金斧头银斧头-画蛇添足

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页数:38
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出版时间:2009-1
价格:7.50元
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isbn号码:9787531547037
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图书标签:
  • 童年
  • 文学
  • 寓言
  • 中国
  • 儿童故事
  • 寓言故事
  • 成语故事
  • 绘画故事
  • 趣味阅读
  • 道德教育
  • 想象力培养
  • 传统智慧
  • 生活哲理
  • 幽默表达
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《金斧头银斧头 画蛇添足(注音版)》有两个表现故事内容的封面,阅读时可以按照一正一反的顺序。每个故事后面都附有一条简单的道理。每个故事都配以精美清晰、色彩鲜艳的插图,既能准确地表现出故事情节,又能指导宝宝认物。每

好的,这里为您构思一个关于一本不同书籍的详细简介,该书名为《星尘低语:失落文明的密码》。 --- 星尘低语:失落文明的密码 导言:时间尽头的回响 宇宙的尺度超越了人类的想象,而文明的兴衰,不过是星际间一瞬的闪光。然而,总有一些文明,它们在消逝前,留下了足以撼动后世认知的遗产。 《星尘低语:失落文明的密码》并非一本简单的考古学著作,它是一次穿越时空的、对人类已知历史的一次彻底重塑的尝试。本书汇集了顶尖的天体物理学家、古语言学家和量子信息专家跨学科的最新研究成果,聚焦于一个在主流历史叙事中被完全忽略——或者说,被刻意抹除——的超级文明:泽塔人(The Zethar)。 本书的基石,源于对三件看似毫不相关的“异物”的解析:位于火星奥林帕斯山深处发现的、无法被现有技术破译的“共振晶体”;漂浮在柯伊伯带边缘、发出规律性低频脉冲的“沉默方舟”;以及地球古老神话中反复出现的、关于“天空之桥”的模糊记载。 作者团队通过数十年的秘密合作,在本书中首次公布了他们破解泽塔人信息体系的关键突破——一种基于四维拓扑结构的加密语言,这种语言的载体并非物质,而是宇宙背景辐射中的微小熵变。 第一部分:熵的几何学与泽塔人的足迹 本书的第一部分,深入探讨了泽塔文明存在的理论基础。泽塔人并非诞生于我们所处的银河旋臂,他们的起源被追溯到大约五亿年前的仙女座星系边缘。 一、 宇宙的“织工” 书中提出了“熵的几何学”这一革命性理论。传统的物理学将熵视为系统无序化的量度,但泽塔人的信息结构显示,他们掌握了一种负熵流的运用方式。他们不是在对抗熵增,而是将信息编码进熵的局部梯度中。通过对火星共振晶体中检测到的微观结构进行拓扑分析,研究人员发现,晶体内部的原子排列方式,实际上是整个星系团在特定时间点的精确“快照”。 二、 地球的远古印记 我们如何知道一个五亿年前的星际文明造访过地球?作者详尽对比了全球范围内,尤其是在南极冰盖下和秘鲁纳斯卡平原深处的地质异常点。这些地点并非传统的遗址,而是被设计用于引力波接收的巨型结构。通过比对这些结构与火星晶体的能量签名,本书描绘了一个清晰的图景:泽塔人曾将地球视为一个重要的“信息缓存点”,用于备份他们的文明核心数据。这些数据并非以文字形式存在,而是以量子纠缠态的形式被暂时固化。 第二部分:解码失落的时代 破解泽塔人的语言是本书最引人入胜的部分。泽塔语的结构完全颠覆了人类的认知,它不依赖于线性时间,而是依赖于事件的因果关系网络。 一、 四维语法与“非存在”的概念 作者团队发现,泽塔语言中最核心的动词,描述的不是“发生”或“存在”,而是“趋向于非存在”。这揭示了泽塔文明的核心哲学:他们将生命视为一种暂时的、信息结构化的扰动,最终目标是回归到宇宙最原始的、完全对称的寂静状态。书中通过对已破译的少数几个泽塔符号的翻译,展示了他们对“时间旅行”的理解——那并非穿越时空,而是对因果链条的局部重组。 二、 沉默方舟的警示 柯伊伯带的“沉默方舟”被揭示为一个巨大的能量存储单元,而非传统意义上的飞船。通过精确模拟方舟发出的低频脉冲,作者还原了泽塔人留下的最后一条信息。这条信息并非针对任何特定文明的问候,而是一份宇宙安全报告。报告中描述了一种名为“虚空捕食者”的现象——一些纯粹由信息熵构成的实体,以吞噬有序结构(即文明)为生。泽塔人的消亡,正是由于未能及时完成对自身信息结构的“去中心化”。 第三部分:人类的未来与“自毁悖论” 本书的第三部分将视线投向我们自己的时代,探讨泽塔文明的遗产对人类文明的警示意义。 一、 知识的中心化风险 泽塔人最终的失败,源于他们将所有核心知识集中存储在一个维度模型中,导致当“捕食者”出现时,一击即溃。本书批判性地分析了当代全球信息网络的结构,指出我们在技术飞速发展的同时,正在重复泽塔人最致命的错误——对单一信息范式的过度依赖。书中详述了如何通过分散式、非线性的知识存储系统,来建立一种对“熵攻击”具有免疫力的文明结构。 二、 亚光速旅行的终结 书中对泽塔人留下的工程图纸进行了深入剖析。他们曾掌握了曲率驱动技术,但最终放弃了大规模的星际殖民计划。原因令人震惊:任何亚光速的物理旅行,都会在信息层面上留下过于清晰的“路径痕迹”,从而更容易被“捕食者”锁定。泽塔人最后的行动是将其文明的“核心意识”上传到一个基于高维引力波的隐秘网络中,等待下一次宇宙周期。 三、 最后的提问 《星尘低语》以一个发人深省的开放式问题结束:我们所理解的“生命”和“智慧”,是否只是宇宙在不同熵值区域投下的、注定会熄灭的火花?泽塔人的遗言并非希望我们继承他们的技术,而是希望我们理解“存在”本身的脆弱性。人类是否有能力在信息层面上进化,从而在宇宙的宏大棋局中,找到一个不被计算在内的角落? --- 本书对读者要求极高,它不仅需要物理学和历史学的背景知识,更需要对现有范式持有怀疑态度的心智。它是一面映照人类文明未来走向的、由星尘构成的镜子。阅读《星尘低语:失落文明的密码》,就是直面我们自身在宇宙中所处位置的最深层秘密。

