The Craftsman

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About the Author

Richard Sennett is professor of sociology at New York University and at The London School of Economics. Before becoming a sociologist, he studied music professionally. He has received many awards and honors, most recently the 2006 Hegel Prize for lifetime achievement in the humanities and social sciences. His previous books include The Corrosion of Character:The Personal Consequences of Work in the New Capitalism, The Fall of Public Man, Respect in a World of Inequality, and The Culture of New Capitalism, the last published by Yale University Press. He lives in New York and London.

出版者:Yale University Press
作者:Richard Sennett
出品人:
页数:0
译者:
出版时间:2008-03-27
价格:USD 27.50
装帧:Hardcover
isbn号码:9780300119091
丛书系列:
图书标签:
  • 社会学 
  • 手工艺 
  • craft 
  • Sennett 
  • 设计 
  • 建筑 
  • 城市规划 
  • 藝術史 
  •  
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Editorial Reviews

From The New Yorker

Sennett considers an array of artisans across different periods, from ancient Chinese chefs to contemporary mobile-phone designers, in this powerful meditation on the "skill of making things well." The template of craftsmanship, he finds, combines a "material consciousness" with a willingness to put in years of practice (a common estimate of the time required to master a craft is ten thousand hours) and a strategic acceptance of ambiguity, rather than an obsessive perfectionism. Sennett’s aim is to make us rethink the notion that society benefits most from a workforce trained to respond to the metamorphoses of a global economy. Ultimately, he writes, the difficulties and possibilities of craft can teach "techniques of experience" that help us relate to others, and lead to an "ethically satisfying" pride in one’s work.

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Review

"As Richard Sennett makes clear in this lucid and compelling book, craftsmanship once connected people to their work by conferring pride and meaning. The loss of craftsmanship-and of a society that values it-has impoverished us in ways we have long forgotten but Sennett helps us understand."-Robert B. Reich, Professor of Public Policy, University of California at Berkeley, and author of Supercapitalism: The Transformation of Business, Democracy, and Everyday Life (Robert B. Reich )

Product Description

Defining craftsmanship far more broadly than “skilled manual labor,” Richard Sennett maintains that the computer programmer, the doctor, the artist, and even the parent and citizen engage in a craftsman’s work. Craftsmanship names the basic human impulse to do a job well for its own sake, says the author, and good craftsmanship involves developing skills and focusing on the work rather than ourselves. In this thought-provoking book, one of our most distinguished public intellectuals explores the work of craftsmen past and present, identifies deep connections between material consciousness and ethical values, and challenges received ideas about what constitutes good work in today’s world.

The Craftsman engages the many dimensions of skill—from the technical demands to the obsessive energy required to do good work. Craftsmanship leads Sennett across time and space, from ancient Roman brickmakers to Renaissance goldsmiths to the printing presses of Enlightenment Paris and the factories of industrial London; in the modern world he explores what experiences of good work are shared by computer programmers, nurses and doctors, musicians, glassblowers, and cooks. Unique in the scope of his thinking, Sennett expands previous notions of crafts and craftsmen and apprises us of the surprising extent to which we can learn about ourselves through the labor of making physical things.

具体描述

读后感

评分

如今,在媒体和社会的大肆渲染下,“匠人精神”俨然已成为时兴的热词。可仔细想想,我们之所以提“匠人精神”,是出于对高质量产品的崇拜,而我们对匠人本身又有多少关注呢?在本书中,我们看到的不再是对“匠人精神”浅薄地讴歌,而是对匠人群体与他们的匠艺工作的分析与思考...  

评分

匠人的本质,竭尽全力把一件事情做好,追求尽善尽美是因为对这件事本身充满热情。一种为了把事情做好而把事情做好的欲望。 现代企业的激励手段,不论是道德说教,还是竞争激励,都属于外在手段,不能唤起匠人内心的激情。 # 现代匠人面对的三大麻烦 动力不足 过去匠人工作自由...  

评分

文/呆呆 图/来自网络 “我特别感谢哲学家理查德·福利。有段时间的我研究毫无进展,他问我:‘你的指导思想是什么?’ 我当时脱口而出:‘制造就是思考。’”——《匠人》致谢部分 一、双手和大脑的分离 
 今天,“匠人精神”是一个在畅销书架和名人演讲中常常出现的词汇...  

评分

匠人的本质,竭尽全力把一件事情做好,追求尽善尽美是因为对这件事本身充满热情。一种为了把事情做好而把事情做好的欲望。 现代企业的激励手段,不论是道德说教,还是竞争激励,都属于外在手段,不能唤起匠人内心的激情。 # 现代匠人面对的三大麻烦 动力不足 过去匠人工作自由...  

评分

文/呆呆 图/来自网络 “我特别感谢哲学家理查德·福利。有段时间的我研究毫无进展,他问我:‘你的指导思想是什么?’ 我当时脱口而出:‘制造就是思考。’”——《匠人》致谢部分 一、双手和大脑的分离 
 今天,“匠人精神”是一个在畅销书架和名人演讲中常常出现的词汇...  

用户评价

评分

上篇重新定義craftsman,討論中世紀至文藝復興工房的轉變(兼論技術與藝術的關係)、機器的出現和三種物質意識。中篇討論crafts的步驟,從指頭開始,到craftsman思考、利用工具推進craft,壓力和改進過程前境不明確如何促使craft改進。下篇說明環境怎樣迫使craftsman進步和craftsman的三種基礎能力。上、中篇比較好懂,啟發大,下篇不太明白。

评分

汉娜阿伦特的学生,开篇对汉娜阿伦特的“平庸之恶”作出很犀利的批判——指出这可能是个精英要向工匠学习的年代。包含许多实用主义化的tim ingold的概念,如resistance&ambiguity一章便对应了ingold的being alive的第一章。论述例子多为建筑相关。

评分

汉娜阿伦特的学生,开篇对汉娜阿伦特的“平庸之恶”作出很犀利的批判——指出这可能是个精英要向工匠学习的年代。包含许多实用主义化的tim ingold的概念,如resistance&ambiguity一章便对应了ingold的being alive的第一章。论述例子多为建筑相关。

评分

好题目,好课题,在延续森奈特的一贯写法之外,算是写得比较潦草的一本。作为社会学家剖析手艺、匠作、艺人的历史条件,不乏洞见,却又不算深刻,说论证,又没有过程,说历史,又散得很。其中,有关“物质性意识”、“手的能力演化”、“匠作三种类型的突破方式”,都跟建筑有关联,其中谈到的van eyck的游戏场设计、盖里的毕尔巴鄂博物馆的表皮工业设计过程,以及把卢斯和维根斯坦对待建筑得态度所做的对比,倒是跟建筑直接有关。书中,特别批判了西方城市规划师多会设计中心,不会设计边缘,多会设计实在的隔离的墙,却不会设计穿越的界面

评分

好题目,好课题,在延续森奈特的一贯写法之外,算是写得比较潦草的一本。作为社会学家剖析手艺、匠作、艺人的历史条件,不乏洞见,却又不算深刻,说论证,又没有过程,说历史,又散得很。其中,有关“物质性意识”、“手的能力演化”、“匠作三种类型的突破方式”,都跟建筑有关联,其中谈到的van eyck的游戏场设计、盖里的毕尔巴鄂博物馆的表皮工业设计过程,以及把卢斯和维根斯坦对待建筑得态度所做的对比,倒是跟建筑直接有关。书中,特别批判了西方城市规划师多会设计中心,不会设计边缘,多会设计实在的隔离的墙,却不会设计穿越的界面

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