In Japan, perhaps uniquely, the history of capitalism coincides neatly with the history of film. What links these two histories and what their relationship reveals about film culture and everyday life in Japan, is the subject of this original and provocative work. Looking at a hundred-year history of film and capitalism, "The Flash of Capital" theorizes a cultural history that illuminates the spaces where film and the nation transcend their customary borders, where culture and capital crisscross - and in doing so, develops a new way of understanding historical change and transformation in modern Japan and beyond. Eric Cazdyn focuses on three key moments of historical contradiction: colonialism, post-war reconstruction, and globalization. In great classics of Japanese film, in documentaries, works of science fiction, animation, and pornography he brings to light cinematic attempts to come to terms with the tensions inherent in each historical moment - tensions between colonizer and colonized, between the individual and the collective, and between the national and the transnational. Through a close reading of cinema within its political context, Cazdyn shows how formal inventions in the realms of acting, film history and theory, thematics, documentary filmmaking, and adaptation articulate a struggle to solve implacable historical problems. Richly illustrated, this innovative work of cultural history and criticism will be of interest to those concerned with Japanese film history, the culture and political economy of Japan, and anyone seeking explanations of historical change that challenge conventional distinctions between the aesthetic and the geopolitical.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
有點失望。。。
评分基本是按照後殖民和經濟史的邏輯來寫，第三章這樣帶上具體電影作品的分析比較有趣，第二章更像是電影史學史研究，當然本質都是為瞭說明思想的轉變。 但這書寫的實在太尼瑪繞瞭…… 感覺框架比分析更有價值，看瞭下review普遍是說問題解釋力不夠，但是角度不錯。
评分基本是按照後殖民和經濟史的邏輯來寫，第三章這樣帶上具體電影作品的分析比較有趣，第二章更像是電影史學史研究，當然本質都是為瞭說明思想的轉變。 但這書寫的實在太尼瑪繞瞭…… 感覺框架比分析更有價值，看瞭下review普遍是說問題解釋力不夠，但是角度不錯。
评分有點失望。。。
评分架子搭得好，後麵沒有跟上。
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