Born mute, speaking only in sign, Edgar Sawtelle leads an idyllic life with his parents on their farm in remote northern Wisconsin. For generations, the Sawtelles have raised and trained a fictional breed of dog whose thoughtful companionship is epitomized by Almondine, Edgar's lifelong friend and ally. But with the unexpected return of Claude, Edgar's paternal uncle, turmoil consumes the Sawtelles' once peaceful home. When Edgar's father dies suddenly, Claude insinuates himself into the life of the farm--and into Edgar's mother's affections.
Grief-stricken and bewildered, Edgar tries to prove Claude played a role in his father's death, but his plan backfires--spectacularly. Forced to flee into the vast wilderness lying beyond the farm, Edgar comes of age in the wild, fighting for his survival and that of the three yearling dogs who follow him. But his need to face his father's murderer and his devotion to the Sawtelle dogs turn Edgar ever homeward.
David Wroblewski is a master storyteller, and his breathtaking scenes--the elemental north woods, the sweep of seasons, an iconic American barn, a fateful vision rendered in the falling rain--create a riveting family saga, a brilliant exploration of the limits of language, and a compulsively readable modern classic.
Praise from Stephen King
"I flat-out loved The Story of Edgar Sawtelle, and spent twelve happy evenings immersed in the world David Wroblewski has created. As I neared the end, I kept finding excuses to put the book aside for a little, not because I didn't like it, but because I liked it too much; I didn't want it to end. Dog-lovers in particular will find themselves riveted by this story, because the canine world has never been explored with such imagination and emotional resonance. Yet in the end, this isn't a novel about dogs or heartland America--although it is a deeply American work of literature. It's a novel about the human heart, and the mysteries that live there, understood but impossible to articulate. Yet in the person of Edgar Sawtelle, a mute boy who takes three of his dogs on a brave and dangerous odyssey, Wroblewski does articulate them, and splendidly. I closed the book with that regret readers feel only after experiencing the best stories: It's over, you think, and I won't read another one this good for a long, long time.
In truth, there's never been a book quite like The Story of Edgar Sawtelle. I thought of Hamlet when I was reading it, and Watership Down, and The Night of the Hunter, and The Life of Pi--but halfway through, I put all comparisons aside and let it just be itself.
I'm pretty sure this book is going to be a bestseller, but unlike some, it deserves to be. It's also going to be the subject of a great many reading groups, and when the members take up Edgar, I think they will be apt to stick to the book and forget the neighborhood gossip.
Wonderful, mysterious, long and satisfying: readers who pick up this novel are going to enter a richer world. I envy them the trip. I don't re-read many books, because life is too short. I will be re-reading this one."
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这本书最让我难以接受的是其内在的逻辑断裂感,这已经超出了艺术的范畴,更像是一种疏忽。有些关键情节的转折,其发生的依据在前面的章节中根本找不到任何铺垫或暗示。举个例子,某个主要角色的突然转变,如果放在现实生活中,需要经过漫长的心理挣扎和一系列事件的催化,但在书里,它似乎只是因为作者需要推进到下一个场景而发生的。这种随意的处理方式极大地削弱了故事的可信度。我一直在努力寻找“为什么”,但得到的只是作者强加给读者的“就是这样”。这使得整本书的基调显得轻浮且站不住脚。当我无法相信角色会做出他们所做的事情时,我对他们最终的命运也就失去了兴趣。优秀的文学作品应当建立在一个自洽的宇宙观之上,而这本书,在我看来,更像是一系列独立短篇故事的松散集合,缺乏将它们凝聚在一起的强大引力。
评分说实话,我读这本书的过程充满了心理上的“抵抗”。作者的语言风格非常个人化,充满了大量只有他自己才能理解的隐喻和典故,这让作为普通读者的我,不得不时刻保持一种警惕的、翻译性的状态。我感觉自己不是在享受一个故事,而是在破解一个私人密码本。更别提那些冗长的、关于次要人物的、似乎与主线毫不相关的背景介绍,它们占据了大量的篇幅,却未能增添任何必要的厚度。这种处理方式让我对作者的判断力产生了深深的怀疑——他似乎无法区分什么是核心信息,什么是可有可无的旁枝末节。如果说文学应该具有普适性,那么这本书则更像是一封写给特定圈内人的情书,圈外人只能站在门外,徒劳地猜测其中的含义。阅读体验是极其疏离和不愉快的,它要求读者付出远超其应得回报的努力。
评分这本书简直是场灾难,我花了整整一周的时间才勉强读完。首先,叙事节奏慢得让人抓狂,仿佛作者是在用散文诗的腔调讲述一份枯燥的官方文件。情节推进极其缓慢,每一个转折点都显得刻意且缺乏张力。我尤其受不了的是人物塑造的扁平化,主要角色们似乎只是推动情节的工具,他们的动机模糊不清,情感表达也总是隔着一层不透明的纱。我努力试图在字里行间寻找一些深刻的洞见或者独特的视角,但收获的只有无尽的重复和矫揉造作的抒情。阅读过程中,我好几次想直接放弃,是出于一种“我已经付了钱”的固执才坚持了下来。如果这是作者想要表达的某种后现代解构主义的尝试,那它彻底失败了,因为它没有提供任何值得回味的价值,只留下一堆令人困惑的符号和冗余的描述。说实话,我更愿意花时间去整理我的旧账单,那至少还有点实际的意义。
评分这本书给我留下的印象是“未被驯服的潜力”。它就像一块未经雕琢的矿石,里面或许有金子,但挖掘过程中的艰辛足以磨灭任何人的热情。叙事的结构非常大胆,采用了非线性叙事,时间线在过去、现在、甚至可能是未来的不同片段间随意跳跃,这种手法本身是令人兴奋的。问题在于,这种跳跃缺乏明确的锚点和有效的过渡,读者的心智必须时刻处于高度紧张的重构状态,才能勉强跟上作者的思维跳跃。如果故事本身足够引人入胜,或许这种挑战是值得的;但遗憾的是,故事的核心冲突似乎总是在被不断地稀释和分散。我感觉自己像是在玩一个复杂的拼图游戏,但有些关键的碎片是缺失的,剩下的碎片又被涂上了相同的颜色。我欣赏作者的野心,但对于阅读体验而言,这种“野心勃勃”的结构更像是一种故弄玄虚,让人感到挫败和疲惫。
评分我得承认,这本书在某些段落里闪现出一种近乎野蛮的美感,但这美感是如此短暂,很快就被作者对细节过度沉迷所扼杀了。我特别注意到了他对环境描写的执着,那些关于光线、阴影、以及特定材质的描述,如果单独来看,甚至可以媲<bos> 一些专业摄影师的镜头语言。然而,这些华丽的辞藻堆砌在一起,非但没有构建出立体感,反而形成了一种压抑的、几乎令人窒息的氛围,让人感觉被困在一个过于精细的微观世界里出不来。作者似乎对“展示”而非“讲述”有着近乎偏执的追求,结果就是,故事的主线被淹没在一片繁复的感官轰炸之中。我花了大量精力试图去理解这些装饰性的片段背后是否隐藏着更深层的象征意义,但最终只得出一个结论:这可能只是作者炫技的产物,缺乏灵魂的支撑。对于寻求清晰故事线的读者来说,这本书绝对是种折磨,它像是一个华丽但空洞的音乐盒,音乐一停,剩下的只有沉重的木头和生锈的机械感。
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