the house of the dead

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Accused of political subversion as a young man, Dostoyevsky was sentenced to 4 years of hard labor at a Siberian prison camp. Years later, he developed this semi-autobiographical memoir of a man condemned to penal servitude for murdering his wife. This haunting and remarkable work ranks amoung Dostoyevsky's greatest masterpieces.

出版者:Dover Publications
作者:Fyodor Dostoevsky
出品人:
页数:256
译者:Constance Garnett
出版时间:April 22, 2004
价格:25.00元
装帧:
isbn号码:9780486434094
丛书系列:
图书标签:
  • 陀思妥耶夫斯基 
  • 外国文学 
  • 俄罗斯文学 
  • 俄国文学 
  • FyodorDostoyevsky 
  • 西伯利亚 
  • 监狱文学 
  • 俄罗斯 
  •  
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Accused of political subversion as a young man, Dostoyevsky was sentenced to 4 years of hard labor at a Siberian prison camp. Years later, he developed this semi-autobiographical memoir of a man condemned to penal servitude for murdering his wife. This haunting and remarkable work ranks amoung Dostoyevsky's greatest masterpieces.

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又读完一本陀氏的书。 这本《死屋手记》实际上是陀氏对自己西伯利亚入狱及流放生活的回忆。算是纪实文学吧。 老天待陀氏不薄,《孟子》有言,“故天将降大任于是人也,必先苦其心志,劳其筋骨,饿其体肤,空乏其身,……” 陀氏也没辜负上天的这些安排,逆境中,独饮孤独与痛苦...  

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又读完一本陀氏的书。 这本《死屋手记》实际上是陀氏对自己西伯利亚入狱及流放生活的回忆。算是纪实文学吧。 老天待陀氏不薄,《孟子》有言,“故天将降大任于是人也,必先苦其心志,劳其筋骨,饿其体肤,空乏其身,……” 陀氏也没辜负上天的这些安排,逆境中,独饮孤独与痛苦...  

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(我为什么又在给不喜欢的书写笔记……?) 如果说陀思妥耶夫斯基其他的长篇是披着小说外皮的哲学,那《死屋手记》则是披着小说外皮的素材本子。爱伦坡、博尔赫斯乃至洛夫克拉夫特等作家在小说开头强调“手稿由来”往往是为虚构的情节增加一些可信度和说服力,《死屋手记》假托...  

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1、据叙述者的描述,亚历山大•彼得罗维奇(手记的作者)拒绝了“我”将新书借给他阅读的建议,“我”随后观察到“我在他屋里几乎连一本书也没有发现”,但是,在“手记”的正文中,我们能够发现,彼得罗维奇不仅读过果戈理,而且地理知识丰富,可见实际上他是读过很多书的。...  

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死活没找到在读的这个版本(everyman’s library, trans. by H. Sutherland Edwards)

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死活没找到在读的这个版本(everyman’s library, trans. by H. Sutherland Edwards)

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Need I say what I can yet not help saying, that freedom in idea always seemed to us who were there something more free than it ever can be in reality? That was because our fancy was always dwelling upon it.

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Dostoyevsky wrote with a tone and heart resembling Christ's.

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Need I say what I can yet not help saying, that freedom in idea always seemed to us who were there something more free than it ever can be in reality? That was because our fancy was always dwelling upon it.

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