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When I first saw the title《金斧头银斧头-画蛇添足》, my mind immediately went to the classic story of the honest woodcutter. The "金斧头银斧头" part brings to mind a clear moral lesson about integrity, where hard work and honesty are always rewarded. I picture a protagonist who, through their upright character, is presented with these magical tools, symbolizing a just and prosperous outcome. It feels like a familiar and comforting narrative framework, one that reassures us that goodness will prevail. However, the addition of "画蛇添足" throws a fascinating wrench into this expectation. It’s a well-known idiom that signifies the act of ruining something by adding superfluous elements, suggesting a turn towards unintended consequences. This immediately makes me curious about the story's trajectory. I wonder if the protagonist, after receiving these gifts, will be tempted by greed, leading them to attempt some unnecessary embellishment that ultimately backfires. Or perhaps, the "画蛇添足" is a metaphor for something more abstract, like the inherent human tendency to overcomplicate things, even when faced with perfect fortune. The juxtaposition of reward and potential self-sabotage makes this title incredibly intriguing, hinting at a story that might be both enchanting and cautionary.

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The very title,《金斧头银斧头-画蛇添足》, sparks a vivid imagery in my mind, blending the simplicity of a folk tale with a sophisticated hint of caution. I envision the archetypal story of the honest woodcutter, perhaps by a tranquil lake, where a divine intervention bestows upon him the golden and silver axes. This part of the title promises a narrative about integrity being recognized and rewarded, a comforting and familiar theme in many children's stories. However, the phrase “画蛇添足” abruptly shifts the mood. It’s a potent idiom that immediately suggests a departure from the expected, a moment of unintended consequence that spoils a perfectly good situation. I can’t help but wonder if the protagonist, blinded by his newfound fortune, will attempt to further exploit the magic of the axes, leading to unforeseen disaster. Or perhaps, the “画蛇添足” refers to a character or event that, with good intentions or otherwise, introduces an element that ultimately unravels the fortunate circumstances. This juxtaposition makes the book feel less like a simple moral fable and more like an exploration of human nature, where even in the face of reward, the potential for error and self-destruction looms large.

