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喜欢 East Asian Cinemas 的读者还喜欢

关于transnational connections的文章选得很不错～Range很广从industry到text都有，从早期到发展到当代，从大趋势到个例分析，而且有一些难得一见的topics，尤其喜欢对《东京教父》和transnational film noir的讨论。

关于transnational connections的文章选得很不错～Range很广从industry到text都有，从早期到发展到当代，从大趋势到个例分析，而且有一些难得一见的topics，尤其喜欢对《东京教父》和transnational film noir的讨论。

关于transnational connections的文章选得很不错～Range很广从industry到text都有，从早期到发展到当代，从大趋势到个例分析，而且有一些难得一见的topics，尤其喜欢对《东京教父》和transnational film noir的讨论。

整体和个案分析。#reference

整体和个案分析。#reference

Hong Kong Cinema 1980-95 是高潮 The 1980s were the commercial peak of HK Cinema. From 1988 to 1996, an average of 153 films were made each year. Through the 1980s to the mid-1990s, HK films dominated the local box office. In 1992, for instance, all top ten...

Hong Kong Cinema 1980-95 是高潮 The 1980s were the commercial peak of HK Cinema. From 1988 to 1996, an average of 153 films were made each year. Through the 1980s to the mid-1990s, HK films dominated the local box office. In 1992, for instance, all top ten...

Hong Kong Cinema 1980-95 是高潮 The 1980s were the commercial peak of HK Cinema. From 1988 to 1996, an average of 153 films were made each year. Through the 1980s to the mid-1990s, HK films dominated the local box office. In 1992, for instance, all top ten...

因为市场低迷, 投资者一般喜欢safe projects, which by definition is characterized by a star cast, easily discernible genres, confidence in the filmmakers and export potential. Two types of production have polarized: 1. big budget films/productions. 2. very ...  

因为市场低迷, 投资者一般喜欢safe projects, which by definition is characterized by a star cast, easily discernible genres, confidence in the filmmakers and export potential. Two types of production have polarized: 1. big budget films/productions. 2. very ...