The Upright Brush

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Amy McNair is professor of Chinese Art at the University of Kansas. Her previous publications include Donors of Longmen: Faith, Politics, and Patronage in Medieval Chinese Buddhist Sculpture.

出版者:University of Hawaii Press
作者:Amy McNair
出品人:
頁數:272
译者:
出版時間:1998-02
價格:USD 30.00
裝幀:Paperback
isbn號碼:9780824820022
叢書系列:
圖書標籤:
  • 顔真卿 
  • 書法 
  • 宋 
  • history 
  • 藝術·書畫 
  • 海外中國研究 
  • 唐宋 
  • 唐史 
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In the history of Chinese calligraphy, few are more famous than the eighth-century statesman Yan Zhenqing (709-785). His style is still taught today as a standard, and Chinese bookstores the world over stock inexpensive reproductions of his works for sale as copybooks.

Yet Yan's style cannot be called conventionally attractive. "Correct," "severe," "serious," "forceful" are terms habitually applied to describe his writing--rarely has his calligraphy been called graceful or beautiful. How, then, did Yan earn such an eminent place in the history of art?

In The Upright Brush, Amy McNair argues for the political rather than purely aesthetic basis for Yan Zhenqing's artistic reputation. She shows how his prominent position was made for him in the eleventh century by a handful of influential men who sought to advance their own position by associating themselves with Yan's reputation for uprightness. Equating style with personality, they adopted Yan's calligraphic style as a way to clothe themselves in his persona.

Sophisticated, informed, and intelligent, The Upright Brush illuminates an episode (one of many) in the history of Chinese culture where the creative reinterpretation of the past was used for contemporary political means. It will be eagerly welcomed by all scholars of Chinese culture and history, as well as by those interested in the making and reading of art.

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听书听完的,中正就是颜真卿的书法风格,小朋友书法入门的时候要写颜体,目的就是通过练字修炼正直的品格,因为字如其人,不过德艺双馨的提法实际上也是宣传的功劳。 王羲之所在的东晋是士族阶层主导的国家,不论是文体还是字体都讲究繁复优美,悠然自得的上流社会美感,文人雅...  

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俗话说“字如其人”,作者因为不是中国人而在研究历史时提出了一个大胆的假设:“字如其人,不过是政治需要而刻意打造的书法观念和思想观念。”而本书的主角颜真卿的“中正之笔”,正是作者这一观点的真实写照。 唐朝时期,士族精英阶层掌握着权力核心,所以推崇王羲之的“王氏...  

評分

俗话说“字如其人”,作者因为不是中国人而在研究历史时提出了一个大胆的假设:“字如其人,不过是政治需要而刻意打造的书法观念和思想观念。”而本书的主角颜真卿的“中正之笔”,正是作者这一观点的真实写照。 唐朝时期,士族精英阶层掌握着权力核心,所以推崇王羲之的“王氏...  

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在某电商处看到《中正之笔——颜真卿书法与宋代文人政治》有售,知道是美国专治中国艺术史的倪雅梅女士的博士论文,略翻看了下购买者的评价,几乎是骂声一片。本来不对这本书抱有购买的欲望,但想到与我所最爱的书法家颜真卿有关,所以抱着猎奇的心态下了单。心里想着:且看这...  

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