地图搅在一起,头都大了。
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