'Anyone who wants to gain a quick idea of how before me everything was topsy-turvy should make a start with this work. That which is called idol on the title-page is quite simply that which was called truth hitherto. Twilight of the Idols - in plain words: the old truth is coming to an end...' Nietzsche intended Twilight of the Idols to serve as a short introduction to his philosophy, and as a result it is the most synoptic of all his books. Continuing in the spirit of its immediate predecessors On The Genealogy of Morals and The Wagner Case, it is a masterpiece of polemic, targeting not only 'eternal idols' like Socratic rationality and Christian morality but also their contemporary counterparts, as Nietzsche the 'untimely man' goes roaming in the gloaming of nineteenth-century European culture. He allies philosophy with psychology and physiology, relentlessly diagnozing the symptoms of decadence, and his stylistic virtuosity is such that the sheer delight he takes in his 'demonic' mischief-making communicates itself on every page. A brilliant new translation, this edition provides detailed commentary on a highly condensed and allusive work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
具体描述
读后感
精神不朽已经成为过去，因此精神需要新生，也就是精神需要从旧有的哲学和科学以及众多的知识中获得自己的生命。还将进入新的生命轮回，因此才有这些没有将来的事物出现，因此我们不必为新生的事物和旧有的事物的消失而得到我们的将来，因此不能离开这些心思，离开了就离开了比...
评分 评分尼采被人称作疯子，原因很简单。因为有人想要人们曲解他，对他说的话嗤之以鼻。直至今日，这种行为一直就没有停止过。我们反过来，尼采说了什么让这些人忍受不了，而灭之后快呢？ 我们的大学，违逆意愿地是这类让精神之本能变得枯萎的真正温室。 这与我们得出结论是一致的，至...
评分想来大多数我们同辈人知晓尼采都源于周伯伯的那句话：尼采自诩为太阳，但最后还是疯了。一个让周伯伯如此看重的疯子，毕竟应该大有来头，起码当时我是如是想的。国内鲜见他的东西，直到解禁又来源于另一个姓周的人--周国平（老尼泉下有知，必将感谢周家的十八辈儿祖宗，呵呵）...
评分【按语：《偶像的黄昏——或怎样用锤子从事哲学（Twilight of the Idols or How to Philosophize with a Hammer，1888）》是尼采后期的一部短小精悍的作品。这里，尼采延续了在《悲剧的诞生》中对苏格拉底的攻击，但更为激烈，并延伸到对哲学和道德本身（也是一贯主题）：苏格...
用户评价
诺兰借小丑的台词用尼采的格言定义了尼采，“whatever doesn't kill you, simply makes you stranger...”
评分苏格拉底的问题，尼采对daimonion只字不提，强调reason,dialectic的破坏作用。他是不是觉得daimonion只是苏格拉底的高明托词？为什么他不觉得这是‘本能’的一种呢。
评分诺兰借小丑的台词用尼采的格言定义了尼采，“whatever doesn't kill you, simply makes you stranger...”
评分苏格拉底的问题，尼采对daimonion只字不提，强调reason,dialectic的破坏作用。他是不是觉得daimonion只是苏格拉底的高明托词？为什么他不觉得这是‘本能’的一种呢。
评分这位的写作太具阳刚之气。对truth以及being/becoming的那段很有共鸣，以前的画画老师就是推尼采的，他画抽象觉得尼采给了他绝对的自由。对morality以及aesthetics的想法也有同样的功效。还有他对于悲剧和古希腊文化的分析。这本很可以作为尼采的入门，但愿第二年不要被这位折磨死才好。
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