This text addresses the question of how dinosaurs moved from natural extinction to pop culture resurrection, exploring the animal's place in our lives and the source of its popular appeal. In tracing the cultural family tree of the dinosaur there is discovered a creature of striking flexibility, linked to dragons and mammoths, skyscrapers and steam engines, cowboys and Indians. Here the dinosaur becomes a cultural symbol whose plurality of meaning and often contradictory nature is emblematic of modern society itself. As a scientific entity, the dinosaur endured a near-eclipse for over a century, but as an image it is enjoying its widest circulation. The text suggests it endures because it is uniquely malleable, a figure of both innovation and obsolescence, massive power and pathetic failure - the totem animal of modernity.
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相比於Mitchell關於視覺文化的三部麯,這本書更加顛覆我們的日常認知,也令我愛不釋手,從古生物學的角度探尋恐龍如何演變成美國文化中的神話,來源於劉禾教授與Mitchell的一次對談的推薦。
评分相比於Mitchell關於視覺文化的三部麯,這本書更加顛覆我們的日常認知,也令我愛不釋手,從古生物學的角度探尋恐龍如何演變成美國文化中的神話,來源於劉禾教授與Mitchell的一次對談的推薦。
评分相比於Mitchell關於視覺文化的三部麯,這本書更加顛覆我們的日常認知,也令我愛不釋手,從古生物學的角度探尋恐龍如何演變成美國文化中的神話,來源於劉禾教授與Mitchell的一次對談的推薦。
评分相比於Mitchell關於視覺文化的三部麯,這本書更加顛覆我們的日常認知,也令我愛不釋手,從古生物學的角度探尋恐龍如何演變成美國文化中的神話,來源於劉禾教授與Mitchell的一次對談的推薦。
评分相比於Mitchell關於視覺文化的三部麯,這本書更加顛覆我們的日常認知,也令我愛不釋手,從古生物學的角度探尋恐龍如何演變成美國文化中的神話,來源於劉禾教授與Mitchell的一次對談的推薦。
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