第一章　拍摄者的视角 .......................................................................... 1
1.1　观点 ...........................................................................................................2
1.2　不再追逐彩虹 ............................................................................................3
1.3　学会身兼数职 ............................................................................................4
1.4　掌握专业技能 ............................................................................................6
1.5　新观念 .......................................................................................................8
1.6　现在人人都是拍摄者 ..................................................................................8
1.7　雇用你的客户 ............................................................................................9
1.8　你已经拥有足够的能力 ............................................................................10
第二章　让我给你讲个故事 .................................................................. 11
2.1　如何才能把故事讲好？ ............................................................................13
2.2　清楚自己影片的类型并确保观众们也知道 ...............................................13
2.3　你的海报什么样？ ...................................................................................15
2.4　了解自己的海报简述文字 ........................................................................16
2.5　积极面对条件限制 ...................................................................................17
2.6　电影成功的原因各异 ................................................................................18
2.7　你的相对优势 ..........................................................................................18
2.8　限制你的取景 ..........................................................................................19
2.9　了解自己摄影机的动态范围 .....................................................................20
2.10　在魔幻时刻拍摄 .....................................................................................21
2.11　真实性很重要 ........................................................................................21
2.12　故事永不停歇 ........................................................................................22
2.13　职业道德很重要 .....................................................................................23
第三章　用镜头讲故事 ....................................................................... 25
3.1　现在对作品的要求仍然很高 .....................................................................25
3.2　给世界加个框 ..........................................................................................26
3.3　排除，排除，排除！ ................................................................................27
3.4　让观众们受点儿苦 ...................................................................................28
3.5　独特的视角 ..............................................................................................32
3.6　模糊、隐藏和遮挡 ...................................................................................33
3.7　关于透视 ..................................................................................................34
3.8　箱式梁桥 ..................................................................................................36
3.9　三分法 .....................................................................................................37
3.10　黄金画幅比 ............................................................................................39
3.11　引起不适 ................................................................................................39
3.12　拍摄的地方是什么类型？ ......................................................................40
3.13　拥抱经典理论 ........................................................................................41
3.14　手艺很重要 ............................................................................................43
3.15　用特写讲故事 ........................................................................................44
3.16　迂回出击 ................................................................................................46
3.17　保持拍摄尺寸一致性 ..............................................................................46
3.18　视线的力量 ............................................................................................47
3.19　拍摄不完美的对象 .................................................................................48
3.20　故事里的故事 ........................................................................................49
3.21　学会用背景讲故事 .................................................................................50
3.22　我们都是说谎的骗子 ..............................................................................51
3.23　弄清楚自己想要什么 ..............................................................................52
3.24　与极端自我的人一起工作 ......................................................................54
第四章　摄影师的工具箱 .................................................................... 57
4.1　你有很多选择 ..........................................................................................57
4.2　摄像机的变革 ..........................................................................................58
4.3　扫描方式的选择 .......................................................................................61
4.4　2K、4K，以及更高的分辨率 ....................................................................63
4.5　努力突破技术局限 ...................................................................................64
4.6　了解你需要的知识 ...................................................................................65
4.7　技术问题当然重要 ...................................................................................66
4.8　世界的本质 ..............................................................................................66
4.9　脑中的处理器 ..........................................................................................67
4.10　让我们体验一下模拟 ..............................................................................67
4.11　改善数字记录的质量 ..............................................................................68
4.12　一些小知识 ............................................................................................69
4.13　10-bit 工作流程 ....................................................................................71
4.14　你的摄影机符合“10 分钟法则”吗？ ...................................................75
4.15　了解传感器 ............................................................................................77
4.16　在某种程度上，传感器尺寸很重要 ........................................................78
4.17　分辨率的诡计 ........................................................................................79
4.18　人类感知分辨率的极限 ..........................................................................81
4.19　这种数字游戏接近尾声了吗？ ...............................................................81
4.20　网格里的像素 ........................................................................................82
4.21　三片式传感器VS 单片式传感器 .............................................................83
4.22　为什么要压缩？ .....................................................................................84
4.23　出于实际考虑 ........................................................................................85
4.24　冗余，冗余 ............................................................................................86
4.25　你不会错过那些你看不见的东西 ............................................................87
4.26　帧间压缩与帧内压缩 ..............................................................................88
4.27　选择帧速率 ............................................................................................90
4.28　为什么帧频有些不靠谱—是24p 但又不是24p ..................................91
4.29　24p 的种种好处 .....................................................................................93
4.30　现在你能拍摄24p 了 .............................................................................93
4.31　如果你依然喜欢SD 标清 .......................................................................95
4.32　注意了，落伍者们！ ..............................................................................95
4.33　曾几何时 ................................................................................................96
第五章　用数码单反DSLR 讲故事 ...................................................... 99
5.1　性能的问题 ..............................................................................................99
5.2　它并不是摄像机 .....................................................................................100
5.3　不只是低光照能力 .................................................................................100
5.4　负荷削减 ................................................................................................101
5.5　参数设置 ................................................................................................103
5.6　果冻效应 ................................................................................................104
5.7　浅景深：是好事还是坏事？ ...................................................................105
