Poet and essayist Cathy Park Hong fearlessly and provocatively blends memoir, cultural criticism, and history to expose fresh truths about racialized consciousness in America. Part memoir and part cultural criticism, this collection is vulnerable, humorous, and provocative—and its relentless and riveting pursuit of vital questions around family and friendship, art and politics, identity and individuality, will change the way you think about our world.
Binding these essays together is Hong’s theory of “minor feelings.” As the daughter of Korean immigrants, Cathy Park Hong grew up steeped in shame, suspicion, and melancholy. She would later understand that these “minor feelings” occur when American optimism contradicts your own reality—when you believe the lies you’re told about your own racial identity. Minor feelings are not small, they’re dissonant—and in their tension Hong finds the key to the questions that haunt her.
With sly humor and a poet’s searching mind, Hong uses her own story as a portal into a deeper examination of racial consciousness in America today. This intimate and devastating book traces her relationship to the English language, to shame and depression, to poetry and female friendship. A radically honest work of art, Minor Feelings forms a portrait of one Asian American psyche—and of a writer’s search to both uncover and speak the truth.
Cathy Park Hong is the author of three poetry collections including Dance Dance Revolution, chosen by Adrienne Rich for the Barnard Women Poets Prize, and Engine Empire. Hong is a recipient of the Windham-Campbell Literature Prize, a Guggenheim Fellowship, and a National Endowment for the Arts Fellowship. Her poems have been published in Poetry, The New York Times, The Paris Review, McSweeney’s, Boston Review, and other journals. She is the poetry editor of The New Republic and full professor at the Rutgers University–Newark MFA program in poetry.
[https://athenacool.wordpress.com/2020/03/10/minor-feelings/] Minor Feelings: An Asian American Reckoning 次要感受:一名亚裔美国人的清算 Cathy Park Hong / One World / 2020-2 子扉我 2020年春 申城西楼 原载[回响编辑部]微信2020年3月10日
评分[https://athenacool.wordpress.com/2020/03/10/minor-feelings/] Minor Feelings: An Asian American Reckoning 次要感受:一名亚裔美国人的清算 Cathy Park Hong / One World / 2020-2 子扉我 2020年春 申城西楼 原载[回响编辑部]微信2020年3月10日
评分[https://athenacool.wordpress.com/2020/03/10/minor-feelings/] Minor Feelings: An Asian American Reckoning 次要感受:一名亚裔美国人的清算 Cathy Park Hong / One World / 2020-2 子扉我 2020年春 申城西楼 原载[回响编辑部]微信2020年3月10日
评分[https://athenacool.wordpress.com/2020/03/10/minor-feelings/] Minor Feelings: An Asian American Reckoning 次要感受:一名亚裔美国人的清算 Cathy Park Hong / One World / 2020-2 子扉我 2020年春 申城西楼 原载[回响编辑部]微信2020年3月10日
评分[https://athenacool.wordpress.com/2020/03/10/minor-feelings/] Minor Feelings: An Asian American Reckoning 次要感受:一名亚裔美国人的清算 Cathy Park Hong / One World / 2020-2 子扉我 2020年春 申城西楼 原载[回响编辑部]微信2020年3月10日
