邁剋爾•翁達傑,加拿大小說傢、詩人。他一九四三年齣生於斯裏蘭卡科倫坡,十一歲時隨母親移居英國,十九歲移居加拿大,加入加拿大國籍。先後畢業於多倫多大學和皇後大學,曾長期在約剋大學教授英語文學。
自一九六二年齣版第一部詩集以來,邁剋爾•翁達傑已經齣版六部長篇小說、童年迴憶錄《世代相傳》、多部詩集、劇本、文學評論集。他也積極參與加拿大獨立齣版社馬車房齣版社的詩歌編輯工作。他於一九九二年齣版的小說《英國病人》榮獲布剋奬,後被改編成同名電影。二〇〇〇年齣版的小說《安尼爾的鬼魂》獲加拿大吉勒奬、加拿大總督文學奬、法國美第奇奬、《愛爾蘭時報》國際小說奬。二〇〇七年齣版的小說《遙望》又獲加拿大總督文學奬。
邁剋爾•翁達傑和同為作傢的妻子琳達•斯伯丁住在多倫多。
譯者簡介:
陶立夏,作傢、翻譯、攝影師。已齣版《分開旅行》《練習一個人》《島嶼來信》,譯著《夜航西飛》《一切破碎,一切成灰》等。
《人物》杂志2016.6《安尼尔的鬼魂》书评 加拿大人迈克尔 · 翁达杰最早以诗闻名。但使他跻身国际著名作家行列的是1992年的小说《英国病人》。这本如梦似幻的小说首先获得了当年的布克奖——英语小说的最高奖项;几年后,根据小说改编的同名电影经由安东尼 · 明格拉的导筒...
評分参加世相第二期的读书活动时,收到了这本书。当时自己正在经历一段艰难的过渡。做着一份曲线救国的工作,平日里努力维持着向上的姿态,尽量与人与己相安无事。到了夜深人静不得不独处时,却觉得生活中的一切离自己梦想的人生状态又近又远。内心深处偶尔觉得压抑至极,甚至无法...
評分译者说,之所以把Anil’s Ghost 直译为《安尼尔的鬼魂》,是因为要为那些无辜惨死、无处伸冤的鬼魂,那些痛失至亲至爱而在人世踯躅的鬼魂守灵。安尼尔等人让已逝的鬼魂得到真正的安息。 作者迈克尔•翁达杰,代表作《英国病人》获得英国布克奖,他成为第一位获得该奖项的加...
評分国名:斯里兰卡民主社会主义共和国 (The Democratic Socialist Republic of Sri Lanka) 独立日:2月4日(1948年) 国庆日:2月4日(1948年) 建军日:10月10日 国旗:呈横长方形,长与宽之比约为2∶1。旗面四周的黄色边...
評分[City of Djinns] 最近又拿起了放下很久的Dalrymple的City of Djinns,看完了前三个chapter,大概是近几年涉猎的除去奈保尔作品,最让人印象深刻的南亚游记了。英国人骨子里那份对殖民地昔日荣光的百感交集又难以言说的纷纷情绪,可又完全不同于BBC出品的系列纪录片惯常的那种...
When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.
评分When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.
评分When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.
评分When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.
评分When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.
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