Marcus Sakey is an award-winning copywriter who lives in Chicago. While writing his first novel The Blade Itself (Penguin, 2007), he shadowed homicide detectives, toured the morgue, and learned to pick a deadbolt in sixty seconds.
Marcus Sakey, 'the new reigning prince of crime fiction'� (Chicago Tribune) is the most acclaimed new thriller writer in recent memory. In his next taut, propulsive novel, four friends from the old neighborhood have dreams of a better life. And they've worked hard for it. A bartender. A failing stock broker. A hotel doorman. A travel agent. In a world where CEOs steal millions while their employees worry about their next paycheck, where the few dollars any of them have saved are held hostage to the whims of billionaires a world away, the honest approach got these four nowhere.
Now they've gone too far with a plan to change their situation and their world is falling apart. To save their own lives, they've had to take the lives of others. Tensions and rivalries they thought long buried are flaring to angry life. The clock is ticking on a situation they don't understand. As things unravel faster and faster, each of them will have to choose between saving everything they treasure and doing the right thing. And for four people pushed to the ragged edge, the only thing more dangerous than the men coming after them might be their best friends.
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中規中矩的犯罪版老友記,情節和節奏就像劇本教科書裏的範例,該有的幾次高潮、人物弧光、伏筆懸念都有,沒啥缺陷,隻是缺一點意境,缺一點觸動,比較匠氣。
评分中規中矩的犯罪版老友記,情節和節奏就像劇本教科書裏的範例,該有的幾次高潮、人物弧光、伏筆懸念都有,沒啥缺陷,隻是缺一點意境,缺一點觸動,比較匠氣。
评分中規中矩的犯罪版老友記,情節和節奏就像劇本教科書裏的範例,該有的幾次高潮、人物弧光、伏筆懸念都有,沒啥缺陷,隻是缺一點意境,缺一點觸動,比較匠氣。
评分中規中矩的犯罪版老友記,情節和節奏就像劇本教科書裏的範例,該有的幾次高潮、人物弧光、伏筆懸念都有,沒啥缺陷,隻是缺一點意境,缺一點觸動,比較匠氣。
评分中規中矩的犯罪版老友記,情節和節奏就像劇本教科書裏的範例,該有的幾次高潮、人物弧光、伏筆懸念都有,沒啥缺陷,隻是缺一點意境,缺一點觸動,比較匠氣。
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