The poetry of early America is seen afresh in this groundbreaking new volume in The Library of America's acclaimed "American Poetry" anthology series, charting its flowering over a span of almost two centuries, from the first years of English settlement in the New World to the death of George Washington. Gathering the work of more than 100 poets-including many poems never previously anthologized and some published here for the first time-it is the most comprehensive collection of its kind ever assembled, a celebration of the rich, varied, and often surprising beginnings of American poetry. The range of voices is unprecedented: broadside and newspaper satires, epitaphs, children's verse, popular songs, ballads, and Christian hymns evoke the vital currency of poetry in the daily lives of average people; exhortatory elegies for public figures and historical epics declaimed on occasions of state stand alongside intricate meditative lyrics and private epistolary verses. The dramatic unfolding of American history is made immediate and vivid in the words of the participants: William Bradford reflects on the growth of New England's first colonies; Roger Wolcott recounts the incidents of the Pequot War; Thomas Paine hails the victories of the American Revolution; Ann Eliza Bleecker describes her flight from General Burgoyne's invading army; loyalist Jonathan Odell bitterly mocks the new Continental Congress. The first comprehensive anthology of early American poetry in more than a generation, this volume incorporates recent scholarly discoveries that have altered our understanding of the early American literary landscape. Alongside generous selections from long-admired New England poets such as Anne Bradstreet, Edward Taylor, and Michael Wigglesworth are poets from the Middle Colonies and the South, newly emerged from the archives. Along with familiar favorites by Phillis Wheatley, celebrated pioneer of the African-American tradition in poetry, are little-known verses by Benjamin Banneker, known as "the Sable Astronomer," and African-American Minuteman Lemuel Haynes. The anthology includes hymns recently attributed to Mohegan preacher Samson Occom and the earliest known translation of a traditional Native American chant, Henry Timberlake's Cherokee "War-Song." The unpublished poems of Henry Brooke, Elizabeth Graeme Fergusson, Joseph Green, Hannah Griffitts, Margaret Lowther Page, and Annis Boudinot Stockton, among others, reflect the rediscovered vitality and importance of manuscript exchange as a form of publication in an era when it was sometimes considered indecorous, especially for women, to appear in print. Unprecedented in its textual authority and unrivaled in its scope, the anthology includes newly researched biographical sketches of each poet and extensive notes.
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翻开这本厚重的书册,我首先感受到的不是文字的堆砌,而是一种近乎于建筑学上的精妙布局。编者似乎深谙如何引导读者的心绪,从开篇的质朴与清新,到中段的激昂与反思,再到后期的内敛与哲思,整个阅读体验如同一场精心设计的音乐会,高低起伏,恰到好处。特别值得称道的是,那些关于自然与都市的对仗,诗人笔下的自然不再是田园牧歌式的描绘,而是带着一种原始的、近乎冷酷的力量感,与城市文明的虚幻和疏离形成了强烈的张力。我尤其着迷于那些探索语言边界的实验性作品,它们挑战了传统的阅读习惯,迫使我慢下来,去聆听每一个词语在特定语境下的“回响”。这种对语言本身的尊重和重塑,使得这本选集远超一般意义上的“合集”,它更像是一本活的语言博物馆,展示着英语在美国这片土壤上所能达到的多样性和适应性。读完后,我感觉自己的词汇库不仅仅是增加了,更重要的是,我对“如何使用”语言有了全新的敬畏感。
评分这部诗集真是令人耳目一新,它像是一幅流动的历史长卷,将美国文学的脉络梳理得清晰而又充满张力。初读时,我被那种磅礴的气势所震撼,仿佛能听到从拓荒时代穿越而来的呐喊,也能感受到工业革命洪流中的迷茫与抗争。作者的选篇眼光独到,既不偏废那些高居殿堂的经典,又能敏锐地捕捉到那些被历史尘埃轻微掩盖的民间之声。我特别欣赏他对不同地域、不同族裔诗歌的平衡处理,这使得整部作品不再是单一主导叙事的产物,而是汇聚了多重视角和复杂情感的交响乐。那些关于土地、关于自由、关于身份认同的诗篇,无一不深深触动着作为现代读者的我。每一次翻阅,都能发现新的层次,一些早先可能被忽略的意象,在特定的心境下会突然爆发出惊人的力量。整体而言,这本诗集不仅仅是诗歌的汇编,更像是一份深入美国精神内核的邀请函,引人沉思,让人回味无穷。它教会了我如何用更宽广的视野去理解“美国”这个复杂的概念,而诗歌,无疑是解读这片土地灵魂的最佳媒介。
评分如果要用一个词来形容这本书带给我的感觉,那可能是“拓荒精神的变奏”。它展示了美国诗人在精神层面上如何不断地开拓新的“疆域”。这种拓荒并非是对地理空间的占领,而是对情感表达的极限探索。我发现,很多诗人在面对美国特有的“巨人情结”——无论是对国家理想的狂热还是对失败的巨大恐惧——时,都发展出了一套独特的解构和重构的修辞方式。例如,那些对日常物品的描摹,表面看似平淡无奇,实则暗流涌动,将平凡事物提升到了近乎神圣或亵渎的境地,这体现了一种对“美国梦”的复杂审视。编者在注释和导读方面的处理也相当克制和精准,没有过多地干预解读,而是提供了必要的历史背景,将解释的权力留给了读者自己。这使得阅读过程充满了“发现的乐趣”,仿佛自己就是一名考古学家,在破碎的文本中拼凑出一个个鲜活的时代侧影。这是一部需要耐心品味的藏品,每一次品味,都会为诗歌的生命力感到赞叹。
评分这本书的装帧和纸张手感本身就是一种享受,那种沉甸甸的质感,预示着内容的厚重。但真正让我沉浸其中的,是作者们如何处理“时间”这个宏大主题。他们似乎总是在过去、现在和未来之间进行着近乎瞬时的切换。一秒钟前还在感叹爱伦·坡式的哥特式阴郁,下一页就跳跃到了战后“黑山派”那种冷静到近乎麻木的观察。这种跨越时空的对话,非常迷人。它让我意识到,美国诗歌的核心驱动力之一,就是对“何去何从”的永恒追问。我特别喜欢其中几位女性诗人的作品,她们的视角充满了细腻的洞察力,以非常个人化的情感切口,剖析了宏大的社会结构对个体生命轨迹的微妙影响。这些诗歌如同微缩景观,在极小的空间里凝聚了巨大的情感能量。读这本书就像是坐在一个巨大的回音壁前,倾听着不同时代的回声相互叠加、相互辩驳,最终形成了一种独特的、充满活力的共振场。
评分说实话,我购买这本书是带着一丝对美国文化符号的刻板印象的,期待着那些耳熟能详的浪漫主义或超验主义的宣言。然而,这本书给我的惊喜在于它的“不适感”和“真实性”。它毫不避讳地展示了美国诗歌中那些黑暗、矛盾和令人不安的面向——种族冲突的伤痕、资本主义带来的异化、以及个体在巨大社会机器面前的无力感。这种坦诚,是极其可贵的。读到那些描述战争阴影和边缘人群心声的诗句时,我感到一种近乎生理上的不适,但正是这种不适,让我更深刻地理解了“诗歌的社会功能”。它不只是美化生活,更是撕开遮羞布,直面存在的问题。这本书的叙事线索并非完全线性的,它更像是一张网,将不同时代、不同主题的碎片有机地编织在一起,让你在跳跃中感受到历史的重量。我花了好几个晚上,对着其中几首晦涩难懂的诗歌反复揣摩,每一次都有新的感悟,这绝对是一部值得反复研读的深度文本。
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