American Wits pdf epub mobi txt 電子書 下載2025

想要找書就要到 小美書屋

立刻按 ctrl+D收藏本頁

你會得到大驚喜!!

Irreverent, playful, and inventive, the American light verse of the past century offers a brimming feast of urbane pleasures. Bubbling over with engaging parodies, sparkling aphorisms, and wisecracking asides, the poems gathered here display a sure-footed handling of the poet’s art. The foremost practitioners of light verse “took delight not only in what they had to say but in their precise manner of saying it,” writes John Hollander in his introduction. “What makes it mean something is… the unique pleasure that poets and readers alike can take in that craft.”

The poets in this volume included journalists, playwrights, screenwriters, and also some of the greatest poets of the century. We have Frost, Eliot, Millay, and Cummings, Don Marquis’ free-verse tales of Archy and Mehitabel, Newman Levy’s comic twists on grand opera, Samuel Hoffenstein’s disenchanted parsing of romantic sentiment, Dorothy Parker’s bitter epigrams, Ogden Nash’s brilliantly funny exercises in irregular meter: all are among the highlights from a century’s worth of poetic humor.

John Hollander (1929–2013) published nearly two dozen books of poetry, including Selected Poetry (1993), Figurehead (1999), and most recently A Draft of Light (2008), as well as five books of criticism. He received the Bollingen Prize and a MacArthur Fellowship, and was a Sterling Professor Emeritus of English at Yale University.

Introduction by John Hollander
Ambrose Bierce (1842–1914?)
from The Devil’s Dictionary
Corporal
Elegy
Edwin Arlington Robinson (1869–1935)
Two Men
A Mighty Runner
Miniver Cheevy
Carolyn Wells (1869–1942)
Famous Baths and Bathers
Arthur Guiterman (1871–1943)
Elegy
from The Lyric Baedeker
Philadelphia
Seattle
Everything In Its Place
On the Vanity of Earthly Greatness
Guy Wetmore Carryl (1873–1904)
The Embarrassing Episode of Little Miss Muffet
The Harmonious Heedlessness of Little Boy Blue
Robert Frost (1874–1963)
The Wrights’ Biplane
In Divýýs’ Dive
In a Poem
Don Marquis (1878–1937)
the song of mehitabel
archy at the zoo
from mehitabel’s extensive past
ballade of the under side
Vachel Lindsay (1879–1931)
Factory Windows Are Always Broken
A Colloquial Reply: To Any Newsboy
Niagara
Kalamazoo
Franklin P. Adams (1881–1960)
Us Potes
Ballade of Schopenhauer’s Philosophy
The Rich Man
To a Thesaurus
“Lines Where Beauty Lingers”
Ezra Pound (1885–1972)
An Immorality
Ancient Music
T. S. Eliot (1888–1965)
The Naming of Cats
Macavity: The Mystery Cat
Newman Levy (1888–1966)
Tannhauser
Carmen
Rigoletto
Pelleas and Melisande
John Crowe Ransom (1888–1974)
Survey of Literature
Samuel Hoffenstein (1890–1947)
from Love-songs, at Once Tender and Affirmative—An Unusual Combination in Verses of This Character
from The Notebook of a Schnook
from Poems in Praise of Practically Nothing
from Songs About Life and Brighter Things Yet; A Survey of the Entire Earthly Panorama, Animal, Vegetable and Mineral, with Appropriate Comment by the Author, of a Philosophic, Whimsical, Humorous, or Poetic Nature-a Truly Remarkable Undertaking
from Couplets, Rare, Medium and Well-Done: The Sexes
Christopher Morley (1890–1957)
Elegy Written in a Country Coal-Bin
“A Pre-Raphaelite”
Maxwell Bodenheim (1892–1954)
Upper Family
Edna St. Vincent Millay (1892–1950)
First Fig
Second Fig
Thursday
Grown-Up
Morris Bishop (1893–1973)
Ozymandias Revisited
Eschatology
We Have Been Here Before
“A joker who haunts Monticello”
Flowers of Rhetoric
Ah, To Be In …
Dorothy Parker (1893–1967)
Portrait of the Artist
Chant for Dark Hours
Unfortunate Coincidence
Comment
Words of Comfort to be Scratched on a Mirror
News Item
Song of One of the Girls
Fighting Words
Inscription for the Ceiling of a Bedroom
Experience
Neither Bloody Nor Bowed
Bohemia
Story
Frustration
Rýýsumýý
One Perfect Rose
Ballade at Thirty-Five
Healed
Pour Prendre Congýý
Coda
The Danger of Writing Defiant Verse
The Actress
E. E. Cummings (1894–1962)
“the way to hump a cow”
F. Scott Fitzgerald (1896–1940)
Obit on Parnassus
David McCord (1897–1997)
Sportif
History of Education
Convalescence
John Wheelwright (1897–1940)
Week End Bid I
Week End Bid II
Lion
E. B. White (1899–1985)
Marble-Top
I Paint What I See
Village Revisited
Kenneth Fearing (1902–1961)
Old Story
Aphrodite Metropolis III
Ballad of the Salvation Army
Death and Transfiguration of Fourteenth Street
Cultural Notes
Dirge
Ogden Nash (1902–1971)
Spring Comes to Murray Hill
Watchman, What of the First First Lady?
Please Pass the Biscuit
The Termite
The Panther
A Beginner’s Guide to the Ocean
Kind of an Ode to Duty
No Wonder Our Fathers Died
A Necessary Dirge
The Private Dining Room
What’s in a Name? Some Letter I Always Forget
Arthur
The Song of Songs
Phyllis McGinley (1905–1978)
View from a Suburban Window
Trinity Place
Why, Some of My Best Friends Are Women
Evening Musicale
Blues for a Melodeon
New England Pilgrimage
The Day After Sunday
Helen Bevington (1906–2001)
Mr. Rockefeller’s Hat
To Helen
The Princess and the Pea
Ballade of Poetic Material
W. H. Auden (1907–1973)
Under Which Lyre
from Academic Graffiti:
“My first name, Wystan”
John Milton
Oscar Wilde
Parable
William Cole (1919–2000)
from Uncoupled Couplets
Anthony Hecht (1923–2004)
The Dover Bitch
Handicap
It Never Rains …
Firmness
From the Grove Press
Down There on a Visit
Edward Gorey (1925–2000)
“From the bathing machine came a din”
“The Proctor buys a pupil ices”
Kenneth Koch (1925–2002)
Variations on a Theme by William Carlos Williams
La Ville de Nice
James Merrill (1926–1995)
Above All That?
Neo-Classic
Tomorrows
X. J. Kennedy (b. 1929)
Japanese Beetles
George Starbuck (1931–1996)
Said (“J Alfred Prufrock to”)
Said (“Agatha Christie to”)
Said (“Dame Edith Evans to”)
Said (“J. Edgar Hoover to”)
High Renaissance
Working Habits
Boston
On the Antiquity of Warfare
· · · · · · (收起)