William Ford Gibson (born March 17, 1948) is an American-Canadian speculative fiction writer and essayist widely credited with pioneering the science fiction subgenre known as cyberpunk. Beginning his writing career in the late 1970s, his early works were noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans—a "combination of lowlife and high tech"[19]—and helped to create an iconography for the information age before the ubiquity of the Internet in the 1990s.[20] Gibson notably coined the term "cyberspace" in his short story "Burning Chrome" (1982) and later popularized the concept in his acclaimed debut novel Neuromancer (1984). These early works have been credited with "renovating" science fiction literature.
After expanding on Neuromancer with two more novels to complete the dystopic Sprawl trilogy, Gibson collaborated with Bruce Sterling on the alternate history novel The Difference Engine (1990), which became an important work of the science fiction subgenre steampunk. In the 1990s, Gibson composed the Bridge trilogy of novels, which explored the sociological developments of near-future urban environments, postindustrial society, and late capitalism. Following the turn of the century and the events of 9/11, Gibson emerged with a string of increasingly realist novels—Pattern Recognition (2003), Spook Country (2007), and Zero History (2010)—set in a roughly contemporary world. These works saw his name reach mainstream bestseller lists for the first time. His more recent novel, The Peripheral (2014), returned to a more overt engagement with technology and recognizable science fiction concerns.
In 1999, The Guardian described Gibson as "probably the most important novelist of the past two decades," while the Sydney Morning Herald called him the "noir prophet" of cyberpunk.[21] Throughout his career, Gibson has written more than 20 short stories and 10 critically acclaimed novels (one in collaboration), contributed articles to several major publications, and collaborated extensively with performance artists, filmmakers, and musicians. His work has been cited as an influence across a variety of disciplines spanning academia, design, film, literature, music, cyberculture, and technology.
"Burning Chrome" is a short story, written by William Gibson and first published in Omni in July 1982. Gibson first read the story at a science fiction convention in Denver, Colorado in the autumn of 1981, to an audience of four people, among them Bruce Sterling (who Gibson later said "completely got it"). It was nominated for a Nebula Award in 1983[2] and collected with the rest of Gibson's early short fiction in a 1986 volume of the same name.
威廉吉布森的第一本短篇小说集,出版于1986年。 布鲁斯斯特灵的超强前言,亮点众多,翻译不能,英文版录入在小站里。科幻世界2005年江波号的吉布森专辑开头那篇成言翻译的《威廉吉布森作品赏析》是据此翻译,找得到的同学可以看看。 摘几句赞吉布森的: 这些篇目的牛逼之处在...
評分因为喜欢看哈里森福特主演的电影,几个月前下载了《银翼杀手》,看到一半竟睡着,只好告诉自己:年纪大了,真心看不动,脑子钝了,大多看不懂。太超凡脱俗太优秀深刻,还是看看《变形金刚》这种不费脑费神的算了。后来才知道是赛博朋克,跟《少数派报告》、《全面回忆》、《记...
評分我从小喜欢看科幻电影,但是行为粗鄙,很少读带字的书,所以对科幻小说并不熟悉。高中时跟着同桌看了三本科幻世界,兴奋异常,但也是十几年前了,所以,现在的标准应该完全不一样了。 之前不久,老婆给我一本科幻短篇,某个人的集子,我看了看,说没劲。每一篇基本都是...
評分今年二月末,《全息玫瑰碎片》结束排版校对,下厂付印。它在这么一个明媚的早春出版了,我有些恍惚,不断想起一年前的事。那也是二月末的晴朗初春,我第一次读到了这部书稿中的《根斯巴克连续体》,那种梦魇般的感受现在还记得。 当时我待业在家,生活拮据,恰逢幻象文库招聘编...
《全息玫瑰碎片》
评分因中文版絕版價格過高,強行啃瞭英文版。不得不佩服威廉吉布森的辭藻。
评分切片聖女奧爾加
评分《全息玫瑰碎片》
评分切片聖女奧爾加
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