5.8　操控方面的挑战 .....................................................................................106
5.9　监看与回放 ............................................................................................107
5.10　声音功能不健全 ...................................................................................108
5.11　开始工作 ..............................................................................................110
第六章　观察世界的窗口 ................................................................... 113
6.1　控制画面空间 ........................................................................................114
6.2　是否需要讨好拍摄对象 ..........................................................................115
6.3　把创作工具用到极致 ..............................................................................115
6.4　推拉变焦拍摄 ........................................................................................117
6.5　警惕可疑的标称值 .................................................................................118
6.6　光学变焦VS 数码变焦 ...........................................................................120
6.7　更广、更远 ............................................................................................121
6.8　低档镜头的现状 .....................................................................................122
6.9　为何廉价的镜头看起来档次低？ ............................................................124
6.10　对小光孔说不 ......................................................................................125
6.11　为什么一体式摄像机通常能拍出更好的画面 ........................................125
6.12　色像差补偿 ..........................................................................................126
6.13　试着和你的普通镜头和平相处 .............................................................126
6.14　找到镜头的最佳性能区间 ....................................................................127
6.15　不靠谱的对焦环和变焦环 ....................................................................129
6.16　电影镜头 ..............................................................................................129
6.17　诱惑力和纠结的根源 ............................................................................130
6.18　过大的景深 ..........................................................................................130
6.19　镜头适配器 ..........................................................................................132
第七章　立体拍摄者 ......................................................................... 133
7.1　3D 立体的本质 .......................................................................................133
7.2　立体是一种技术障眼法 ..........................................................................135
7.3　深度线索 ................................................................................................136
7.4　平面视觉深度线索 .................................................................................137
7.5　立体视觉深度线索 .................................................................................139
7.6　轴距VS 瞳距 .........................................................................................141
7.7　汇聚面应该设置在哪儿？ ......................................................................143
7.8　立体摄像机设置 .....................................................................................145
7.9　避免“耐药性”问题 ..............................................................................146
7.10　屏幕尺寸至关重要 ...............................................................................148
7.11　正确获得视差 ......................................................................................149
7.12　窗口干涉 ..............................................................................................150
7.13　关于立体故事的思考 ............................................................................150
7.14　圆度因素 ..............................................................................................151
7.15　抛弃极端的2D 拍摄方式 .....................................................................152
7.16　裸眼立体是大势所趋 ............................................................................154
7.17　立体就此止步了吗？ ............................................................................155
7.18　立体的后期制作与输出 ........................................................................156
7.19　立体再次来袭！ ...................................................................................158
7.20　2D 转3D .............................................................................................159
7.21　制片工艺的进化 ...................................................................................159
7.22　展现未曾见过的世界 ............................................................................160
第八章　掌握与控制 ......................................................................... 161
8.1　谁会需要全自动？ .................................................................................162
8.2　打倒自动曝光 ........................................................................................162
8.3　“中国姑娘” ........................................................................................165
8.4　驾驭波形图 ............................................................................................166
8.5　考虑快门问题 ........................................................................................167
8.6　同步快门 ................................................................................................168
8.7　帧速率与故事的关系 ..............................................................................169
8.8　聚焦在重要的对象上 ..............................................................................170
8.9　这些人并不是演员 .................................................................................170
8.10　分辨率越高对焦越难！ ........................................................................171
8.11　跟焦 .....................................................................................................173
8.12　故事的白平衡 ......................................................................................174
8.13　到底用不用预置白平衡 ........................................................................174
8.14　设置手动白平衡 ...................................................................................176
8.15　不可理喻的自动白平衡 ........................................................................177
8.16　自动黑平衡 ..........................................................................................178
8.17　没有增益，就没有痛苦 ........................................................................179
8.18　控制好噪点 ..........................................................................................180
8.19　时码的沼泽地 ......................................................................................181
8.20　串行数字接口与高清晰度多媒体接口 ..................................................183
8.21　互连性与视频流 ...................................................................................184
8.22　监看你的工作 ......................................................................................185
8.23　更长时间的续航 ...................................................................................186
8.24　驾驭杂乱的取景器 ...............................................................................188
8.25　逐格摄影与延时摄影 ............................................................................189
8.26　神奇的预录制功能 ...............................................................................190
8.27　循环录制功能 ......................................................................................191
8.28　在极端环境下进行拍摄 ........................................................................191
8.29　拍摄狂热的生命和野生动物 .................................................................193
第九章　调整拍摄的图像 ................................................................... 195
9.1　开始创建自己的画面风格 ......................................................................196
9.2　主消隐电平: 定义黑色 ...........................................................................197
9.3　标清的遗产 ............................................................................................198
9.4　了解你摄像机的动态范围 ......................................................................198
9.5　设置伽马值 ............................................................................................199
9.6　留意高光部分 ........................................................................................200
9.7　自动拐点 ................................................................................................200
9.8　控制色度 ................................................................................................201
9.9　色彩矩阵 ................................................................................................202
9.10　使用滤镜 ..............................................................................................203
9.11　物理滤镜 ..............................................................................................203