这本书的叙事结构非常独特,它不像传统小说那样线性展开,而是更像是一系列精妙的碎片化记忆和深刻的哲思交织在一起的马赛克拼图。作者擅长安插一些看似不经意却至关重要的细节,这些细节往往在后续的篇章中起到画龙点睛的作用,将原本松散的线索悄无声息地串联起来。我得说,这种叙事方式要求读者必须保持高度的专注力,因为它不提供直白的解释,而是邀请你一同去探寻隐藏在字里行间的潜台词和情绪波动。读到一些转折点时,那种豁然开朗的感觉,比起被直接告知答案要来得震撼得多。它更像是一场智力上的博弈,作者巧妙地设置了许多思维的陷阱和引人深思的留白,让读者不得不停下来,反复咀嚼那些句子,尝试从自己的经验出发去填补空白。这种需要主动参与的阅读过程,极大地提升了代入感,让你觉得自己不是旁观者,而是共同经历者。
评分语言风格方面,作者的笔触细腻得近乎残酷,他总能精准地捕捉到那种难以言喻的微妙情绪,并用一种既冷静又充满穿透力的文字将其解剖开来。我发现自己经常会因为某个词语的精确运用而停下来,反复品味那种力量。那种描述内心挣扎和身份认同困境的段落,读起来让人感觉像是被直接戳中了某处隐秘的痛点,却又有一种被理解的释然。他的句子结构变化多端,时而是长而富有韵律感的排比,带着一种史诗般的厚重感;时而又是短促、断裂的独白,模仿了思维跳跃时的那种急迫和混乱。这种对语言工具箱的娴熟运用,使得文本在保持其思想深度的同时,又充满了音乐性,读起来绝不枯燥。对于那些热爱文字本身魅力的人来说,这本书无疑是一场盛宴。
评分这本书最让我感到震撼的,是它所探讨的主题的普适性与尖锐性的完美结合。虽然故事背景可能聚焦于特定的文化或社群,但其核心关乎的“异乡人”的感受、关于“归属”的永恒追问,以及在主流叙事之外努力发声的艰难,却是全人类都能产生共鸣的困境。作者并未提供廉价的安慰剂或简单的解决方案,相反,他将问题赤裸裸地摆在面前,迫使我们直面那些不适、那些边缘化的声音。我感觉这不仅仅是在阅读一个作家的作品,更像是在参与一场深刻的社会观察和自我审视。它迫使我跳出自己习惯的视角,去理解另一种生存状态下的逻辑和痛苦,这对于拓宽思维边界,培养更具同理心的世界观,有着不可估量的价值。读完之后,那种思绪久久不能平息的状态,就是好书的标志。
评分这本书的装帧设计真是令人耳目一新,那种沉甸甸的质感,拿在手里就觉得分量十足。封面采用了哑光处理,触感非常细腻,印着那种简约却充满深意的字体,让人在书店里一眼就被吸引住。我特别喜欢它那种不张扬的克制美学,没有太多花哨的装饰,纯粹地用文字的力量去打动人。内页的纸张质量也无可挑剔,墨色的印刷清晰锐利,即便是长时间阅读,眼睛也不会感到疲劳。翻开书本的那一刻,那种淡淡的油墨香混合着纸张特有的气味,简直是阅读体验的完美开端。作者的排版非常讲究,行距和字号的拿捏恰到好处,保证了阅读的流畅性。能感受到出版方在每一个细节上都倾注了心血,这本书不仅是知识的载体,更像是一件精心打磨的艺术品,收藏价值极高。每次把它从书架上取下来,那种仪式感都会让人更加期待接下来的阅读旅程。这种对实体书的尊重和珍视,在如今这个电子阅读盛行的时代,显得尤为可贵,让人不禁想多囤几本。
评分从整体的阅读体验来看,这本书更像是一次需要耐心的精神马拉松,而不是一次轻松的午后散步。它不迎合读者的轻松阅读偏好,它要求你投入时间、投入情感,甚至需要一定的心理准备去面对那些可能令人不安的真相。对于习惯于快餐式阅读的读者来说,这本书可能需要一些时间去适应它的节奏和深度。但请相信我,一旦你跨过了最初的门槛,那些稍显晦涩或沉重的段落,会逐渐释放出它们蕴含的巨大能量。它给予的回报,是那种知识结构被重塑、情感认知被拓宽的深刻满足感。这是一种更持久、更深入的影响,它不会在合上书本后立刻消散,反而会潜移默化地改变你对周遭世界的观察方式。我甚至觉得,这本书的价值需要时间来沉淀,几年后再重读,体会到的东西恐怕会截然不同。
评分要是早一周读了这本书,刚录的播客也许能讲出更多内容,但在种族化的情绪和体验如此集体、如此鲜明的此刻阅读这本书,一天有一天的新意义。我反复咀嚼。感谢Cathy Park Hong为描述这些种族化的边缘感受提供了语言,而只有去直面、去描述这些感受,它们才能被动员、被激进化,才不致被白人中心的历史轻易掸掉。离开亚洲后,盎格鲁的世界把亚洲、亚裔按在我的心里,在我的身份认知里不断叠加崭新的亦是无比古老的痕迹。类比性别,One is not born an Asian but becomes one. 最近我常说:“我好想念亚洲。”我也想念河内山百合、想念Theresa Hak Kyung Cha、想念一座座Chinatown,我的亚洲性来源于我对自己不曾经历、不曾到过的历史和地理产生乡愁、感到沉重。
评分挺有意思
评分This administration has plans to reopen a Japanese internment camp in Oklahoma to fill up with Latin American children. I used to wonder what happened to the internment camp survivors. Why did they disappear? Why didn’t they ever speak out? “We need to be the allies for vulnerable communities today that Japanese Americans didn’t have in 1942.”
评分“Capitalism as retribution for racism. But isn’t that how whiteness recruits us? Whether it’s through retribution or indebtedness, who are we when we become better than them in a system that destroyed us?”
评分This administration has plans to reopen a Japanese internment camp in Oklahoma to fill up with Latin American children. I used to wonder what happened to the internment camp survivors. Why did they disappear? Why didn’t they ever speak out? “We need to be the allies for vulnerable communities today that Japanese Americans didn’t have in 1942.”
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