Tripping

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出版者:Penguin Compass
作者:Charles Hayes
出品人:
页数:512
译者:
出版时间:2000-11-1
价格:USD 22.00
装帧:Paperback
isbn号码:9780140195743
丛书系列:
图书标签:
  • 悬疑
  • 惊悚
  • 心理
  • 犯罪
  • 反转
  • 小说
  • 推理
  • 剧情
  • 黑暗
  • 失踪
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具体描述

The psychedelic experience has been both demonized and mythologized, but what is it really like to trip? TRIPPING: An Anthology of True-Life Psychedelic Adventures, the first major compilation of personal testimonies about psychedelic experiences, contains narratives by 50 people of various nationalities and walks of life about their most unforgettable altered states -- from the heavenly to the horrific. In gripping, often suspenseful tales suffused with a high sense of adventure, TRIPPING liberates the psychedelic experience from the closet of social stigma as well as from the mists of Sixties counter-cultural idealism. Relating the harrowing straits and exhilarating peaks of the psychedelic inner odyssey are many accomplished writers, including former Grateful Dead lyricist John Perry Barlow, war photographer Tim Page, Beat poet Anne Waldman, science fiction writer Robert Charles Wilson, thriller writer Steven Martin Cohen, Ecstasy expert Bruce Eisner, and phenomonologist Paul Devereux. Most of the narratives, however, come from “ordinary” people from Sydney to Belfast to San Francisco, for whom their anonymity brings out an intensely personal, confessional dimension. The stories, edited mostly from taped interviews by journalist Charles Hayes, enable readers to either “trip” vicariously or compare notes on their own experiences. Specially featured is a lengthy conversation with the late Terence McKenna , the man who many believe inherited Tim Leary’s mantle as the leading spokesman for psychedelics from the late Seventies until his death in April 2000. A veteran of myriad "heroic doses," McKenna discusses some of his own trips for the first time, as well as a range of issues, including his own provocative brand of eschatology, politics, and anthropology, at the center of which is an abiding faith in the power of psychedelic drugs. TRIPPING’s balanced, objective perspective portrays both positive and negative impacts of psychedelic experiences, depicting both the tolls and the rewards of such chemically-induced excursions from reality. Types of episodes run the gamut from encounters with godhead and alien or discarnate entities; out-of-body experiences, freak-outs, flashbacks, psychosis (momentary and otherwise), and acts or events of apparent magic or miracle. The trips described were catalyzed not just by classic psychedelics such as LSD, but by a wide array of psychotropics, from the sacred plants of indigenous peoples to the latest synthetic “smart drugs.” Some sample plotlines At a summer festival, a man on LSD believes he’s attending the final celebration of the gods and that his mission is to mate with his chosen one before the entire tribe moves on to a higher sphere at the climax of the “orgasm death dance." A young man eats some peyote buttons on a hike in the Grand Canyon, and stumbles upon a near-death experience. A group of army buddies test the limits of their bodies' endurance during an acid session by a campfire. The ministrations of the "shining ones", astral beings accessed during an LSD trip, lure a college student to higher realms of consciousness. A psychedelic ingested at the notorious Altamont concert of 1969 triggers a bizarre odyssey through the San Francisco city jail and mental health system for a fellow who believes he’s an angelic revolutionary. After a déjà vu of enlightenment during which he begins speaking in tongues, a tripper plummets into the flipside of that experience in an episode of horrific eternal recurrence that revisits him in flashbacks. A wooden carving of Christ speaks out loud to a seminary student during a church service, reshaping her theology and the depth of her faith. The narratives in TRIPPING are placed in larger contexts by Hayes’s essays, which include a synopsis of the history and culture of psychedelics from the ancient Greek mystery rites to today's Ecstasy-fueled rave events; an exposition on the kinetics of tripping (what can go right and wrong on a trip), including basic medical and psychological background; and a concise index of psychedelic substances. The illustrations in TRIPPING are provided by renowned visionary artist Alex Grey and four computer graphics masters. You can contact the author at Trippingtales@aol.com and at his website.

