Graphics and Text in the Production of Technical Knowledge in China pdf epub mobi txt 電子書下載2025

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Francesca Bray, Ph.D. (1985) in Social Anthropology, University of Cambridge, is Professor of Social Anthropology at Edinburgh. Her publications include Technology and Gender: Fabrics of Power in Late Imperial China (California, 1997).

Vera Dorofeeva-Lichtmann, Ph.D. (1992) in History, Moscow University, is Directeur de recherche at the CNRS in Paris. Her publications include “Mapping a ‘Spiritual’ Landscape: Representing Terrestrial Space in the Shan hai jing,” in: Political Frontiers, Ethnic Boundaries, and Human Geographies in Chinese History (London – New York, 2003).

Georges Métailié, Ph.D. (1974) in Far Eastern Studies, University of Paris 7, is Directeur de recherche at the CNRS in Paris. His latest publication is Dictionnaire Ricci des plantes de Chine (Paris, 2005).

出版者:BRILL

作者:Francesca Bray

出品人:

頁數:650

译者:

出版時間:2012-2-24

價格:GBP 154.11

裝幀:Hardcover

isbn號碼:9789004160637

叢書系列:Sinica Leidensia

圖書標籤:

海外中國研究
藝術史
科學史
技術
圖像
中國
知識社會學
地圖

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This collection offers a challenging new interpretation of technical knowledge in Chinese thought and practice. Conveying technical knowledge in China through charts, plans or drawings (tu) dates back to antiquity. Earlier studies focused on specialised forms of tu like maps or drawings of machines. Here, however, tu is identified in Chinese terms, viz. as a philosophical category of knowledge production: visual templates for action, spanning a range from mandala to modernist mapping projects, inseparable from writing but with distinctive powers of communication. A distinction is made between two principal types of tu: ritual/symbolic and representational, highlighting essential issues such as historical shifts in their significance, the relations between tu and political power, media for inscribing tu and the impact of printing, and encounters with the West.

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Started with high expectation but ended with disappointment. Only few chapters are fairly good, some are just self-repeating, and the others are so poorly written. As always, Brill editors are incredibly careless, irresponsible, and lazy, or simply incapable that they should be so ashamed for being paid.

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Iwo Amelung的“現代化國傢的新地圖：西方製圖知識及其在19世紀和20世紀中國的應用”

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intro還算有啓發

评分☆☆☆☆☆

Iwo Amelung的“現代化國傢的新地圖：西方製圖知識及其在19世紀和20世紀中國的應用”

评分☆☆☆☆☆

intro還算有啓發