Post Office

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Charles Bukowski is one of America's best-known contemporary writers of poetry and prose, and, many would claim, its most influential and imitated poet. He was born in Andernach, Germany, and raised in Los Angeles, where he lived for fifty years. He published his first story in 1944, when he was twenty-four, and began writing poetry at the age of thirty-five. He died in San Pedro, California, on March 9, 1994, at the age of seventy-three, shortly after completing his last novel, Pulp.

Biography

During the course of his long, prolific literary career, Charles Bukowski was known as a poet, novelist, short story writer, and journalist. But it is as a cult figure, an "honorary beat" who chronicled his notorious lifestyle in raw, unflinching poetry and prose, that he is best remembered. Born in the aftermath of World War I to a German mother and an American serviceman of German descent, he was brought to the U.S. at the age of three and raised in Los Angeles. By all accounts, his childhood was lonely and unhappy: His father beat him regularly, and he suffered from debilitating shyness and a severely disfiguring case of acne. By his own admission, he underwent a brief flirtation with the far right, associating as a teenager with Nazis and Nazi sympathizers. After high school, he attended Los Angeles City College for two years, studying art, literature, and journalism before dropping out.

Although two of his stories were published in small literary magazines while he was still in his early 20s, Bukowski became discouraged by his lack of immediate success and gave up writing for ten years. During this time he drifted around the country, working odd jobs; fraternizing with bums, hustlers, and whores; and drinking so excessively that he nearly died of a bleeding ulcer.

In the late 1950s, Bukowski returned to writing, churning out copious amounts of poetry and prose while supporting himself with mind-numbing clerical work in the post office. Encouraged and mentored by Black Sparrow Press publisher John Martin, he finally quit his job in 1969 to concentrate on writing full time. In 1985, he married his longtime girlfriend Linda Lee Beighle. Together they moved to San Pedro, California, where Bukowski began to live a saner, more stable existence. He continued writing until his death from leukemia in 1994, shortly after completing his last novel, Pulp.

Bukowski mined his notorious lifestyle for an oeuvre that was largely autobiographical. In literally thousands of poems, he celebrated the skid row drunks and derelicts of his misspent youth; and, between 1971 and 1989, he penned five novels (Post Office, Factotum, Women, Ham on Rye, and Hollywood) featuring Henry Chinaski, an alcoholic, womanizing, misanthrope he identified as his literary alter ego. (He also wrote the autobiographical screenplay for the 1987 film Barfly, starring Mickey Rourke and Faye Dunaway.) Yet, for all the shock value of his graphic language and violent, unlovely images, Bukowski's writing retains a startling lyricism. Today, years after his death, he remains one of the 20th century's most influential and widely imitated writers.

出版者:HarperCollins Publishers, Inc.
作者:Charles Bukowski
出品人:
頁數:208
译者:
出版時間:2014-7-29
價格:USD 14.99
裝幀:Paperback
isbn號碼:9780061177576
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圖書標籤:
  • CharlesBukowski 
  • 小說 
  • 美國 
  • 美國文學 
  • 外國文學 
  • Charles_Bukowski 
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"It began as a mistake." By middle age, Henry Chinaski has lost more than twelve years of his life to the U.S. Postal Service. In a world where his three true, bitter pleasures are women, booze, and racetrack betting, he somehow drags his hangover out of bed every dawn to lug waterlogged mailbags up mud-soaked mountains, outsmart vicious guard dogs, and pray to survive the day-to-day trials of sadistic bosses and certifiable coworkers. This classic 1971 novel—the one that catapulted its author to national fame—is the perfect introduction to the grimly hysterical world of legendary writer, poet, and Dirty Old Man Charles Bukowski and his fictional alter ego, Chinaski.

具體描述

讀後感

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第一次阅读布考斯基,虽然说不上有多喜欢,但感觉足够震撼。 和其他作家不一样,布考斯基的作品不是为你打开一扇窗,而是在你脚下深挖了一个洞,让你直接跌入生活的最底层。刚开始你或许会有些许不适,但会渐渐感觉其真实。那底层的逼仄,阴暗,潮湿,甚至是绝望,这些并不遥...  

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“Nothing like the old water treatment. I had borrowed a page from the headshrinkers.” 这部本不应该作为布考斯基处女座长篇的作品还是鬼使神差地被各路文艺左奉为了经典,不可否认的是这是布考斯基落魄、矛盾、愤怒的年代。也因为这本书布考斯基正式地开始了职业写作的...  

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我是来吐槽翻译的,没有人跟我有同感吗?这译文的中文通顺吗?作者那些生动的美国俚语表达,怎么翻译过来干巴巴的?要说作者文风问题,可是《苦水音乐》的译文就很生动啊,所以我认为是译者文字基本功的问题。 另外,邮差的译者居然是苦水音乐的校译,这一点让我无力吐槽... ...  

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百无聊赖烦躁不堪时在书店里看到这本书,原本以为内容阴暗现实,没想到却让我心中郁结一扫而光。 这并不是童话,主人公也不是英雄,甚至可以说是一个标准的失败者,在几十年的岁月里辗转起伏,浑浑噩噩,酒和女人是他人生中最大的乐趣,在对世界的不断反抗中不断挫败。 ...  

用戶評價

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第一本布考斯基。中年版麥田守望者。

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學戰略的時候摸魚讀完的…閑得我

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原始的閱讀快感 果然還是得看原版啊 隻有他能寫齣一連下瞭幾天雨the whole city gives up這樣的句子

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我喜歡爛人!

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The days run away like wild horses over the hills.

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