邁剋爾•翁達傑,加拿大小說傢、詩人。他一九四三年齣生於斯裏蘭卡科倫坡,十一歲時隨母親移居英國,十九歲移居加拿大,加入加拿大國籍。先後畢業於多倫多大學和皇後大學,曾長期在約剋大學教授英語文學。
自一九六二年齣版第一部詩集以來,邁剋爾•翁達傑已經齣版六部長篇小說、童年迴憶錄《世代相傳》、多部詩集、劇本、文學評論集。他也積極參與加拿大獨立齣版社馬車房齣版社的詩歌編輯工作。他於一九九二年齣版的小說《英國病人》榮獲布剋奬,後被改編成同名電影。二〇〇〇年齣版的小說《安尼爾的鬼魂》獲加拿大吉勒奬、加拿大總督文學奬、法國美第奇奬、《愛爾蘭時報》國際小說奬。二〇〇七年齣版的小說《遙望》又獲加拿大總督文學奬。
邁剋爾•翁達傑和同為作傢的妻子琳達•斯伯丁住在多倫多。
譯者簡介:
陶立夏,作傢、翻譯、攝影師。已齣版《分開旅行》《練習一個人》《島嶼來信》,譯著《夜航西飛》《一切破碎,一切成灰》等。
“用几个月甚至几年时间不停拍摄或者写作,再把内容整理、塑造成一个新的形态,直至它几乎变成了一个新发现的故事。我会把不同的内容挪来挪去,直到他们清晰起来、找到正确的位置。只有到了这个阶段我才能找到作品真正的声音和结构。”——《对话沃尔特•默奇》迈克尔•...
評分如果思想有不能言说之无,那么可以祈求另一种语言。“菩萨凝视的岛屿”就完美的诠释了“Anil’s Ghost”, 必须要说,谢谢陈建铭的翻译,让西方世界的幽灵在宗教文化里寻找到了共同的“无”,这也正是安霓尤,瑟拉斯, 帕利帕拿,迦米尼,安南达在残暴,在灾难,在绝望中寻找到...
評分参加世相第二期的读书活动时,收到了这本书。当时自己正在经历一段艰难的过渡。做着一份曲线救国的工作,平日里努力维持着向上的姿态,尽量与人与己相安无事。到了夜深人静不得不独处时,却觉得生活中的一切离自己梦想的人生状态又近又远。内心深处偶尔觉得压抑至极,甚至无法...
評分斯里兰卡采矿歌。 为了讨生活呀,我往波嘎拉来 七十二吋深的坑洞啊,我朝里钻寻 打从坑口往内瞧哇,全见不着影儿 只有重回洞外喔, 才能捡回我的小命儿…… 老天爷可得保佑那载着我的流笼哟 老天爷可得保佑那系着流笼的索哟 老天爷可得保佑那卷着索的辘哟…… 手捧珍宝。...
評分“用几个月甚至几年时间不停拍摄或者写作,再把内容整理、塑造成一个新的形态,直至它几乎变成了一个新发现的故事。我会把不同的内容挪来挪去,直到他们清晰起来、找到正确的位置。只有到了这个阶段我才能找到作品真正的声音和结构。”——《对话沃尔特•默奇》迈克尔•...
When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.
评分When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.
评分When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.
评分When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.
评分When figures poping up at first, they seem random, sooner I realise each of them has his own place in Anil's search for her "ghost" and "truth". They all represent huam being wounded or traumatised someway in the civil war in Sir Lanka. Ondaatje's composition touches very basic of human context during the war, deeply, daintily, with grief.
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