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这本《金斧头银斧头-画蛇添足》给我的第一印象是,它在儿童文学的领域里,注入了一种相当深刻的思考。我本来以为这会是一个简单易懂的寓言故事,就像我们小时候听过的那些关于诚实得到奖励、欺骗受到惩罚的经典童话。然而,书名中“画蛇添足”这四个字,却像是在故事的结尾留下了一个巨大的问号,让人不得不去猜测,那个原本应该圆满的结局,究竟是如何被毁掉的。是主人公在获得了金斧头和银斧头之后,因为无法控制的贪念,想要更多,从而一步步走向深渊?还是说,这个“画蛇添足”是一种更隐晦的象征,代表着人类在追求完美的过程中,往往会因为过度执着而适得其反?我甚至开始联想到,这本书会不会是在用一个看似简单的故事,来探讨人性中最复杂的那一部分——欲望的膨胀,以及当欲望超出了一定的界限后,会带来怎样的后果。金斧头和银斧头,它们本身就代表着某种程度的“收获”和“满足”,而“画蛇添足”则恰恰是“过度”的代名词。这种强烈的对比,让我在阅读之前就对故事的内在逻辑产生了浓厚的兴趣。我迫不及待地想知道,作者是如何巧妙地将这两种截然不同的概念编织在一起,创造出一个既有童话的纯真,又不失现实的警示意义的故事。

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初拿到《金斧头银斧头-画蛇添足》这本书,我最先被它充满童话色彩的名字所吸引。金斧头和银斧头,这两个名字本身就带着一种古老的神话寓意,让人联想到那些在森林深处,善良与贪婪进行较量的故事。而“画蛇添足”这个成语的加入,更是让整个书名充满了悬念和戏剧性,仿佛在暗示着,即使是看似完美的结局,也可能因为不必要的举动而走向失控。我迫不及待地想要知道,这个故事是如何将这两个看似不相关的元素巧妙地融合在一起的。想象一下,一个勤劳诚实的樵夫,因为一次意外获得了神奇的金斧头和银斧头,它们似乎代表着公平和回报,象征着好心有好报的朴素道理。然而,紧随其后的“画蛇添足”又像一把悬着的达摩克利斯之剑,提醒着读者,命运的齿轮一旦转动,就可能因为一个微小的失误而偏离既定的轨道。我很好奇,在故事的发展过程中,这个“画蛇添足”的点会以何种形式出现?是人物内心的贪婪与欲望被放大,还是外部环境的不可控因素造成的意外?亦或是,作者想要通过这个故事,探讨的是一种更深层次的哲学命题,关于满足、关于适可而止、关于人生选择的边界?这本书的书名,无疑已经成功地勾起了我的阅读兴趣,让我对其中蕴含的故事和寓意充满了期待。它不仅仅是一个简单的故事名字,更是一个引人入胜的谜题,等待着我去一步步地解开。

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The title《金斧头银斧头-画蛇添足》itself is a masterclass in intrigue. It starts with the comforting familiarity of the "golden axe and silver axe" trope, a universally understood symbol of honest toil and its fair compensation. I imagine a scenario rooted in classic folklore, where virtue is inherently rewarded, and a clear moral compass guides the protagonist. This part of the title evokes a sense of fairness and the satisfying resolution that often comes with such tales. Yet, the addition of "画蛇添足" acts like a sudden shadow cast over this idyllic picture. This idiom, meaning to spoil something by adding unnecessary details, immediately injects a note of suspense and potential tragedy. It hints that the story will deviate from a simple, happy ending. I'm drawn to the question of *how* this "画蛇添足" will manifest. Will the protagonist, overwhelmed by their good fortune, become careless or greedy, inadvertently undoing their own success? Or will an external force, perhaps a misguided attempt to "improve" upon the existing good fortune, lead to unintended negative consequences? The duality presented by the title—the allure of reward juxtaposed with the warning of ruin—makes this book incredibly compelling, promising a narrative that explores the delicate balance between fortune and folly.

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Reading the title 《金斧头银斧头-画蛇添足》, my mind immediately conjures a narrative that is far more layered than a typical children's story. The "金斧头银斧头" part evokes the classic fable of honesty and its rewards, a heartwarming tale that usually concludes with a clear, unambiguous moral. I anticipate a protagonist who embodies virtue and is justly compensated for it. However, the appended phrase, "画蛇添足," acts as a powerful disruptor. It's an idiom that signifies overreach, an unnecessary addition that spoils a good thing. This immediately suggests that the story will not follow a predictable trajectory. I am compelled to speculate on the nature of this "画蛇添足." Will it be the protagonist’s own greed that leads them to overstep their bounds after receiving the magical axes? Or will it be an external factor, a well-intentioned but misguided intervention, that ultimately causes the downfall? The title itself presents a fascinating paradox: the promise of reward intertwined with the certainty of a flaw. This anticipation of a complex moral landscape, where virtue is tested by the very rewards it earns, makes me eager to delve into the pages of this book.