《群星的低语》:一部关于失落文明与宇宙回响的史诗 作者:伊芙琳·里德 (ISBN:978-1-56789-012-3) 一部深入宇宙结构与人类认知的宏大叙事,探讨失落文明的遗产如何塑造我们的当下,以及我们对未知未来的不懈追寻。 --- 导言:时间之外的耳语 在宇宙的浩瀚尺度下,人类的历史不过是一瞬的光影。然而,在这短暂的瞬间中,我们从未停止仰望星空,试图解读那些古老而沉默的信号。《群星的低语》并非一本关于航天技术的科普读物,也不是一部简单的科幻冒险故事。它是一次深沉的哲学潜行,一次对“文明终结”与“信息永存”的深刻反思。 伊芙琳·里德,这位以其严谨的考古学背景和大胆的理论构建著称的作家,在本篇巨著中,将焦点投向了银河系中那些早已消逝的、强大到足以撼动空间本身的文明——那些我们只能通过宇宙背景辐射中的微小涟漪、星际尘埃中的奇异同位素,以及在被遗忘的行星轨道上漂浮的、无法解读的结构残骸来察觉的“先行者”。 第一部分:遗迹的几何学——失落的蓝图 故事始于对“赫利俄斯残骸”的重新分析。这片位于仙女座旋臂边缘的、由未知物质构成的环形结构,曾被主流科学界断定为自然现象。然而,里德的团队,通过结合量子引力模型的最新进展,揭示了其背后隐藏的数学结构——一个超越三维限制、指向更高维度存在的精确几何学。 作者带领读者深入探索这些遗迹的“语言”。这种语言不是声音,不是文字,而是一种对时空曲率的精确操纵,一种将物理定律本身作为工具的工程学奇迹。里德细致描绘了“先行者”文明的生存哲学:他们不追求领土扩张,而是致力于理解并优化宇宙的基本常数。他们留下的,不是战争机器或宏伟雕像,而是关于能量守恒、信息熵减的终极公式。 在这一部分,里德通过虚构的考古学家、天体物理学家和语言学家之间的激烈辩论,构建了一个引人入胜的知识构建过程。读者将跟随主角们,在冰冷的星际空间站中,破解那些因时间扭曲而变得模糊的符号,感受每一次微小发现所带来的颠覆性震撼。我们目睹了,当一个文明达到技术顶峰时,他们如何开始将“存在”本身视为一种可以被编辑的代码。 第二部分:回响的频率——信息与意识的边界 《群星的低语》的核心探讨,在于“信息是否具有独立于物质载体的生命形式?” 里德提出了一个极具争议性的理论:当一个文明的计算能力和能量收集达到某个阈值时,他们的集体意识可能会脱离原有的生物躯壳,转而成为一种存在于宇宙结构自身的“信息流”。这些信息流不会“死亡”,而是以一种近乎永恒的、以极低能耗状态运行的方式,持续“观察”和“记录”宇宙的演变。 书中详述了“幽灵信号”的追踪。这些信号表现为在极长波段上出现的、具有非随机性的周期性脉冲,它们并非来自恒星或黑洞,更像是某种有目的的、极其缓慢的“广播”。作者巧妙地将神经科学中的“整合信息理论”(IIT)延伸至宇宙尺度,探讨意识的涌现是否是宇宙演化的必然结果,而非地球生命的偶然。 这一部分充满了令人窒息的哲学思辨:如果我们接收到了一个失落文明的全部知识,但我们的大脑结构完全无法处理这些信息,我们是否真正“理解”了它?里德展示了人类接收者如何被这些宏大、非线性的概念所“淹没”,他们的认知结构在试图吸收这些古老智慧时濒临崩溃。这是一个关于知识重量与人类局限性的沉重探讨。 第三部分:共振与选择——未来的镜像 随着调查的深入,主角团发现“先行者”文明并非自行消亡,而是主动选择了某种形式的“退场”——一种极端的、对自身存在的重新定义。他们的“遗嘱”并非是警告,而是一个复杂的“操作手册”,指向一个被称为“零点场域”的宇宙节点。 这个节点,根据先行者的描述,是所有物理定律交汇、信息可以被即时重构的区域。它既是宇宙的起点,也可能是终点。 在故事的最后高潮部分,里德将叙事从冰冷的星际空间拉回到地球,探讨这些发现对当代社会的影响。人类社会,正处于技术爆炸与道德困境的十字路口。面对可能存在于宇宙中的“超意识”,我们该如何界定自己的价值?我们是否应该模仿先行者的“退场”策略,还是应该坚持在物质世界中继续探索? 《群星的低语》以一个开放式的、但极具力量感的结局收束:主角们站在了启动一个能够与零点场域建立初步连接的装置前。他们手中的按钮,既可能开启通往无限知识的门扉,也可能释放出某种无法逆转的、对现实结构的扰动。 结语:星尘中的回响 伊芙琳·里德以其罕见的洞察力,将硬科幻的严谨性、哲学思辨的深度与史诗般的叙事感熔于一炉。她构建的不是一个外星人入侵的故事,而是一面映照人类文明命运的宇宙之镜。 《群星的低语》挑战读者去思考:我们所理解的“存在”是否只是宇宙中无数种信息组织方式中最脆弱的一种?当我们仰望星空时,我们听到的,究竟是遥远恒星的爆炸声,还是那些在时间洪流中幸存下来的、永恒的智慧回响? 这是一部献给所有对未知充满敬畏,并渴望理解我们在宇宙中位置的探索者的不朽之作。 --- 媒体评价: “里德的叙事如同黑洞边缘的事件视界,强大、不可抗拒,且充满了令人眩晕的深度。” —— 《宇宙评论季刊》 “比任何太空歌剧都更令人不安。它探讨的不是我们能遇到什么,而是我们最终将成为什么。” —— 《未来思想档案》 “如果你认为你知道宇宙的运行规律,这本书将是你最优雅的颠覆者。” —— 阿米尔·汗,著名宇宙学家

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