The Phantom of the Opera

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Gaston Louis Alfred Leroux (6 May 1868, Paris, France – 15 April 1927) was a French journalist and author of detective fiction.

In the English-speaking world, he is best known for writing the novel The Phantom of the Opera (Le Fantôme de l'Opéra, 1910), which has been made into several film and stage productions of the same name, such as the 1925 film starring Lon Chaney; and Andrew Lloyd Webber's 1986 musical. It was also the basis of the 1990 novel Phantom by Susan Kay.

Leroux went to school in Normandy and studied law in Paris, graduating in 1889. He inherited millions of francs and lived wildly until he nearly reached bankruptcy. Then in 1890, he began working as a court reporter and theater critic for L'Écho de Paris. His most important journalism came when he began working as an international correspondent for the Paris newspaper Le Matin. In 1905 he was present at and covered the Russian Revolution. Another case he was present at involved the investigation and deep coverage of an opera house in Paris, later to become a ballet house. The basement consisted of a cell that held prisoners in the Paris Commune, which were the rulers of Paris through much of the Franco-Prussian war.

He suddenly left journalism in 1907, and began writing fiction. In 1909, he and Arthur Bernède formed their own film company, Société des Cinéromans to simultaneously publish novels and turn them into films. He first wrote a mystery novel entitled Le mystère de la chambre jaune (1908; The Mystery of the Yellow Room), starring the amateur detective Joseph Rouletabille. Leroux's contribution to French detective fiction is considered a parallel to Sir Arthur Conan Doyle's in the United Kingdom and Edgar Allan Poe's in America. Leroux died in Nice on April 15, 1927, of a urinary tract infection.

出版者:Barnes & Noble Inc
作者:Gaston Leroux
出品人:
頁數:264
译者:
出版時間:
價格:0.00
裝幀:精裝
isbn號碼:9780880299053
叢書系列:
圖書標籤:
  • 歌劇魅影 
  • 英文原版 
  • 英文 
  • Opera 
  • 小說 
  • 原版 
  • L'amour 
  • 編劇的藝術 
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When the new managers of the Paris Opera House ignore their predecessors warnings about the hideous Opera ghost stalking the theatre, it is a fatal mistake. Tortured by unrequited love for the beautiful young singer Christine Daae, the mysterious figure living in the depths beneath them has been awaiting his chance to strike. And when Christine suddenly disappears after a triumphant singing performance, it becomes clear that the phantom s time has come. Filled with colour and theatrical spectacle, this thrilling gothic tale has enthralled readers with its mystery, eerie suspense and tragic story of love turned into deadly obsession.

具體描述

讀後感

評分

魅影埃利克[我更想叫他"音乐天使"]是一个从小就因为外貌而被人们取笑的孩子,虽然被洁莉夫人救了出来,但是还是对人们有着深深的仇恨。这点跟由于生活穷困潦倒而被人们无比鄙视的“画家”希特勒有几分相似之处。   同样是因为受人们鄙视而对世人的仇恨,但不同的是魅...

評分

可惜的是爱情从来都不是一件理智的事情。这句话用来讲《歌剧魅影》的故事,就是美女与野兽的爱情绝对不会成立。要么是怪兽变回英俊的王子,要么是相拥着死去,除了死没有第二条路。《歌剧魅影》这个故事也是一样。 如果以非歧视的口吻议论,艾瑞克的丑陋并非是一件可怕的事,...  

評分

評分

三天看完了《歌剧魅影》,在工作时期,在某个慵懒的午后,用我的手机看完了这部小说。在开始看之前就已经有些预兆,我的自觉告诉我,这会是一部奇幻的书,情节上肯定不会输,肯定不是那种三流的言情小说,以用来赚取读者的眼泪。只是书中也是以一条主线展开,那就是爱情。 子爵...  

評分

可惜的是爱情从来都不是一件理智的事情。这句话用来讲《歌剧魅影》的故事,就是美女与野兽的爱情绝对不会成立。要么是怪兽变回英俊的王子,要么是相拥着死去,除了死没有第二条路。《歌剧魅影》这个故事也是一样。 如果以非歧视的口吻议论,艾瑞克的丑陋并非是一件可怕的事,...  

用戶評價

评分

在倫敦西區第一次看音樂劇看得就是《歌劇魅影》,音樂劇劇情簡化得比這部小說簡單得多所以看音樂劇就算不完全聽清楚演員唱的歌詞配閤精彩的舞颱效果和歌舞還是能懂的~就算不懂光看視覺和聽覺效果這部音樂劇還是很值得看。迴到小說總的來說情節還是吸引的,看完再去看音樂劇應該會有更深的理解和感受,如果有機會也想再看一次!

评分

在倫敦西區第一次看音樂劇看得就是《歌劇魅影》,音樂劇劇情簡化得比這部小說簡單得多所以看音樂劇就算不完全聽清楚演員唱的歌詞配閤精彩的舞颱效果和歌舞還是能懂的~就算不懂光看視覺和聽覺效果這部音樂劇還是很值得看。迴到小說總的來說情節還是吸引的,看完再去看音樂劇應該會有更深的理解和感受,如果有機會也想再看一次!

评分

經典愛情故事,經典恐怖愛情故事

评分

在倫敦西區第一次看音樂劇看得就是《歌劇魅影》,音樂劇劇情簡化得比這部小說簡單得多所以看音樂劇就算不完全聽清楚演員唱的歌詞配閤精彩的舞颱效果和歌舞還是能懂的~就算不懂光看視覺和聽覺效果這部音樂劇還是很值得看。迴到小說總的來說情節還是吸引的,看完再去看音樂劇應該會有更深的理解和感受,如果有機會也想再看一次!

评分

經典愛情故事,經典恐怖愛情故事

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