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《金斧头银斧头-画蛇添足》这个书名,本身就充满了戏剧性的张力。一方面,“金斧头银斧头” evokes the classic tale of honesty rewarded, suggesting a straightforward moral lesson about virtue and its tangible benefits. I imagine a scenario where a humble protagonist, through their integrity, is presented with these magical tools, symbolizing fortune and a just outcome. On the other hand, the addition of “画蛇添足”—the idiom for ruining something by adding unnecessary embellishments—introduces an immediate sense of foreboding and complexity. It hints that the story will not be a simple fairy tale with a purely happy ending. Instead, it suggests a twist, a point where the narrative takes an unexpected turn, possibly due to human folly, excessive ambition, or unforeseen circumstances. I am particularly intrigued by how the author will weave these two seemingly disparate elements together. Will the protagonist’s own actions lead to their downfall after receiving the gifts? Or is the “画蛇添足” a commentary on societal structures or external forces that disrupt a well-intentioned plan? This juxtaposition of clear reward and potential self-sabotage makes me anticipate a story that is both enchanting and thought-provoking, perhaps exploring the fine line between satisfaction and greed, and the delicate balance of fate.

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Upon encountering the title《金斧头银斧头-画蛇添足》, my imagination immediately conjures a rich tapestry of storytelling possibilities. The "金斧头银斧头" component evokes a familiar, almost archetypal, narrative structure found in many folk tales – one that typically centers on honesty, fairness, and the reward for virtue. I envision a scenario where a humble individual, through their impeccable character, is granted these legendary tools, signifying a just and benevolent outcome. This part of the title suggests a foundation built on clear moral principles and the satisfying resolution that often accompanies such narratives. However, the subsequent addition of "画蛇添足" acts as a powerful and intriguing complication. This idiom, signifying the act of ruining something through unnecessary embellishment, immediately signals that the story will likely deviate from a straightforward fairy tale. I am captivated by the potential implications. Will the protagonist, after receiving such great fortune, succumb to greed or an excessive desire to improve upon their already perfect situation, thereby causing their own downfall? Or could the "画蛇添足" represent an external force, perhaps a well-intentioned but ultimately disastrous intervention, that disrupts the established equilibrium? This inherent tension within the title promises a narrative that is both enchanting and thought-provoking, delving into the complexities of human nature and the delicate balance between fortune and self-destruction.

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在翻阅《金斧头银斧头-画蛇添足》这本书之前,我脑海中浮现的画面是,一个老旧的木屋,一位辛勤的樵夫,一次意外的落水,以及一个神秘的湖神。这似乎是一个经典的童话开端,金斧头代表着诚实,银斧头则象征着勤劳的奖励,而湖神作为公平的化身,会给予正直的人以回报。然而,当“画蛇添足”这个词语出现在书名之后,我立刻意识到,这个故事的发展可能远比我最初想象的要复杂和曲折。我想象着,在樵夫得到了金斧头和银斧头之后,他的生活是否会因此发生翻天覆地的变化?他是否会因为这突如其来的财富而迷失自我?“画蛇添足”会不会是他因为无法满足于现状,想要通过某种方式去“增强”斧头的神奇力量,结果却适得其反?或者,这个“画蛇添足”并非指向主人公的个人行为,而是指向一种更广泛的社会现象,比如,当社会给予了某些人过多的优待,是否反而会让他们变得贪婪,从而破坏原有的平衡?这本书的书名,就像一个引子,在故事的内核之处埋下了伏笔,让我对人物的命运走向,以及作者想要传达的寓意,充满了各种猜测和好奇。

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The title《金斧头银斧头-画蛇添足》immediately captures my attention with its evocative blend of fantasy and cautionary wisdom. The "金斧头银斧头" element conjures images of classic fairy tales, where virtue is rewarded with magical treasures. I anticipate a narrative steeped in the timeless values of honesty and diligence, where a deserving protagonist finds their efforts acknowledged and amplified. This part of the title suggests a straightforward moral lesson, a comforting affirmation of fairness in the world. However, the inclusion of "画蛇添足" acts as a sophisticated counterpoint, introducing an element of complexity and potential peril. This idiom, meaning to spoil something by adding unnecessary details, hints that the story will not be a simple linear progression towards happiness. I am particularly intrigued by how the author will navigate this duality. Will the protagonist’s own actions, perhaps driven by an insatiable desire for more, lead them to "画蛇添足"? Or will external circumstances, a well-meaning but ultimately detrimental addition, be the catalyst for the story’s twist? The title itself promises a narrative that transcends simple morality, exploring the intricate interplay between fortune, human nature, and the unintended consequences of our actions.

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