具体描述
In Urban Horror Erin Y. Huang theorizes the economic, cultural, and political conditions of neoliberal post-socialist China. Drawing on Marxist phenomenology, geography, and aesthetics from Engels and Merleau-Ponty to Lefebvre and Rancière, Huang traces the emergence and mediation of what she calls urban horror—a sociopolitical public affect that exceeds comprehension and provides the grounds for possible future revolutionary dissent. She shows how documentaries, blockbuster feature films, and video art from China, Hong Kong, and Taiwan made between the 1990s and the present rehearse and communicate urban horror. In these films urban horror circulates through myriad urban spaces characterized by the creation of speculative crises, shifting temporalities, and dystopic environments inhospitable to the human body. The cinematic image and the aesthetics of urban horror in neoliberal post-socialist China lay the groundwork for the future to such an extent, Huang contends, that the seeds of dissent at the heart of urban horror make it possible to imagine new forms of resistance.
作者简介
Erin Y. Huang is Assistant Professor of East Asian Studies and Comparative Literature at Princeton University.
目录信息
Introduction. Urban Horror: Speculative Futures of Chinese Cinemas 1
1. Cartographies of Socialism and Post-Socialism: The Factory Gate and the Threshold of the Visible World 33
2. Intimate Dystopias: Post-Socialist Femininity and the Marxist-Feminist Interior 69
3. The Post- as Media Time: Documentary Experiments and the Rhetoric of Ruin Gazing 101
4. Post-Socialism in Hong Kong: Zone Urbanism and Marxist Phenomenology 146
5. The Ethics of Representing Precarity: Film in the Era of Global Complicity 184
Epilogue 218
Notes 223
Bibliography 245
Index 259
· · · · · · (收起)
读后感
评分
评分
评分
评分
用户评价
用的spatial理论都是比较canonical的 (Foucault Lefebvre Auge这些 老到让人怀疑是不是field本身有blockage hhh）但是结合的sociopoliticohistorical context很有现世感 对于sinophone的讨论有地域文化specificity而不close down, delimit而不limit，最后是在opening up urban horror as a phenomenon of global industrial modernity 和 systematic productions and management of precarity
评分可以看到Abbas对作者的影响, deterritorialize并且把South East Asian 纳入叙述，重建空间和post-socialism visuality的方法很新颖……对于带过我的老师不敢妄议quq
评分可以看到Abbas对作者的影响, deterritorialize并且把South East Asian 纳入叙述，重建空间和post-socialism visuality的方法很新颖……对于带过我的老师不敢妄议quq
评分用的spatial理论都是比较canonical的 (Foucault Lefebvre Auge这些 老到让人怀疑是不是field本身有blockage hhh）但是结合的sociopoliticohistorical context很有现世感 对于sinophone的讨论有地域文化specificity而不close down, delimit而不limit，最后是在opening up urban horror as a phenomenon of global industrial modernity 和 systematic productions and management of precarity
评分用的spatial理论都是比较canonical的 (Foucault Lefebvre Auge这些 老到让人怀疑是不是field本身有blockage hhh）但是结合的sociopoliticohistorical context很有现世感 对于sinophone的讨论有地域文化specificity而不close down, delimit而不limit，最后是在opening up urban horror as a phenomenon of global industrial modernity 和 systematic productions and management of precarity
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美书屋 版权所有