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Mr. Artur Sammler, Holocaust survivor, intellectual, and occasional lecturer at Columbia University in 1960s New York City, is a registrar of madness, a refined and civilized being caught among people crazy with the promises of the future (moon landings, endless possibilities). His Cyclopean gaze reflects on the degradations of city life while looking deep into the sufferings of the human soul. Sorry for all and sore at heart, he observes how greater luxury and leisure have only led to more human suffering. To Mr. Sammlerwho by the end of this ferociously unsentimental novel has found the compassionate consciousness necessary to bridge the gap between himself and his fellow beingsa good life is one in which a person does what is required of him. To know and to meet the terms of the contract was as true a life as one could live.
具體描述
讀後感
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用戶評價
老年視角高光之後多瞭許多意想不到的戲謔和本體論笑話，更想不到的是有一些結構化的場景被寫瞭進來，感覺相當詫異。這本書不再糾結於名譽和配偶，而是進入到一種因為衰老而變得看處處都滑稽可笑的可笑知識生活。
评分老年視角高光之後多瞭許多意想不到的戲謔和本體論笑話，更想不到的是有一些結構化的場景被寫瞭進來，感覺相當詫異。這本書不再糾結於名譽和配偶，而是進入到一種因為衰老而變得看處處都滑稽可笑的可笑知識生活。
评分老年視角高光之後多瞭許多意想不到的戲謔和本體論笑話，更想不到的是有一些結構化的場景被寫瞭進來，感覺相當詫異。這本書不再糾結於名譽和配偶，而是進入到一種因為衰老而變得看處處都滑稽可笑的可笑知識生活。
评分The middle class had formed no independent standards of honor.
评分老年視角高光之後多瞭許多意想不到的戲謔和本體論笑話，更想不到的是有一些結構化的場景被寫瞭進來，感覺相當詫異。這本書不再糾結於名譽和配偶，而是進入到一種因為衰老而變得看處處都滑稽可笑的可笑知識生活。
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