9.12　最后再考虑使用滤镜 ............................................................................204
9.13　为任务量身打造 ...................................................................................205
9.14　中密度滤镜（ND） ..............................................................................205
9.15　偏光滤镜 ..............................................................................................206
9.16　天空的控制 ..........................................................................................207
9.17　高对比度的困惑 ...................................................................................208
9.18　柔光滤镜 ..............................................................................................209
9.19　CHRISTIAN DIOR 来帮忙 ....................................................................212
9.20　遮光斗 .................................................................................................212
9.21　如何叠加滤镜 ......................................................................................214
9.22　暖色滤镜 ..............................................................................................215
9.23　雾化滤镜 ..............................................................................................215
9.24　后期制作 ..............................................................................................215
9.25　根据需要选择后期插件 ........................................................................216
9.26　颜色校正 ..............................................................................................217
9.27　拍摄者要对自己负责！ ........................................................................219
第十章　照亮你的故事 ...................................................................... 221
10.1　由小见大 ..............................................................................................222
10.2　拍摄者必须能独当一面 ........................................................................224
10.3　LED 照明时代已经来临 ........................................................................225
10.4　HMI 照明：昂贵但物有所值 ................................................................227
10.5　荧光灯和绿光瘟疫 ...............................................................................228
10.6　大范围柔光 ..........................................................................................230
10.7　使用软光是关键 ...................................................................................230
10.8　选择软光 ..............................................................................................231
10.9　控制溢光 ..............................................................................................232
10.10　柔光的艺术 ........................................................................................232
10.11　色纸 ...................................................................................................233
10.12　标准布光 ............................................................................................234
10.13　正面和中间照明 .................................................................................235
10.14　用好辅助光 ........................................................................................235
10.15　机载照明灯 ........................................................................................236
10.16　分层照明 ............................................................................................237
10.17　给绿屏照明 ........................................................................................237
10.18　绿屏为什么是绿色？ ..........................................................................238
10.19　绿屏的替代品 ....................................................................................240
10.20　照明控制 ............................................................................................240
10.21　镂板 ...................................................................................................241
10.22　束光筒 ...............................................................................................242
10.23　固定工具 ............................................................................................243
10.24　胶带 ...................................................................................................243
10.25　百宝囊 ...............................................................................................244
10.26　照明= 手艺+ 创意 ............................................................................245
第十一章　支撑起你的故事 ............................................................... 249
11.1　云台 .....................................................................................................250
11.2　三脚架 .................................................................................................253
11.3　其他摄像机支撑系统 ............................................................................255
11.4　安装在任何地方 ...................................................................................260
11.5　你拍故你在 ..........................................................................................260
第十二章　聆听你的故事 ...................................................................263
12.1　没有录音师？ ......................................................................................264
12.2　录音建议 ..............................................................................................264
12.3　差劲的连接= 差劲的声音 ....................................................................265
12.4　平衡音频 ..............................................................................................266
12.5　调音台 .................................................................................................267
12.6　设置音频电平 ......................................................................................268
12.7　麦克风 .................................................................................................269
12.8　枪式麦克风（指向式麦克风） .............................................................269
12.9　无线连接 ..............................................................................................270
12.10　话筒挑杆 ............................................................................................271
12.11　音频降噪 ............................................................................................272
12.12　双系统录音：有必要吗？ ..................................................................272
12.13　环绕声 ...............................................................................................273
12.14　有时候“凑合”也不错 ......................................................................274
第十三章　顺应潮流 .........................................................................277
13.1　不再只有一种工作流程 ........................................................................278
13.2　MXF 的前景 .........................................................................................279
13.3　元数据之美 ..........................................................................................280
13.4　现在我们不必那么担忧了 ....................................................................281
13.5　SSD 的出现 .........................................................................................282
13.6　代理视频与iPhone ..............................................................................283
13.7　输出你的故事 ......................................................................................284
13.8　DVD 的衰落 .........................................................................................285
13.9　关注图像编码 ......................................................................................286
13.10　编码器的性格 ....................................................................................287
13.11　被诅咒的问题场景 .............................................................................287
13.12　视频降噪势在必行 .............................................................................288
13.13　了解编码模式 ....................................................................................289
13.14　BLU-RAY 蓝光，还有谁？ ................................................................289
13.15　来到云端 ............................................................................................290
13.16　归档的挑战 ........................................................................................291
后记　世上并没有“一键优化到最好”功能 .......................................... 293
1. 谨慎对待炒作 .............................................................................................294
2. 拒绝复杂 ....................................................................................................295
3. 观影的未来 .................................................................................................296
4. 变革已经到来 .............................................................................................296
5. 这是个弱肉强食的世界 ...............................................................................297
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