Master photographer Manly Chin is regarded as the pioneer of camera painting, an art-form that resembles more the traditional paintings of a master artist than photographic work. Using flowers, birds, and fish as his inspiration, Chin creates picture-moods on celluloid as an More...artist would create them on silk or rice paper, to create works of art that have been applauded worldwide for the past thirty years.
The Painterly Lens is a representative collection of 150 masterpieces of Chin's unique style. It is this style, coupled with a perceptive eye, imaginative mind, and masterly skills, that first projected Chin into the limelight when he won several top awards at the International Salon of Photographic Art in 1958. Subsequently, for fourteen consecutive years, he was elected one of the world's ten most outstanding photographers by the American Photographic Society, as well as honored by other photographic societies aroung the world.
With commentary by Chin himself, telling how each shot was created and outlining the technical aspects, The Painterly Lens is an extraordinary foray into the illusive world of camera painting
"Long before the use of PhotoShop and other digital techniques, award-winning Chinese photographer Manly Chin was creating photographs that looked like Chinese paintings. His photos, largely of natural life subjects like birds that he personally raised and ...
评分"Long before the use of PhotoShop and other digital techniques, award-winning Chinese photographer Manly Chin was creating photographs that looked like Chinese paintings. His photos, largely of natural life subjects like birds that he personally raised and ...
评分"Long before the use of PhotoShop and other digital techniques, award-winning Chinese photographer Manly Chin was creating photographs that looked like Chinese paintings. His photos, largely of natural life subjects like birds that he personally raised and ...
评分"Long before the use of PhotoShop and other digital techniques, award-winning Chinese photographer Manly Chin was creating photographs that looked like Chinese paintings. His photos, largely of natural life subjects like birds that he personally raised and ...
评分"Long before the use of PhotoShop and other digital techniques, award-winning Chinese photographer Manly Chin was creating photographs that looked like Chinese paintings. His photos, largely of natural life subjects like birds that he personally raised and ...
翻开这本书,映入眼帘的与其说是文字,不如说是一系列精心策划的视觉对话。我必须承认,阅读体验是极其流畅且富有节奏感的,仿佛作者深谙叙事之道,即便在阐述复杂的透视学原理时,也处理得如诗如画。这本书最巧妙的地方在于,它并不强迫读者接受固定的“标准答案”,而是鼓励读者建立起自己对“视觉真实性”的判断体系。我记得有段文字关于印象派户外写生时,处理色彩的“饱和度阈值”的讨论,那段落的逻辑推演缜密得令人叹服,它解答了我多年来对于那些鲜艳色彩如何在自然光下保持和谐的困惑。这本书的排版和插图选择也堪称艺术品,每张被引用的画作都经过了精确的放大和局部剖析,使得那些原本需要靠肉眼去捕捉的细节,被清晰无误地呈现在读者面前。它不仅仅是教你“看”,更是教你如何“思考”如何“感受”艺术家当时的选择,这种沉浸式的学习体验,是其他同类书籍难以企及的。
评分这本《The painterly lens》简直是视觉艺术爱好者们不容错过的宝典!我花了整整一个下午沉浸其中,那些关于光影、色彩和构图的深入剖析,让我对“观看”这件事有了全新的理解。作者似乎拥有一种魔力,能将那些抽象的艺术理论具象化,用极其细腻的笔触描绘出大师们是如何在画布上捕捉转瞬即逝的瞬间。书中对伦勃朗的光线处理、德加对动态瞬间的捕捉,以及莫奈对色彩振动的诠释,都有着令人拍案叫绝的见解。特别是关于“环境光”如何影响主体塑造的那一章,简直是为我打开了一扇通往新世界的大门。我过去看画展时,总觉得少了点什么,现在明白,那缺失的部分,正是被作者用这种“绘画的镜头”精准地捕捉并呈现了出来。读完后,我忍不住拿起相机,试图在现实生活中重现书中所描述的那些光影层次感,那种将现实转化为艺术画面的冲动,真是难以言喻的激动。这本书不仅是理论的探讨,更是一次心灵的洗礼,让人重新审视我们日常所见的每一个场景,充满了对美的敬畏与追求。
评分这本书的问世,无疑填补了艺术鉴赏领域一个非常重要的空白。它超越了传统艺术史的编年体叙述,也避开了纯粹的哲学思辨,而是聚焦于“技法背后的意图”这一核心。我尤其欣赏作者在探讨“焦点”与“模糊”的处理上所展现出的洞察力,他将焦点不仅仅视为光学现象,而是一种叙事手段,一种情感的引导线。书中对那些被忽略的、边缘化的艺术家的分析也十分到位,揭示了许多被主流艺术史简化处理的复杂性。读完此书,我感觉自己对光线的理解已经从“照亮”升级到了“塑造”,对色彩的运用也从“复制”升华到了“表达”。它不仅拓宽了我的艺术知识面,更重要的是,它为我提供了一套处理复杂信息和构建个人审美体系的底层逻辑。这不仅仅是一本关于绘画的书,它更是一本关于如何深度观察世界的指南,强烈推荐给所有对“如何感知世界”抱有好奇心的人。
评分如果用一个词来概括《The painterly lens》带给我的感受,那便是“重塑”。它如同一次对艺术视角的深度矫正手术。我过去一直迷恋于那些宏大叙事和古典主义的完美对称,总觉得现代艺术的那些看似随意的笔触是缺乏根基的。但这本书通过对不同历史时期画家心路历程的还原,让我意识到,每一次“打破规则”的背后,都是对更高层次视觉秩序的追求。特别是关于“画面的张力与留白”的探讨,作者引用了大量的东方美学元素作为佐证,将东西方艺术的共通性展现得淋漓尽致。阅读过程中,我时常会停下来,不是因为看不懂,而是因为被其中的某个观点深深触动,需要时间去消化它对我既有认知结构的冲击。这本书的叙事风格极其个人化,充满了作者对艺术近乎痴迷的热爱,这种真挚的情感,使得那些原本冰冷的理论焕发出了温暖的生命力,让人读起来倍感亲切和鼓舞。
评分说实话,我原本对这种偏向学院派的艺术解读书籍抱持着一丝怀疑,毕竟市面上太多空洞的理论堆砌。然而,《The painterly lens》彻底颠覆了我的固有印象。它没有那种高高在上的姿态,反而像是一位经验丰富的老画家,拉着你的手,耐心地、循循善诱地带你走进他的工作室。最让我震撼的是,它将不同媒介——油画、水彩乃至早期的摄影技术——的底层逻辑进行了跨界融合的探讨。这种跨界分析的深度和广度,远超我以往阅读的任何一本单项艺术史著作。我尤其欣赏作者在论述“纹理表现”时,对笔触与材料相互作用的精妙描述。那种“触感”似乎能穿透纸面,直抵读者的感官。对于我这样尝试过绘画,但总是在“形似”和“神似”之间徘徊的业余爱好者来说,这本书提供了一套极其实用的思维框架,它教会我如何从“描摹”提升到“建构”,如何让画面拥有自己的呼吸和生命力。这是一本值得反复研读,每次都能从中汲取新养分的工具书,其价值无可估量。
评分钱万里,分不清是画还是照片~咔咔
评分钱万里,分不清是画还是照片~咔咔
评分钱万里,分不清是画还是照片~咔咔
评分钱万里,分不清是画还是照片~咔咔
评分钱万里,分不清是画还是照片~咔咔
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