"Twenty years ago, it was as if someone turned on a light. The future blazed into existence with each deliberate word that William Gibson laid down. Neuromancer didn't just explode onto the science fiction scene. It permeated into our consciousness, our culture, our science, and our technology. The winner of the Hugo, Nebula, and Philip K. Dick Awards, Neuromancer showed us what we were capable of creating and what we were capable of destroying - and illuminated the dark corners of the path we were headed down." Today, we have this science fiction masterpiece to thank for the term "cyberpunk," for easing our way into the information age and Internet society. Neuromancer's virtual reality has become our own. And yet, William Gibson's vision still manages to inspire the minds that will take us ever further into the future.
William Gibson is the author of Neuromancer, Count Zero, Mona Lisa Overdrive, Burning Chrome, Virtual Light, Idoru, All Tomorrow's Parties, and Pattern Recognition.
Biography
Science fiction owes an enormous debt to William Gibson, the cyberpunk pioneer who revolutionized the genre with his startling stories of tough, alienated loners adrift in a world of sinister high technology.
Gibson was born in Conway, South Carolina, and spent much of his youth in Virginia with his widowed mother. He grew up shy and bookish, discovering science fiction and the literature of the beats at a precociously early age. When he was 15, he was sent away to private school in Arizona, but he left without graduating when his mother died suddenly. He fled to Canada to avoid the draft and immersed himself in '60s counterculture. He married, moved to British Columbia, and enrolled in college, graduating in 1977 with a degree in English. Around this time he began to write in earnest, combining his lifelong love of science fiction and his newfound passion for the punk music evolving in New York and London.
In the early 1980s, Gibson met writer and punk musician John Shirley and sci-fi authors Lewis Shiner and Bruce Sterling. All three were blown away by the power and originality of Gibson's stories, and together the four men went on to forge a radical new literary movement called cyberpunk. In 1984, Gibson's groundbreaking first novel, Neuromancer, was published. Daring and revolutionary, it envisioned such techno-marvels as AI, virtual reality, genetic engineering, and multinational capitalism years before they became realities. Although it was not an immediate sensation, Neuromancer struck a chord with hardcore sci-fi fans who turned it into a word-of-mouth hit. Then it won the Hugo, Nebula, and Philip K. Dick Awards (the Triple Crown of Science Fiction), catapulting Gibson into superstardom overnight.
Even if he had never written another word, Gibson's impact would be clearly seen in the works of such cutting-edge contemporary authors as Neal Stephenson, Pat Cadigan, and Paul DiFilippo. But, as it is, Neuromancer was just the beginning -- the first book in an inspired trilogy that has come to be considered a benchmark in the history of the genre; and since then, Gibson has gone on to create even more visionary science fiction, including The Difference Engine, a steampunk classic co-authored with Bruce Sterling, and such imaginative post-9/11 cyber thrillers as Pattern Recognition and Spook Country .
1984在文学语境下是个寓意深刻的年份。那一年,“老大哥”无所不能的“电幕”还不见踪迹,但是一个世界范围内的互联网络正在崛起,一部横空出世的《神经漫游者》告诉人们“老大哥”的另一个可能性。 作者威廉•吉布森坦言,《神经漫游者》是创作“危机”时被逼出来的,科幻读...
评分偶然上京东发现这书有了新译本,欣喜若狂立刻下单,还在第一时间通知了以前几个同为科幻迷的小伙伴。小时候在科幻世界上读过吉布森的《整垮珂萝米》和《约翰尼的记忆》,以及另外几个译文版上刊登过的短篇,对他的文字风格印象深刻。神经漫游者作为吉布森的代表作自然是赛...
评分我在想,1984年是个什么年代。 想象不出来。 因为神经漫游者这本书就像一个具有时间扭曲场效应的微电极,插在人的心里。 我的时间坐标系开始有点紊乱,唯一让我把这本书和现实联系起来的事件就是,PKD是1982年死的,而吉布森在三年后凭着神经漫游者拿了PKD奖。 PKD没看到过...
评分到今天为止,这本小说原版在美国亚马逊的评论有629条。其中有335个人给了五星。 四星、三星、二星、一星的数量分别是117、67、56、54。 有不少母语读者在读了开头之后就深恶痛绝放弃了这本书。 这是连英语母语读者都会觉得开头50页很困难的小说。 但也有超过一半的人坚持下...
评分中译本: 她把手移到他的双腿之间,算是回答。黑暗中,她的另一只手摸着他的脖子。皮牛仔裤随着她的动作发出轻响。 他扭动了一下脑袋,脖子不硬了。他一只手撑起身子,转身仰卧着,把她拉下来。 “没事,”她说,“我看得见。”她一条腿搭在他身上。 他摸到了她的脸,意外地碰...
语言比霓虹灯简洁。人物的跃迁比光锋利。科幻小说也可以有好文笔!
评分语言比霓虹灯简洁。人物的跃迁比光锋利。科幻小说也可以有好文笔!
评分语言比霓虹灯简洁。人物的跃迁比光锋利。科幻小说也可以有好文笔!
评分语言比霓虹灯简洁。人物的跃迁比光锋利。科幻小说也可以有好文笔!
评分语言比霓虹灯简洁。人物的跃迁比光锋利。科幻小说也可以有好文笔!
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