Gregerson's rich aesthetic allows her best poems to resonate metaphysically. After working in tercets for some twenty years, Linda Gregerson makes bold formal experiments in "Magnetic North." She investigates the elegant shape of a question, taking inspiration from subjects as diverse as the Nazi occupation of Poland and the Nobel Prize in physiology. In one poem, "Bicameral," she makes breathtaking leaps. "Choose any angle you like . . . the world is split in two," she writes. The image moves from a child"s cleft palate to a gunshot wound to a shorn sheep to a modern art exhibit of hanging skeins of fabric: "the body it becomes will ever bind it to the human and a trail of woe." Amid the torn, tangled record of violence and repair she finds that "the world you have to live in is the world that you have made."
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