In the most dramatic and intimate account of battle reporting since Michael Herr's classic Dispatches, NBC News's award-winning Middle East Bureau Chief, Richard Engel, offers an unvarnished and often emotional account of five years in Iraq.
Engel is the longest serving broadcaster in Iraq and the only American television reporter to cover the country continuously before, during, and after the 2003 U.S. invasion. Fluent in Arabic, he has had unrivaled access to U.S. military commanders, Sunni insurgents, Shiite militias, Iraqi families, and even President George W. Bush, who called him to the White House for a private briefing. He has witnessed nearly every major milestone in this long war.
War Journal describes what it was like to go into the hole where U.S. Special Operations Forces captured Saddam Hussein. Engel was there as the insurgency began and watched the spread of Iranian influence over Shiite religious cities and the Iraqi government. He watched as Iraqis voted in their first election. He was in the courtroom when Saddam was sentenced to death and interviewed General David Petraeus about the surge.
In vivid, sometimes painful detail, Engel tracks the successes and setbacks of the war. He describes searching, with U.S troops, for a missing soldier in the dangerous Sunni city of Ramadi; surviving kidnapping attempts, IED attacks, hotel bombings, and ambushes; and even the smell of cakes in a bakery attacked by sectarian gangs and strewn with bodies of the executed.
War Journal describes a sectarian war that American leaders were late to understand and struggled to contain. It is an account of the author's experiences, insights, bittersweet reflections, and moments from his private video diary -- itself the subject of a highly acclaimed documentary on MSNBC.
War Journal is the story of the transformation of a young journalist who moved to the Middle East with $2,000 and a belief that the region would be "the story" of his generation into a seasoned reporter who has at times believed that he would die covering the war. It is about American soldiers, ordinary Iraqis, and especially a few brave individuals on his team who continually risked their lives to make his own daring reporting possible.
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从文学技巧的角度来看,这本书的语言运用达到了令人叹服的高度。它不是那种华丽堆砌辞藻的文风,而是以一种极为克制和精准的笔触,捕捉到了事物最本质的状态。作者的词汇选择总是那么恰到竟成,既不显得刻意,又饱含张力。尤其是一些动词的使用,常常能带来意想不到的冲击力,比如某个动作被描述为“被时间缓慢地锈蚀”而不是简单的“被磨损”。这种对词语的雕琢,显示出创作者对语言的深刻理解和敬畏。同时,书中穿插的那些独白和内心剖析,犀利得让人几乎感到疼痛。它们直指人性中最隐秘、最不堪一顾的部分,却又包裹在一种近乎诗意的外衣之下,使得那些残酷的真相也变得可以承受。对我来说,阅读这本书的过程,就像是欣赏一件由顶尖工匠打磨的工艺品,每一个细节都经过反复推敲,光滑、锐利,且充满生命力。
评分翻开这本新近出版的佳作,我立刻被它那种深邃而又略带疏离的叙事风格所吸引。作者似乎拥有一种魔力,能将最平凡的日常琐事,打磨成闪烁着哲思光芒的宝石。这不是那种情节跌宕起伏、让你喘不过气的冒险故事,恰恰相反,它以一种近乎冥想的节奏展开,字里行间充满了对时间流逝、记忆本质的细腻捕捉。书中的主人公——一位似乎永远行走在边缘的中年人——他的内心世界比任何宏大的战争场面都要复杂得多。每一次犹豫,每一次对过往的回溯,都像在解剖一团纠缠已久的思绪。我尤其欣赏作者在环境描写上展现出的那种精准与诗意,无论是城市黄昏时分那层微妙的光影变化,还是雨夜中模糊不清的霓虹灯光,都不仅仅是背景,它们是人物情绪的延伸,是无声的旁观者。读到某个段落,我甚至能闻到那种湿润的泥土味,感受到皮肤上拂过的微风。这本书像一幅精心绘制的素描,线条看似简单,但每一笔都蕴含着力量和深意,它要求读者慢下来,用心去聆听那些潜藏在沉默之下的低语。
评分我必须要承认,这本书的阅读体验并非总是轻松愉快的,它具有一种强大的“反大众化”气质,需要读者投入极大的耐心和共情。它探讨的主题非常沉重,涉及的不是具体的社会事件,而是更宏大、更难以名状的“存在感缺失”和“身份的漂泊”。书中的角色们似乎都在努力寻找一个可以停泊的锚点,但最终发现,世界本身就是一个永不停歇的漩涡。这种对生命徒劳感的捕捉非常到位,毫不煽情,却力量十足。它迫使我反思自己的人生轨迹,那些被我刻意忽略的、试图用忙碌来掩盖的空洞瞬间。尽管读完后会有一种挥之不去的怅然若失感,但这恰恰是这部作品的成功之处——它没有提供廉价的慰藉,而是提供了一种深刻的、令人清醒的洞察。这绝对是一部需要时间沉淀,并且值得被反复品味的严肃文学作品。
评分这部作品的叙事结构简直是精妙绝伦的迷宫,让我完全沉浸其中,享受着被引导、被迷惑的过程。作者似乎故意打乱了时间线,章节之间充满了跳跃和错位,这非但没有造成阅读上的困扰,反而营造出一种梦境般的真实感。你永远不知道下一页会把你带回到哪个时间节点,是多年前的一个模糊的笑声,还是昨天傍晚一个不经意的眼神接触。这种碎片化的叙事,极大地增强了小说的主题——记忆的不可靠性与选择的重量。我感觉自己就像一个考古学家,在作者精心布置的废墟中挖掘线索,试图拼凑出一个完整的人或一段完整的历史。更妙的是,作者很少给出明确的解释,而是将所有的线索抛给你,然后优雅地退后,任由读者的想象力去填补那些巨大的空白。这种留白的处理手法,使得每一次重读都会有新的发现,每一次合上书本都会留下悠长而复杂的余韵。它不是一本用来消磨时间的读物,更像是一场需要全神贯注的智力与情感的博弈。
评分这本书最让我难忘的是它对“声音”的描绘,这是一种极其微妙而又强大的感官体验,很多小说都忽略了这一点。作者笔下的世界充满了各种细微的声响:旧木地板在夜深人静时发出的仿佛要碎裂的呻吟,远处工厂机器单调而规律的轰鸣声,甚至是角色们沉默对视时,空气中那种微弱的静电摩擦感。这些听觉细节不仅丰富了场景的维度,更成为推动情节和刻画人物心理状态的关键线索。例如,当主人公感到焦虑时,作者不会直接描述他的心跳加速,而是聚焦于他如何能清晰地听到自己血液流过耳膜的“沙沙”声。这种将抽象的内心感受具象化为可听见的声音的做法,极具创新性。整本书读下来,我的耳畔似乎还残留着那种层次分明的听觉世界,它提醒着我,即使在最安静的时刻,世界也从未真正停止过低语。
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